O'Sullivan Antiques New York Glass

Sleek, modern design Chrysalis vase by Murano glass maker Carlo Mason in black and white. Etched maker's mark on underside of base. Excellent pre-owned con...

A striking black and white 'handkerchief' art glass vase or vessel in the style of 20th century Italian designer, Venini. Very good condition as shown in images. No chips noted. Dimensions: 6" depth x 5.5" height. - Other white art glass vases shown available separately. - Black cocktail table shown search 1stDibs ref. #: LU1314224058842 - Italian glass...

Pitcher, bowl and seven glasses designed by Jacob E. Bang for Holmegaard, Denmark. Great condition, 1950s.

This beautiful vase is an apt demonstration of why Bohemian glass is so highly regarded in the present day: this is a classy, sleek antique piece, ideal for the contemporary interior...

An Italian Murano glass vase manufactured in the 1960s.

A set of handblown early 18th century Oil and Vinegar Flacons. Following the French Court etiquette rules and a taste for luxury spreaded around Europe in the 18th century. Eating be...

antique Bohemian double overlay (3 layers) cut glass two-piece set, jug and plate Glass richly cut in various shapes and decorated all around with gil...

An extremely rare Georgian peacock green drinking vessel with six finger hole and lid. The vessel is very similar in design to earlier German vessels one of which can be seen at the...

An impressive George II hand cut full led Irish Crystal Pedestal “Kettle Drum” Bowl of circular outline and unusually large proportions. Made by the Old Waterford Glass Company, County Tipperary in Ireland. Late Eighteenth, early Nineteenth Century. The heavy gauge circular wavy cut rim with a band of richly cut diamond and chevron cut pattern. The lower bowl area with scale cut detailing, raised on a single ring socle stem above a square thick spreading pedestal, underneath with “lemon squeeze” foot detail. Condition: Good untouched condition with no losses, except for one tight short crack, see two images which clearly show this imperfection, wonderful age wear underneath base. Typically unmarked as Georgian pieces were not. *Stunning and rare example of a piece of Irish Georgian History. The asking price reflects the imperfection. Wonderful rare “grey” tint to crystal, so typical of Eighteenth-Century Irish pieces. Diameter: (top rim, an impressive) 9” (23cm). Height: 8.25" (21cm). Depth: (square base) 3.5" (9cm). Location: Dublin City, Ireland. Affordable fixed charge Worldwide Store to door shipping. The history of Irish Hand Cut Crystal goes back to the late 17th century. George Ravenscroft started the tradition in 1676. The glassmaker added lead oxide to the silicates that make up the molten glass. The process achieved a softness that allowed the glass to be blown and carved while remaining hard and clear as it cooled. The first crystal factory in Ireland opened in County Tyrone in 1771. The Creation of Waterford Crystal The Waterford Crystal we know today back in 1783 with George and William Penrose. Their vision was to “create the finest quality crystal for drinking vessels and decorative objects of beauty for the home.” The Penrose brothers sought the expertise of renowned glassmaker John Hill in 1785. Hill that began the process of polishing the glass to give the unique Waterford Crystal shine now known the world over. Hill left Waterford in 1788 after a major disagreement with the Penrose brothers. Waterford cut glass...

Early 19th century Regency cut glass fruit or syllabub bowl, Irish. Stemmed form. The bottom wear suggests a ladle in frequent use. The clarity is typical of Waterford. Handblown & c...

Original zoomorphic pitcher ewer in the shape of a partridge. Beautiful item made of silver plate for the head of the partridge nicely chiseled showing the lovely texture of feathers and blown blue glass for the body part, with a handle on the back. Yellow-colored glass eyes. The Head of the partridge is mounted on a hinge forming a movable lid for the pitcher-ewer. This kind of pitcher ewer was mainly used to serve delicious alcohol or liquor with flavor and aroma, such as pear, and mirabelle plum, as it was during the "Belle Epoque" a very fashionable and refined custom. This colored blown glass was produced by the Portieux Crystal factory created in 1705, it has a written mark "Deposé" beneath the body of the ewer, french work from the late 19th century, probably from Napoleon III period. The history of this factory known as the "Portieux crystal factory" actually begins in Tonnoy in 1690. In 1698, Duke Leopold I of Lorraine granted letters patent to Sieur de la Pommeraye, owner of the premises, associated with François Magnien, holder of the know-how, the exclusivity of glass manufacturing and trade in his duchy. In 1898, the Grand Duchess of Vladimir, wife of the brother of Tsar Nicolas II, discovered the factory while on a cure in Contrexéville. She will become a frequent customer. in 1960, the company supplies many prestigious customers: Maxim's, Brasserie Lipp, Hôtel de Crillon, Le Bristol...

A very beautiful and substantial Italian Modern Murano art glass vase, circa mid-20th century, Italy. The glass making technique here is call 'incamicato'; where layers of glass are combined. In this case the black and white outside with a blue inside. This Italian Midcentury Modern Murano art glass vase colors include black, white, and sky blue. Base is clear/transparent. Piece is beautiful with or without flowers, beautiful as a standalone piece. Dimensions: 6.25" width x 7.88" height.     Small bust...