OENO Gallery Nude Paintings
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The Pleiades-Taygete - nude, female, figurative, charcoal and ink on canvas
By Richard Tosczak
Located in Bloomfield, ON
Richard Tosczak creates life size paintings and sketches of his models which he then recreates in bronze. This large scale canvas reflects speed, gesture and the effect of capturing ...
Category
2010s Contemporary Nude Drawings and Watercolors
Materials
Canvas, Charcoal, Acrylic Polymer, Archival Ink, Watercolor
Reclining Nude - elegant, abstracted figurative, nude, female, oil on paper
By Daniel Hughes
Located in Bloomfield, ON
Dan Hughes pays homage to classical painting techniques with a loose hand. Bold, modulated colour brushstrokes showcases formal composition in a new and refreshing light. Well known ...
Category
2010s Contemporary Figurative Paintings
Materials
Oil, Archival Paper
Nude Back - soft, colorful, abstracted figurative, nude, female, oil on paper
By Daniel Hughes
Located in Bloomfield, ON
Sensuous portrait of a nude woman in an abstracted red and grey environment. Daniel Hughes pays homage to classical painting techniques with a loose hand. Bold, modulated colour brus...
Category
2010s Abstract Figurative Paintings
Materials
Oil, Archival Paper
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Lovers Series No. 15
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George North Morris - painter, writer, teacher
Born May 13, 1915 in East Liberty, PA
Died Oct. 1, 1996 in Hudson, NY
Studio locations over the years: varied from Hyannis (MA), Providence (RI), Oglethorp (GA), Montpelier (VT), Yonkers & Westchester Co. (NY) to the later years in Germantown (NY).
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He wrote a part of the foreward, called "The Tradition", for a book "A Century and a Half of American Art 1825-1975". Published in 1975 by the "National Academy of Design". He was also an art critic and reporter for the Worcester Telegram and the Provincetown New Beacon.
He was a person that felt time was by far better spent talking about and hearing ideas and thoughts. The following are some of his.
George Morris's life was that of art and art critic as well as educator. "It was the two summers, 1938 and 1939" recalled Morris, "that I really learned how to paint".
Though much of his work showed a strong Edward Hopper influence, at the same time it took many roads. It was, over the years, much too varied to categorize. He started with collage, moved to abstraction, and then to a period during the late 1960s and '70s when he completed what he called his "Lovers Series" - erotic paintings filled with large orchestrated flat color - that show him moving away from abstraction.
Upon becoming bored with the concept of abstract painting, he looked for new challenges in pastels, acrylics and water colors, painting once again what he called "the world as it is recognizable by others".
George firmly believed that all the best artists are good hucksters, too.
Solo exhibitions as a painter were as follows:
Columbia-Greene Community College - 1985
Barrett House - 1985
Smith Gallery - 1980, '81, '82
Swansborough Gallery, Wellfleet - 1983
Hopper House, Nyack, NY - 1981
Hudson River Museum, Yonkers
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