PrimoPiano Modern Sideboards

Silvio Coppola for Bernini, sideboard, walnut, Italy, 1966 This geometrically convincing sideboard is designed by the Italian designer-architect Silvio Coppola. It is well-structure...

Sideboard by Gianfranco Frattini, Bernini Italy, 1961 Materials & Techniques Notes: rosewood, 2 tambour style roll down fronts, ...

Modular bookcase model LB7 designed by Franco Albini for Poggi. Marked Poggi Pavia. An extremely flexible bookcase, with different modular options, suited to being against a wall or...

This magnificent oak sideboard originates from France and dates back to the elegant era of the 1950s. Its exquisite craftsmanship is unveiled through intricate carved panels on both sides and doors, truly showcasing the skill and artistry of French furniture makers. Remarkably, the sideboard has been meticulously preserved over the years, attesting to the enduring quality of its materials and construction. With an elegant chalet style, this sideboard invites warmth and comfort to any space. The earthy tones and natural textures evoke a sense of coziness, making it an exceptional addition to any rustic or country-style home decor. The story behind this sideboard is as enchanting as its design. It was discovered in a small, untouched house in the South Alps region of France, adorned with typical Alps decor and tapestry, alongside a notable collection of copper baking molds...

Large green lacquered sideboard, 1980s Product Details Large sideboard made of wood, bamboo, and rattan fabric with leather bindings; featuring...

Art Deco Italian parchment sideboard, 1930s.

A mid century walnut sideboard from Jentique, circa 1960s Featuring two cupboards - with shelves and four drawers

A small and delicate display cabinet in walnut and walnut burl, design by Emilio Lancia, Italian production, 1930s In Emilio Lancia’s furniture production, one can clearly detect re...

Sideboard with Doors and Drawers, Walnut Wood, Italian Production, Design by Silvio Coppola, 1960s Wood takes center stage in this architecturally shaped sideboard, which fits into ...

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...

Modular bookshelf designed by Franco Albini in 1956 for Poggi Pavia. An exceptionally flexible bookshelf with various modular options, suitable to be placed against a wall or used as...

XXL sideboard restored Art Deco around 1930 walnut showcase large Features: Tiered, four-door model with sliding glass doors and interior drawers High quality Great art deco de...