Petersburg Press Interior Prints
to
1
2
6
3
Overall Width
to
Overall Height
to
8
3
1
8
2
1
12
2
2
9
3
1
1
1
1
1
1
1
9
4
4
4
2
12
Thinking Aloud in the Museum of Modern Art, Hodgkin, abstract black and white
By Howard Hodgkin
Located in New York, NY
Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary...
Category
Late 20th Century Abstract Abstract Prints
Materials
Etching
Howard Hodgkin hand-colored Early Evening in the Museum of Modern Art
By Howard Hodgkin
Located in New York, NY
Large scale black and white abstract interior scene with dots, lines, brushstrokes, and hand painting in grey, to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract.
Early Evening in the Museum of Modern Art, by Howard Hodgkin. Signed by the artist, numbered, and dated 79 lower center in red crayon. Soft-ground etching printed from the same plate as 'Late Afternoon in the Museum of Modern Art', with hand coloring in black gouache on Grey BFK Rives mould-made paper.
This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Wide areas of deep black pigment contrast urgent swipes of ink. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each impression in the edition unique.
Part of a series of four prints reflecting on a visit to...
Category
Late 20th Century Abstract Interior Prints
Materials
Gouache, Etching
Inside the castle by David Hockney (Six Fairy Tales from the Brothers Grimm)
By David Hockney
Located in New York, NY
From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image of the story ‘The boy who left home to learn fear’. Hockney chose this story for its obscu...
Category
1960s Modern Figurative Prints
Materials
Etching, Aquatint
Home David Hockney (Six Fairy Tales from the Brothers Grimm) Clandeboye House
By David Hockney
Located in New York, NY
From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of ‘The boy who left home to learn fear’. Hockney chose this story for its ...
Category
1960s Modern Figurative Prints
Materials
Etching, Aquatint
Vintage David Hockney Exhibition Poster Ashmolean Museum 1981
By David Hockney
Located in New York, NY
Poster produced for David Hockney’s 1981 exhibition at The Ashmolean Museum, Oxford, which displayed the sets and costumes he designed for the Glyndebourne Festival Opera’s 1975 prod...
Category
1980s Modern Interior Prints
Materials
Offset
Those... Plants Howard Hodgkin red orange green etching watercolour gouache
By Howard Hodgkin
Located in New York, NY
Around each corner of the print, a brilliant stripe of green outlines the image field, as if the viewer were looking through an eye, or peering through a frame. The back of a figure’...
Category
Late 20th Century Abstract Interior Prints
Materials
Watercolor, Gouache, Etching
Souvenir, Howard Hodgkin: large scale black white gray abstract interior scene
By Howard Hodgkin
Located in New York, NY
Very large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles. Striking print to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is more painterly, expressionist, and abstract.
Paper 45 x 55 in. / 114.3 x 139.7 cm.
Souvenir by Howard Hodgkin. Screenprint on Arches aquarelle mould-made paper. Signed by the artist with initials and dated 80 in pencil lower center, numbered in pencil lower left.
This bold Howard Hodgkin print layers five shades of black, with a wide variety of marks including some from the artist’s fingerprints and hand. Scribbles and lines of grey loosely define what could be an interior space with furniture. As is typical of his prints, there is a sense of space, and of the passage of time, expressed through shapes that seem to recede through the picture, deep black shades and, unusually for Hodgkin’s work, the white of the paper showing through. The last photograph displays these rich surface textures on the sheet at an angle.
Catalogue reference: Elizabeth Knowles...
Category
Late 20th Century Abstract Abstract Prints
Materials
Screen
Artist and Model Howard Hodgkin - green and yellow etching watercolour gouache
By Howard Hodgkin
Located in New York, NY
This vibrant abstract orange and green print is part of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), These…Plants) by Howard Hodgkin. The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, green watercolor contrasts beautifully with marigold orange, crimson, and terra cotta red. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model.
Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring in a yellow watercolor wash and green gouache on Stoneridge mould-made etching paper. Edition 100.
Howard Hodgkin was introduced to the etching technique used in Artist and Model (in green and yellow) at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Catalogue reference: Elizabeth Knowles...
Category
Late 20th Century Abstract Interior Prints
Materials
Watercolor, Gouache, Etching
Artist and Model Howard Hodgkin abstracted orange and black watercolor gouache
By Howard Hodgkin
Located in New York, NY
Large black and marigold orange abstract interior scene of a bust in front of a window with fingerprints and painterly brushstrokes. Rich color and texture ideal for hanging in minimalist, contemporary and modern living spaces.
Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring on Stoneridge mould-made etching paper.
This print is one of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), Those…Plants). The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, marigold orange contrasts beautifully with rich black ink. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model.
Howard Hodgkin was introduced to the etching technique used in Artist and Model at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Catalogue reference: Elizabeth Knowles...
Category
Late 20th Century Abstract Interior Prints
Materials
Watercolor, Gouache, Etching
Howard Hodgkin Late Afternoon in the Museum of Modern Art abstract black white
By Howard Hodgkin
Located in New York, NY
Abstract black, white and tan print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract.
Late Afternoon in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36/100. Signed by the artist, numbered 36/100, and dated 79 lower center in red crayon. Printed from the same plate as Early Evening in the Museum of Modern Art. Published by Petersburg Press.
This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Hodgkin used his hand as a mark-making tool, combining these textures with loose and urgent brushwork.
Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Part of a series of four prints reflecting on a visit to the Museum...
Category
Late 20th Century Abstract Interior Prints
Materials
Etching
David Shapiro: Rene Ricard vintage poetry tombstone print "carved in stone"
By Rene Ricard
Located in New York, NY
The title of this poetic, abstract work is written across the top of the sheet. The hand-written cursive below reads: "David Shapiro / Told me he was going to / Carve his poems in stone / "That's one way to make them lost" / I don't have to / Rene Ricard". A poet, art historian and art critic, David Shapiro was friends with Ricard, and a part of the 1980's art scene in New York. Shapiro became famous briefly during the 1968 anti-Vietnam student uprising at Columbia University, when a photograph of him smoking a cigar behind the desk of the Columbia University president was published in Life magazine, and he became the face of the student protest...
Category
1980s Contemporary Abstract Prints
Materials
Lithograph
All Alone in the Museum of Modern Art Howard Hodgkin abstract black painting
By Howard Hodgkin
Located in New York, NY
Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract.
Paper: 29.5 x 38.75 in. / 74.7 x 98.2 cm.
Soft-ground etching with hand coloring in black gouache on grey BFK Rives mould made paper. Signed by the artist, dated 79, and numbered 59/100 lower center in red crayon. Printed from the same plate as 'Thinking Aloud in the Museum of Modern Art', this print was previously titled "Not Quite Alone in the Museum of Modern Art," suggesting an erotic dalliance in the museum.
This print depicts an abstracted scene, perhaps a window and a door, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Beside bold black strokes, his fingerprints form areas of texture. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each print in the edition unique.
Howard Hodgkin was introduced to the etching technique used in 'All Alone in the Museum of Modern Art' at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Part of a series of four prints reflecting on a visit to the Museum...
Category
Late 20th Century Abstract Abstract Prints
Materials
Etching
Related Items
Doughlah G.E.P., 1968-71 - Contemporary Art, Abstract Art
By Frank Bowling
Located in London, GB
Title: Doughlah G.E.P., 1968-71
Year made: 2023
Material: Giclée print on 330gsm Somerset Velvet cotton rag paper with an embossed publisher stamp
Edition of 250
It comes with COA f...
Category
2010s Abstract Abstract Prints
Materials
Giclée
$745
H 31.5 in W 25.99 in
Hothead - Contemporary Art, Abstract Art
By Frank Bowling
Located in London, GB
Hothead, 2016
Giclée print on 330gsm Somerset Velvet cotton rag paper with an embossed publisher stamp
82 x 78 cm - Framed
80 x 75 cm - Sheet
Edition of 250
It comes with COA from t...
Category
2010s Abstract Abstract Prints
Materials
Giclée
Alice Tully Hall, by Guillermo Kuitca (red abstract)
By Guillermo Kuitca
Located in New York, NY
One screen print on wove paper titled, Alice Tully Hall by Guillermo Kuitca, 2009. It is hand signed in pencil, dated and numbered from the edition of 117 (total edition includes 18 artist's proofs) The sheet size is 22 1/4 by 20 inches, with the blindstamp of the printer, Brand X Editions, New York. Published by Lincoln Center for the Performing Arts, Inc., New York.
This impression has a rich, bold red color on bright white paper.
Guillermo Kuitca, whose paintings and prints are often inspired by seating arrangements in theater interiors, recreates the seating chart...
Category
Early 2000s Abstract Abstract Prints
Materials
Screen
Bow Street Office: Rowlandson Hand-colored Engraving from Microcosm of London
By Thomas Rowlandson
Located in Alamo, CA
An early 19th century print entitled "Bow Street Office", an illustration (Plate 11) from "The Microcosm of London", published in London in 1808 by R. Acker...
Category
Early 1800s Other Art Style Interior Prints
Materials
Aquatint, Etching
Thomas RowlandsonBow Street Office: Rowlandson Hand-colored Engraving from Microcosm of London, 1808
$655
H 18.5 in W 20 in D 0.88 in
Cup with Pot - Original Etching and Aquatint by Miguel Ibarz - 1960s
By Miguel Ibarz Roca
Located in Roma, IT
Hand Signed. Artist's Proof.
Good conditions.
Category
1960s Figurative Prints
Materials
Etching, Aquatint
$306
H 3.15 in W 3.55 in D 0.04 in
Wassily Kandinsky 1977 Maeght Original Unused Vintage Lithograph Poster Exhibit
By Wassily Kandinsky
Located in Miami, FL
Wassily Kandinsky (Russia, 1866-1944)
Centenaire Kandinsky. Fondation Maeght, 1977
lithograph on paper
23.7 x 17.8 in. (60 x 45 cm.)
Excellent condition, unframed
Ref: KAN100-202
Wa...
Category
1970s Abstract Abstract Prints
Materials
Lithograph
Don Juan
By Louis Icart
Located in Missouri, MO
Aquating Engraving
Image Size: approx. 20 1/4 x 13 3/8
Framed Size: 28 x 20.5 inches
Pencil Signed Lower Right
Louis Justin Laurent Icart was born in Toulouse in 1890 and died in Paris in 1950. He lived in New York City in the 1920s, where he became known for his Art-Deco color etchings of glamourous women.
He was first son of Jean and Elisabeth Icart and was officially named Louis Justin Laurent Icart. The use of his initials L.I. would be sufficient in this household. Therefore, from the moment of his birth he was dubbed 'Helli'. The Icart family lived modestly in a small brick home on rue Traversière-de-la-balance, in the culturally rich Southern French city of Toulouse, which was the home of many prominent writers and artists, the most famous being Henri de Toulouse-Lautrec.
Icart entered the l'Ecole Superieure de Commerce de Toulouse in order to continue his studies for a career in business, particularly banking (his father's profession). However, he soon discovered the play writings of Victor Hugo (1802-1885), which were to change the course of his life. Icart borrowed whatever books he could find by Hugo at the Toulouse library, devouring the tales, rich in both romantic imagery and the dilemmas of the human condition. It was through Icart's love of the theater that he developed a taste for all the arts, though the urge to paint was not as yet as strong for him as the urge to act.
It was not until his move to Paris in 1907 that Icart would concentrate on painting, drawing and the production of countless beautiful etchings, which have served (more than the other mediums) to indelibly preserve his name in twentieth century art history.
Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard.
In Icart's drawings, one sees the Impressionists Degas...
Category
1920s Art Deco Figurative Prints
Materials
Engraving, Aquatint
Bicentennial Dawn Lithograph and gold foil, Louise Nevelson sculpture signed/N
By Louise Nevelson
Located in New York, NY
Louise Nevelson
Bicentennial Dawn, 1976
Photolithograph, silkscreen and gold foil on white wove paper
hand signed, dated and numbered 15/100 with incised signature on the front
35 × ...
Category
1970s Abstract Abstract Prints
Materials
Foil
Monstrosities of 1824; Plate 7
By George Cruikshank
Located in Middletown, NY
London: Thomas McLean, 1835. Third Edition. Etching with hand coloring in watercolor on cream wove paper, 1818 (published August 1st, 1835) 9 1/2 x 13 3/4 inches (240 x 348 mm), full...
Category
Mid-19th Century Victorian Figurative Prints
Materials
Etching, Watercolor
Jonas Wood, Interiors and Landscapes (Lt. Ed Hand signed and inscribed poster)
By Jonas Wood
Located in New York, NY
JONAS WOOD
Interiors and Landscapes
Offset lithograph poster (hand signed and inscribed)
24 × 18 inches
Hand signed, dated by Jonas Wood with the artist's distinctive basketball leg...
Category
2010s Contemporary Interior Prints
Materials
Permanent Marker, Lithograph, Offset
Jonas Wood, Jersey City apartment (Hand Signed twice by Jonas Wood) Manhattan NY
By Jonas Wood
Located in New York, NY
JONAS WOOD
Interiors, 2019
Offset lithograph in colors on wove paper
Signed TWICE: Signed and dated in black marker lower right with the artist's distinctive flourish; hand signed ag...
Category
2010s Contemporary Figurative Prints
Materials
Permanent Marker, Lithograph, Offset
$4,750
H 24 in W 32.75 in
William B. Sharp, The Wedding, 1946, lithograph
Located in New York, NY
William Bertrum Sharp (1924-1984) served in the Armed Forces during World War II and is considered among the first artists to attend art school under the GI Bill.
He studied (proba...
Category
1940s American Modern Figurative Prints
Materials
Lithograph
