PAGODA RED Urns

Chinese white porcelain jar decorated with blue figures amid scroll detailing with a finial topped lid. Condition: Good; Wear consistent with age and use

Sculptural and functional, this rare wooden vessel hails from the remote highlands of Nagaland, a culturally rich region in northeastern India. Carved from a single trunk of what is ...

Postmodern Tessellated Stone Inlay Mod Cachepot/PPlanter, Attributed to Maitland-Smith, Circa 1980s  This striking postmodern tessellated stone inlay cachepot/planter, attributed to...

A wonderful gem of a piece by famed American/California ceramicist Beatrice Wood featuring her highly coveted, gorgeously radiant turquoise luster glaze. A beautiful design with a delicate long neck rising from a circular base. Classic and timeless. Signed by Beatrice in her customary "Beato" on the underside of the base (with noted inventory number). Would be an amazing addition to any Mid-Century Modern pottery collection or personal collectors of her work or a fabulous stand-alone accent piece in about any setting. One of the best Beatrice Wood's luster glaze vases we have come across in quite a while. Know famously in the art world as "The Mama of Dada", Wood lived a long (1893-1998) and very fruitful, creative life and is considered by many experts and collectors alike to have been a centerpiece in the modern ceramic art movement of the 1950s, 1960s, and 1970s. At one point in her career, Wood studied with master potters Otto and Gertrud Natzler and later become famed in her own right for her distinct luster-glazing techniques. In 1994, the Smithsonian Institution named Wood an "Esteemed American Artist". Her other awards include: 1994 Governor’s Awards for the Arts (California) 1993 Recognition as A Role Model by Women in Film 1992 Gold Medal for Highest Achievement in Craftsmanship, American Craft Council 1988 Distinguished Service Award, Arizona State University 1987 Fellow of American Craft Council Women’s Art Caucus, National Award (NCECA Award) 1986 Women’s Building Award 1984 Living Treasure of California 1983 Symposium Award of the Institute for Ceramic History 1961 Goodwill Ambassador from USA...

This jar made by hand with exceptional floral and Chinese calligraphy motifs marked on it, and beautifully glazed with olive color. The unique look in this jar show as that while in...

3 antique Chinese (Late 19th century) similar ceramic ginger jars with blue floral designs surrounding bold, centered characters and geometric patterned bands leading to brown rustic...

TWO CHINESE BLUE AND WHITE PORCELAIN GLOBULAR 'PRUNUS' JARS Late Qing Dynasty Each painted with prunus branches against a mottled blue 'ice' ground both with hardwood covers, doubl...

Mid-20th Century Globular Vessel, Mangbetu People, D. R. Congo An unusually large and striking non-figurative vessel from the Mangbetu people, comprised of six lobes joined to a c...

Late 20th century porcelain vase / urn by Maitland Smith. Features round panels of chinoiserie floral designs, framed in a background of speckled brown and a pattern of spirals aroun...

A large and very decorative twin handled jug with a lid attached with a chain. A brass plaque on the side is labeled: Tambo La Nona Ano 1922 Lu Jan LM. Desirable signs of age includi...

Sculptural and functional, this rare wooden vessel hails from the remote highlands of Nagaland, a culturally rich region in northeastern India. Carved from a single trunk of what is ...

Elegant white and blue vessel made with the Talavera technique. Artist, Cesar Torres portraits the colonial art of Mexico. The Talavera is not just a simple painted ceramic: its exquisite decoration is the product of a delicate process of alchemy that translates into fine enamels. In Puebla, Mexico few people still produce using Talavera with the ancestral techniques. One of those few is Cesar Torres, Don Cesar learned his art in the workshop of the Uriarte family, an excellent workshop where his grandfather worked. In his creations he uses the black and white mud that is obtained from the nearby hills of Loreto and Guadalupe, and colors of mineral origin that he creates in his workshop with recipes from his grandfather. All the pieces are modeled in a traditional way and go through a production process that usually takes from one to two months, between drying, burning, and painting. Being surrounded by a living tradition, Cesar Torres Jr., learned from his father since childhood. Architect by profession, Cesar Jr. has come to revolutionize and modernize with new designs and ideas of the current world, nevertheless always respecting the tradition of the processes and materials that make Talavera a Creole art...