PrimoPiano Modern Seating

Tripolina folding chair presents a wooden frame with metal fixing and a beautiful removable seat realized in high-quality leather. This iconic ...

Set of two dining chairs model Ariston with structure in curved plywood and black lacquered metal legs. The Ariston chair was designed by Augusto Bozzi and manufactured by Saporiti ...

Sofa model Shark with a structure in chromed metal, wood, chromed backrest, and ground support, padding in polyurethane foam covered with dark brown fabric. Designed by Francesco Bi...

Set of six 4875 chairs (also known as Bartoli) designed by Carlo Bartoli in 1974 and produced by Kartell. The chairs are made of polypropylene, a very resistant and lightweight plas...

Set of two stools in bamboo and rattan, attributed to Franco Albini and produced in Italy in the 1960s. He was a major figure in the Rationalist Movement, excelling in architectural...

Mid-century modern Mitzi armchair with a black ebonized wooden structure, seat, and, back upholstered with a bright red velvet. Designed by the Italian designer Ezio Longhi for E...

A beautiful flap sofa designed by Francesco Binfaré for Edra upholstered in white leather with nine reclinable parts. The sofa presents a steel structure an...

Set of four dining chairs with a frame in black lacquered metal and seat in curved plywood, attributed to Carlo Ratti and produced by Società Compensati Curvati in the 1950s. In Italy, at the beginning of the XX century, industries of curved solid wood arose under license of Michael Thonet, and through the International Exhibitions the processing of curved wood became more and more widespread. The Expo of the first decade was also attended by the wood manufacturers of Monza, while in 1905 Otto Helzer, in Switzerland, patented wooden structures in curved laminated, whose strength was equivalent to those in steel. The Ratti brothers of Monza took their cue from the solid wood laminate to create furniture that, instead of wooden elements, used sheets of wood. The brothers Ratti, Carlo and Mario, also began to follow the young artistic avant-gardes (cubism, futurism and abstractionism). The mastery of wooden sculpture influenced Carlo in the design and realization of furniture of fine neo-plastic artistic workmanship and decò, receiving honors from the Prince of Piedmont Umberto di Savoia. In 1919, in Milan, the first Lombard Exhibition of Decorative Arts was set up (later to become the Triennale) and the Ratti brothers exhibited their furniture in solid wood but also in curved panel with a new system of curvature, the one in Telo. The canvas system was developed by the Ratti brothers with the help of a friend, Cesare Cantù. They developed an elastomer bag in which the mould was inserted with the panel to be bent and, closing it with clamps, the air inside was removed, thus making the panel adhere to the mould. Carlo and Mario found in the Telo system a means by which they could make objects and furniture in the three spatial directions with large surface curvatures, without limits of thickness and minimum radii of curvature. In 1921 in Stuttgart the first Salone del Mobile was inaugurated and the Fratelli Ratti of Monza made itself known internationally by presenting solid wood furniture and also furniture in load-bearing plywood, flanked by furniture with framed and interchangeable covers. The Expo became meeting places to verify and present the novelties in the furniture and industrialization sector and, with the development of Industrial Design, the first architects joined in the design of the furniture industries. The Ratti Brothers, in the various international and national exhibitions, also presented incredible objects in their realization with the system in Telo. After 1930 Carlo and Mario produced many containers for radio and folding chairs for cinema but in 1939 they divided and in Monza Mario remained who, with his sons Antonio and Angela, formed the Società Compensati Curvi...

Toga chair was realized in hot-press moulded black fibreglass designed by Sergio Mazza in 1968 and manufactured by Artemide, Italy. The Toga chair is pa...

Living room set composed of two armchairs and a footrest with a structure in metal and padded fabric, designed by Anna and Carlo Bartoli and produced by Rossi di Albizzate, in the 19...

Set of six dining chairs with backs and seats realized in curved veneered plywood and legs in black lacquered metal, designed by Carlo Ratti and manufactured by Industria Legni Curvati (Lissone, Italy) in the 1950s. In Italy, at the beginning of the XX century, industries of curved solid wood arose under license of Michael Thonet, and through the International Exhibitions the processing of curved wood became more and more widespread. The Expo of the first decade was also attended by the wood manufacturers of Monza, while in 1905 Otto Helzer, in Switzerland, patented wooden structures in curved laminated, whose strength was equivalent to those in steel. The Ratti brothers of Monza took their cue from the solid wood laminate to create furniture that, instead of wooden elements, used sheets of wood. The brothers Ratti, Carlo and Mario, also began to follow the young artistic avant-gardes (cubism, futurism and abstractionism). The mastery of wooden sculpture influenced Carlo in the design and realization of furniture of fine neo-plastic artistic workmanship and decò, receiving honors from the Prince of Piedmont Umberto di Savoia. In 1919, in Milan, the first Lombard Exhibition of Decorative Arts was set up (later to become the Triennale) and the Ratti brothers exhibited their furniture in solid wood but also in curved panel with a new system of curvature, the one in Telo. The canvas system was developed by the Ratti brothers with the help of a friend, Cesare Cantù. They developed an elastomer bag in which the mould was inserted with the panel to be bent and, closing it with clamps, the air inside was removed, thus making the panel adhere to the mould. Carlo and Mario found in the Telo system a means by which they could make objects and furniture in the three spatial directions with large surface curvatures, without limits of thickness and minimum radii of curvature. In 1921 in Stuttgart the first Salone del Mobile was inaugurated and the Fratelli Ratti of Monza made itself known internationally by presenting solid wood furniture and also furniture in load-bearing plywood, flanked by furniture with framed and interchangeable covers. The Expo became meeting places to verify and present the novelties in the furniture and industrialization sector and, with the development of Industrial Design, the first architects joined in the design of the furniture industries. The Ratti Brothers, in the various international and national exhibitions, also presented incredible objects in their realization with the system in Telo. After 1930 Carlo and Mario produced many containers for radio and folding chairs for cinema but in 1939 they divided and in Monza Mario remained who, with his sons Antonio and Angela, formed the Società Compensati Curvi...

Set of six 605 Quinta chairs with a black steel rod frame seat and back in bent perforated sheet metal. Designed by Mario Botta for Alias in 1985 (This chair is no longer in production). The Quinta chair it's an architecture you can sit on, this design clearly shows the inspiration of iconic designer as Le Corbusier, Louis Kahn, and Carlo Scarpa, an exemplary of this iconic chair is also exhibited at the Museum of Modern Art. Mario Botta was born in 1943 in Mendrisio. After working as an apprentice draughtsman for the Lugano-based architect Tita Carloni, he moved first to Milan and then to Venice, where he enrolled at the department of Architecture at the IUAV. He completed his degree in 1969 with a thesis tutored by Carlo Scarpa – after having met Le Corbusier and Louis Kahn, who were later to be sources of inspiration – and returned to Switzerland to open his own professional firm, which at the time dealt mainly with detached family private homes. These included the villas in Riva San Vitale (1971-1973), Ligornetto (1975-1976) and Morbio Superiore (1982-1983), in which Botta treated the theme of the home as a refuge, which protects and reassures its inhabitants. These were buildings with a character that was ironic and, in a certain sense, monumental, obtained for example (in the case of Morbio) through rigorous symmetrical compositions and a particular use of raw concrete blocks set in a linear pattern and alternated with strips of silvered brick which, on the contrary, were set at 45 degrees. Partially dug into the hillside, the villa was also characterised by a theme which was particularly dear to Botta and which had already been explored in Riva San Vitale; the net distinction between solids and voids, the latter appearing to have been dug out of the building. Between 1980 and 1990, Botta associated with artists and intellectuals from all walks of life and took numerous long trips abroad. Together with Gabriele Basilico and Edoardo Sanguinetti, he published “La Casa Rotonda”, and he became friends with Max Huber, Nicki de Saint Phalle, Dante Isella, Harld Szeemann, Robert Frank and Alberto Flammer. In 1986, the MoMA in New York dedicated a solo exhibition to his work, and the Swiss architect received his first contracts for public buildings and from abroad, debuting with the Cultural Centre in Chambéry (1984-1987). In Japan, on a challenging triangular lot of only one hundred and sixty square metres, a space which remained from the opening of a new highway, Botta built a small building which, with its clarity and strength of image, attempted to stand out in the midst of the chaos that surrounded it, thanks to a thick masonry curtain raised on the main façade, in which slabs of grey marble are crossed with horizontal fissures which erode the angles and cancel the perception of the number of floors which make up the museum. The church of Mongo, on the other hand, was the first step in a long series of places of worship, including designs for the churches of Pordenone (1987-1992) and Sartiana (1987-1995), for the cathedral of Evry (1988-1995), for the basilica of Santa Maria degli Angeli on Mont Tamaro (1990-1996, for the Giovanni XXII church in Seriate (1994-2000) and for the Cymbalista synagogue in Tel Aviv (1996-1998). In each of these, light plays a predominant role as a prime generator of space and a measure for the definition of time that passes with the various phases of the day, the months and the seasons. Light is, however, the main symbolic element, representing through its variations the uneasiness of humankind in the face of divine perfection. In this same period, the scheduling for the construction of a new School of Architecture, the Mendrisio Academy, took place. Inaugurated in 1996, it offered an alternative approach to teaching in contrast to the Swiss University system, in which an important role is played by humanistic subjects and by a copious group of well-known international professors: from Rykwert to Benevolo, Burkhart, Campos Baeza, Dal Co, Frampton, Mendes da Rocha...

Set of three Maia stackable chairs with a frame in tubular steel and seat in black ABS, designed by Giotto Stoppino and produced by Bernini in the 1970s. The Maia chair presents a s...

Gala armchair with structure in rush and Indian rattan cane, designed by Franco Albini in 1951 and produced by Bonacina. The Gala seat is a classic of the Italian design and an exam...

Set of three Alky chairs with a structure in aluminum covered with dark brown velvet and chromed metal feet. Designed by Giancarlo Piretti in the 1970s for Anonima Castelli. The man...

Set of six 605 Quinta chairs with a black steel rod frame seat and back in bent perforated sheet metal. Designed by Mario Botta for Alias in 1985 (This chair is no longer in producti...

Cornaro living room set is composed of a two-seater sofa with two armchairs, a frame in lacquered wood seat, and a back in padded fabric, with leather ties. Designed by Carlo Scarpa...

Set of eight chairs model Cobra with chromed tubular steel structure and seat in black padded leather, designed by Giotto Stoppino, in the 1970s. This set perfectly fits with our Gi...

The Faces chair from the Nobody's Perfect series is in resin with plastic pegs, designed by Gaetano Pesce and produced by Zerodisegno 2005. With the manufacturer's brand stamped on the back-side. Gaetano Pesce is a prominent contemporary Italian designer and architect known for his bold experimentation with materials and color. Throughout his career, he has collaborated with some of Italy's leading design companies, including Artemide, Vitra, Cassina, and B&B Italia. Born in 1939 in La Spezia, near Genoa, Pesce enrolled at the University of Venice in 1959 to study architecture and graduated in 1965. During the final years of his studies, he also participated in courses at the Venice College of Industrial Design, where he was influenced by distinguished faculty members like Ernesto Nathan Rogers and Mario Bellini. Encouraged by their teachings to embrace innovation in modern design, Pesce became involved with an avant-garde architectural collective called “Gruppo N,” which drew inspiration from the streamlined aesthetics of the Bauhaus. These diverse inspirations equipped Pesce to embrace contemporary materials and explore the forms they enabled. His designs range from small decorative objects to large architectural spaces and reflect deep contemplation of the modern era. Notable works include his iconic La Mamma...

Small chair in red and black resin from the Nobody's Perfect series designed by Gaetano Pesce and produced by Zerodisegno 2002. With the manufacturer's brand stamped on the back side. Gaetano Pesce is a prominent contemporary Italian designer and architect known for his bold experimentation with materials and color. Throughout his career, he has collaborated with some of Italy's leading design companies, including Artemide, Vitra, Cassina, and B&B Italia. Born in 1939 in La Spezia, near Genoa, Pesce enrolled at the University of Venice in 1959 to study architecture and graduated in 1965. During the final years of his studies, he also participated in courses at the Venice College of Industrial Design, where he was influenced by distinguished faculty members like Ernesto Nathan Rogers and Mario Bellini. Encouraged by their teachings to embrace innovation in modern design, Pesce became involved with an avant-garde architectural collective called “Gruppo N,” which drew inspiration from the streamlined aesthetics of the Bauhaus. These diverse inspirations equipped Pesce to embrace contemporary materials and explore the forms they enabled. His designs range from small decorative objects to large architectural spaces and reflect deep contemplation of the modern era. Notable works include his iconic La Mamma chair...

The living room set is composed of a Nuvolone modular sofa (with six modules) which can be arranged to your liking. The sofa and the tables present a polyurethane foam upholstered s...

Mitzi sofa presents a poplar plywood base with erable finish, semi-gloss water–based varnish, iron inner structure, polyurethane cushions, wool cloth uphol...

Canada settee armchair with a structure in wood, seat, and back in padded blue-green velvet. It was designed by Ettore Sottsass Jr in 1959 and produced by the Italian company Poltro...

Living room set composed of a Nuvolone modular sofa (with six modules) and a large coffee table (with storage units) which can be arran...

The living room set is composed of a Nuvolone modular sofa (with five modules) and a large coffee table (with storage units) which can be arranged to your liking. The sofa and the t...

The living room set is composed of a Nuvolone modular sofa (with five modules) and a large coffee table (with storage units) which can be arranged to your liking. The sofa and the t...

Set of ten Catilina chairs with frame in painted steel, seat in black lacquered multi-layered wood, and polyurethane cushions covered with leather. This...

Set of four foldable Umbrella chairs with an aluminum frame, cast resin seat and handle and leather ties designed by Gaetano Pesce and produced by Zerodisegno in 1995. Each chair presents the manufacturer's stamp on the seat. Gaetano Pesce is a prominent contemporary Italian designer and architect known for his bold experimentation with materials and color. Throughout his career, he has collaborated with some of Italy's leading design companies, including Artemide, Vitra, Cassina, and B&B Italia. Born in 1939 in La Spezia, near Genoa, Pesce enrolled at the University of Venice in 1959 to study architecture and graduated in 1965. During the final years of his studies, he also participated in courses at the Venice College of Industrial Design, where he was influenced by distinguished faculty members like Ernesto Nathan Rogers and Mario Bellini. Encouraged by their teachings to embrace innovation in modern design, Pesce became involved with an avant-garde architectural collective called “Gruppo N,” which drew inspiration from the streamlined aesthetics of the Bauhaus. These diverse inspirations equipped Pesce to embrace contemporary materials and explore the forms they enabled. His designs range from small decorative objects to large architectural spaces and reflect deep contemplation of the modern era. Notable works include his iconic La Mamma chair...

Set of twelve dining chairs with wooden frame, seat and back in leather designed by Ilmari Tapiovaara and produced by La Permanente Mobili Cantù in 1950s. This set of chairs presen...

Set of twelve Tulu stackable chairs with frame in bent steel rod, seat and back in leather, designed by Takahama Kazuhide in 1968 and produced by Simon Gavina in the 1970s. The Tul...

Set of six Alessia chairs with legs in tubular chromed metal and seats in white ABS, designed by Giotto Stoppino and manufactured by Driade in the 1970s. (Manufacturer's brand visi...

This is a rare office chair featuring a metal frame and a seat and back upholstered in black leather, it was designed for the offices of the Palazzo Montecatini in Milan. The design...

High backrest Cross armchair designed by Marcello Cuneo in 1974 and produced by Arflex in the late 1970s. The Cross armchair presents a very simple structure in black lacquered metal...

A single armchair manufactured by Gebruder Thonet in 1909 and designed by the Viennese architect Marcel Kammerer. This Thonet armchair presents a structure in dark brown stained bent...

The S-chair has a metal structure and seat in gold leather, it was designed by Tom Dixon and produced by Cappellini in the 2000s. Tom Dixon’s iconic S-Chair is an object with a hand...

A very rare set of six dining chairs entirely made in curved wood, this set was designed by the Italian artist Sineo Gemignani and manufactured in Ital...

PL19 also known as Tre Pezzi armchair with black enameled steel tube structure, upholstered in black Mongolian goat wool. Designed by Franco Albini & Franca Helg for Poggi, Pavia...

Set of two stools with three legs entirely realized in black stained wood, designed in the style of Charlotte Perriand and manufactured in the 1950s. Charlotte Perriand (1903-1999) is one of the most important female furniture designers of the mid 20th century. As early as 1927 Perriand produced a number of critically acclaimed innovative pieces of metal furniture, which drew the attention of Le Corbusier and Pierre Jeanneret. The result was the beginning of a work relationship that lasted many years. At Le Corbusier’s studio Charlotte Perriand developed a series of tubular steel chairs, among them the famous adaptable chaise longue, which was produced by Thonet two years later. Perriand’s work continued to evolve and in the mid 1930s, she started to experiment with natural materials such as wood and cane. She traveled to Japan in 1940 as an official advisor on industrial design to the Ministry for Trade and Industry to advise the government on how to raise standards of design in order to develop products for export to the West. Perriand adapted local techniques of woodwork and weaving - straw, bamboo and twigs becoming her materials of choice. It was especially after World War II, when Charlotte Perriand developed a new concept for the way of living by increasingly integrating the human dimension into her productions. Through flexible use of materials she achieved recognition with her pure and powerful style – as exemplified in her free form massive wood table models. Conscious of economic and social realities, she decided to opted upon large-scale production, and finding a new synthesis between tradition and industry. “Always concerned with innovation rather than trying to affirm a formula for renovation”, she designed various housing developments such as the Unité d’Habitation in Marseilles, with Le Corbusier in 1949, as well as rooms at the International Students’ Residence in Paris in 1953. Included was a library built in...

Set of four Longobarda chairs with chromed metal legs, seat, and back upholstered with blue shade fabric. The Longobarda chair was designed by Vittorio Introini and manufactured by ...

Set of two stools with legs in black lacquered wood and seats upholstered in light blue fabric. Attribuited to Gio Ponti, Italian Manufacture 1950s Gio Ponti was an icon of the m...

A single armchair with a frame in wood and cushions upholstery with leather (cognac shade) designed by Tobia and Afra Scarpa and manufactured by Maxalto from the Artona series 1975 c...

Saratoga living room set composed by a three-seater sofa, two-seater sofa, two armchairs and a low table with a structure in black lacquered wood, padded leather cushions and metal d...

Set of two Aster chairs designed by Augusto Bozzi in the 1950s and manufactured by Fratelli Saporiti. The main feature of chairs is the iconic and elegant metal structure of the legs...

Set of six Transenna chairs in wood, designed by Titina Ammannati and Giampiero Vitelli and produced by Pozzi and Verga in 1970s. Giampiero Vitelli began his career as a designer at...

PL19 also known as Tre Pezzi armchair with black enameled steel tube structure, upholstered in white Mongolian goat wool. Designed by Franco Albini & Franca Helg for Poggi, Pavia...

Gabriella folding lounge chair with a steel frame, seat, and back upholstered in black vinyl or Naugahyde. This iconic chair was designed by the Italian designer Gio Ponti and rele...

Tripolina folding chair presents a wooden frame with metal fixing and a beautiful removable seat realized in high-quality leather. This iconic...

Set of four Leggera dining chairs with structure in black lacquered wood and seat in padded blue leatherette, designed by Gio Ponti and manufactured by Cassina in 1951. Leggera is a...

Set of four 1934 756 chairs in walnut wood and cushions in leather, designed by Carlo Scarpa and produced by Bernini in the 1970s. Initially designed for Scarpa’s own Venetian house...

Set of four dining chairs model Ariston with structure in curved plywood and black lacquered metal legs. The Ariston chair was designed by Augusto Bozzi and manufactured by Saporiti...

Set of eight Africa chairs with structure in walnut wood, seat in black leather, and brass details. Designed by Tobia and Afra Scarpa and produced by Maxalto in the 1970s. These u...

Ram armchair with structure in gold-leaf lacquered iron rod, plywood seat in padded red fabric, designed by Andrè Dubreuil and produced by Ceccotti. The Ram armchair is an example ...

Set of two armchairs with structure in walnut wood, seat and back in padded fabric with a beautiful blue/greenish shade, designed by Giuseppe Scapinelli, Brazilian manufacturer from ...

PL19 or Tre Pezzi armchair with frame in black lacquered tubular steel, seat and back in padded red fabric. Designed by Franco Albini and Franca Helg in 1959 for the Nuove terme Lui...

Set of two stools in oak wood designed by Giuseppe Rivadossi for Officina Rivadossi, 1970ca. These rare stools have a peculiar structure with visible interlocks that join each compo...

Set of eight Fratina chairs in pine wood designed by Mario Ceroli in 1972 and produced by Poltronova. Mario Ceroli showed this chair for the first time during the Shakespearean piece of Richard III created by Luca Ronconi of which Mario Ceroli curated the scenography. The Fratina chair is probably the most recognizable and important object of the Mobili della Valle series, where Mario Ceroli began a three-dimensional transposition of the pictorial compositions of Giorgio De Chirico's "Mobili nella Valle". Ceroli started to work on this collection in 1965 recreating three unusually shaped pieces of sculptural wooden furniture...

Set of nine Selene stackable chairs in red polyester reinforced with fiberglass, designed by Vico Magistretti in 1967 and produced by Heller in 2002. The Selene chair was designed in 1967 by Magistretti to be produced in a plastic material, as he affirmed: "The seat and the back are simple curved surfaces. For me, the legs represented the real image of the piece, with as small a volume as that of any common wooden chair. I solved it by exploiting the molding of a plastic material formed by a simple 3-millimeter-thick sheet with a simple but very resistant "S" cross-section which inter-related the object with ordinary chairs without however the elephant legs so untypical of chairs. It was fun working with the model maker on the wood model." When produced in series, "a unit comes out of the machine every five minutes": Selene is the fruit of a single compression molding process on a pre-impregnated sheet (Ottagono 15 / 1969). Magistretti solves the problem of leg resistance by adopting an "S-shaped" configuration that confers resistance to a sheet only 3 millimeters thick. The formal and structural solution had already been previously adopted for the Chimera lamp (a self-supporting methacrylate sheet) and in developing the legs of the Demetrio table...

A set of two Selene stackable chairs in red resin reinforced with fiberglass, designed by Vico Magistretti in 1967 and produced by Artemide Milano in the 1970s. The Selene chair was designed in 1967 by Magistretti to be produced in a plastic material, as he affirmed: "The seat and the back are simple curved surfaces. For me, the legs represented the real image of the piece, with as small a volume as that of any common wooden chair. I solved it by exploiting the molding of a plastic material formed by a simple 3-millimeter-thick sheet with a simple but very resistant "S" cross-section which inter-related the object with ordinary chairs without however the elephant legs so untypical of chairs. It was fun working with the model maker on the wood model." When produced in series, "a unit comes out of the machine every five minutes": Selene is the fruit of a single compression molding process on a pre-impregnated sheet (Ottagono 15 / 1969). Magistretti solves the problem of leg resistance by adopting an "S-shaped" configuration that confers resistance to a sheet only 3 millimeters thick. The formal and structural solution had already been previously adopted for the Chimera lamp (a self-supporting methacrylate sheet) and in developing the legs of the Demetrio table...

A set of five dining chairs with a structure in wood, seat, and back in padded leather, produced by the Italian manufacturer ISA Bergamo the design of this set is attributed to Gio P...

P 40 armchair with structure in walnut wood, the seat and back are composed of a removable padded cushion covered with fabric and sustained by a fabric structure directly attached to...