Pappilon Planters, Cachepots and Jardinières

Beautiful handmade ceramic planter, perfect for accentuating the beauty of your houseplants. Each ceramic plant pot is individually thrown and trimmed on the wheel, glazed by hand i...

Cizhou stoneware vessel, dating to the Ming dynasty, 17th century. Traditional urn-shaped stoneware, decorated with dark brown brushwork on a ligh...

Elegant Blue Ceramic Vase This striking blue ceramic vase, with its captivating blend of other complimentary hues of white, and green, is a stunning piece of mid-century modern desi...

This impressive glazed vessel dates to the early 17th century and was used to store condiments or pickles in a Ming-dynasty kitchen. The grand jar has an elegant, tapered form and is...

Quimper ceramic earthenware vessel with lid Substantial piece in weight and feel with beautiful floral motif Wonderfully vibrant colors Marked identi...

Beautiful ceramic handmade planter. Carefully crafted, each black ceramic plant pot is thrown and trimmed on the wheel, and every outer spike is i...

Midcentury ceramic planters, American, circa 1960s. These pieces are unsigned, so we are unsure of the ceramicist, but the estate where the...

A beautiful handcrafted mid-20th Century French Accolay ceramic vase or vessel. This stunning Accolay ceramic vase was hand-crafted with an eye catching design. The neutral colors and design fits perfectly with almost any color scheme. Designed in the manner of Alexander Kostanda pieces this Accolay ceramic vase will enhance any setting. Stamped Accolay. Very good vintage condition, no cracks or chips. Measures: 9" H x 9 3/4" W x 5 1/2" D More about Accolay pottery: Under the term Poterie d'Accolay or Accolay pottery, we group together the production of a community of potters settled in the village of Accolay, in the department of Yonne. This production center was created by four former students of Alexander Kostanda. Active from 1945-1983, their pottery is distinguished by a great technical inventiveness and an extremely abundant production. The pottery community exploited the proximity of the National 6 (can be compared to Route 66 in the USA) by investing in the service stations to make permanent exhibition places on the circuit of migration of Parisian tourists. Their exhibition buildings, inspired by the construction of the 24h circuit of Le Mans, became the obligatory stage for holiday makers in transit. The National 6 joins the 7 known as the sun route. This form of marketing continued at the entrance to Vermenton until the closure of factories in 1983. The creation of the Lyon motorway had however for several years derived the flow of tourists. The forefather Alexandre Kostanda (Dec 1921 - Nov 2007) was born in Poland of Russian parents. The family emigrated to Lorraine in France, where his mother Irene worked as a decorator in a porcelain factory. They then moved to Vallauris, where his mother worked at Louis Giraud's workshop. Alexandre joined the company as an apprentice from 1936-1938. After the war he taught pottery at the Longchamps Pottery...

Kawa Vase 08 Tall white ceramic vase with textured raw porcelain exterior surface and clear glazed interior. As a result of the production process each item is one-of-a-kind. Use i...

Trish DeMasi Botanica vessel, 2021 Glazed ceramic Measures: 9 x 8 x 8 in.

Monumental ceramic bulbous vase with greens and yellows throughout. Vessel measures 13" diameter and 26" high.

Trish DeMasi Lamella Vessel, 2021 Glazed ceramic Measure: 10 x 10 x 20.5 in.