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Shapland and Petter. An Arts and Crafts oak bedside cabinet
By Shapland & Petter
Located in London, GB
Shapland and Petter. An Arts and Crafts oak bedside cabinet with stylized floral inlaid decoration in the form of Albalone flower heads.
Category
Antique Early 1900s English Arts and Crafts Night Stands
Materials
Oak
Betty Joel Attri Arts & Crafts Oak Tallboy and Matching Petite Chest of Drawers
By Betty Joel
Located in London, GB
Betty Joel, attributed, an Arts & Crafts oak tallboy and matching petite chest of drawers with hand crafted handles and angled feet.
Tall boy measures H 62 1/2", W 36 1/4", D 19 1/2"...
Category
Early 20th Century British Arts and Crafts Bedroom Sets
Materials
Oak
Gillows. An Arts & Crafts Oak Treble Wardrobe with Ebony Floral Inlays
By Gillows of Lancaster & London
Located in London, GB
Gillows. An Arts & Crafts Glasgow style Arts & Crafts oak treble wardrobe with ebony and walnut stylized floral inlays to the cornice and further leaf style inlays to the door tops a...
Category
Antique 1890s British Arts and Crafts Wardrobes and Armoires
Materials
Ebony, Oak
An Aesthetic Movement Satin Birch bedside cabinet with a central Walnut handle.
Located in London, GB
An Aesthetic Movement Satin Birch bedside cabinet with a contrasting turned Walnut handle to the door. Circa 1870.
SALW.
Category
Antique 1870s English Aesthetic Movement Night Stands
Materials
Birch
Liberty & Co. Attr Arts & Crafts Oak Double Wardrobe with Stylized Cut-Outs
By Liberty & Co.
Located in London, GB
Liberty & Co. attributed. An Arts & Crafts oak double wardrobe with stylized cut-outs to the shaped top and an unusual open display area above, retaining the original beveled mirror ...
Category
Antique Early 1900s English Arts and Crafts Wardrobes and Armoires
Materials
Mirror, Oak
Waring & Gillows George Walton Style of, Arts & Crafts Wardrobe & Dressing Table
By Waring & Gillow, George Walton
Located in London, GB
Waring and Gillows. In the style of George Walton.
A rare Glasgow style Arts & Crafts oak wardrobe with a matching dressing table combined with a well balanced use of chequered inla...
Category
Antique Early 1900s English Arts and Crafts Bedroom Sets
Materials
Oak
Ogdens of Manchester, An Aesthetic Movement Wardrobe & Matching Bedside Cabinet.
Located in London, GB
Ogdens of Manchester, in style of Dr C Dresser,
An Aesthetic Movement treble wardrobe and matching bedside cupboard made from Ash with intricate ...
Category
Antique 1870s English Aesthetic Movement Bedroom Sets
Materials
Ash, Fruitwood
Bruce Talbert for Gillow. A Walnut, Amboyna, Ebonized and Gilt Bedroom Suite.
By Bruce James Talbert, Gillows of Lancaster & London
Located in London, GB
Bruce Talbert (1838-1881) for Gillow and co., a rare and important walnut, amboyna, ebonized, and gilt bedroom suite, each with differing carved rosettes, comprising: a triple mirror door wardrobe, 208cm high, 208cm wide, 58cm deep; a pair of bedside lockers, 85cm high, 38cm wide; and a pair of single bedsteads, 124cm wide Provenance: The famous Argentinian writer and suffragette Victoria Ocampo (1890-1979), bought from her estate and shipped back from Argentina. Bruce James Talbert originally trained as a carver and then an architect, and he became an influential and very successful furniture designer. He served an apprenticeship in Dundee and had his own carving business for two years where he learned the skills to apply carved details to furniture and then joined the architectural offices of Charles Edward. In 1856 he moved to Glasgow and worked for the architects W. N. Tait and Campbell Douglas. He moved to Manchester in the early 1860s, where he gained employment with the cabinetmakers Doveston, Bird, and Hull, which was short-lived, then moved to Coventry gaining work with Skidmore's Art Manufactures. In 1863 he won the competition to design the masthead for 'The Building News and in the mid-1860s moved to London, where he started designing furniture for Holland and Sons. His 'Pericles' Gothic sideboard was displayed on their stand at the Paris Exposition Universelle of 1867 where it was the Grand Prix winner. It was at this point that his most prolific period began and also when he started designing furniture for Gillows of Lancaster in 1868. in the same year, he published his very influential first book 'Gothic Forms Applied to Furniture, Metal Work and Decoration for Domestic Purposes', which he dedicated to George Edmund Street. This was followed in 1876 by 'Examples of Ancient and Modern Furniture, Metalwork, Tapestries and Modern Furniture' and in 1881 by 'Fashionable Furniture. Other companies he designed for were Marsh, Jones and Cribb, Jackson and Graham, and for a short time, was a partner with Daniel Cottier. He designed textiles for Templeton's, Warner's, Cowlishaw, and Barbour and Miller; carpet designs for Templeton's and Brinton and Co.; and his wallpaper designs were printed by Jeffrey and Co. He also designed church metalwork and furniture for Cox and Sons...
Category
Antique 1880s English Aesthetic Movement Bedroom Sets
Materials
Walnut
Wylie & Lochhead Arts & Crafts Oak Three-Piece Bedroom Suite with Pewter Inlays
By Wylie & Lochhead
Located in London, GB
Wylie and Lochhead of Glasgow. An Arts & Crafts Glasgow School oak three-piece bedroom suite with stylised floral inlays and silver plated handles throughout.
Consisting of a double...
Category
Antique Early 1900s Scottish Arts and Crafts Bedroom Sets
Materials
Oak
E A Taylor Attr Wylie & Lochhead Arts & Crafts Four-Piece Mahogany Bedroom Suite
By Wylie & Lochhead, Archibald Taylor
Located in London, GB
E A Taylor attributed made by Wylie & Lochhead of Glasgow.
An Arts & Crafts four-piece mahogany bedroom suite consisting of double wardrobe, dr...
Category
Antique Early 1900s English Arts and Crafts Bedroom Sets
Materials
Mahogany
Heals, an Arts and Crafts Limed Oak Single Bed with Linenfold Carved Details
By Ambrose Heal
Located in London, GB
Heals. An Arts & Crafts limed oak single bed with arched tops and linenfold details to the centre panels.
We do have the iron side rails to put the base on, it will require a new b...
Category
Vintage 1930s English Arts and Crafts Beds and Bed Frames
Materials
Oak
Shapland & Petter, Arts & Crafts Oak Dressing Table with Pierced Hearts
By Shapland & Petter
Located in London, GB
Shapland and Petter. An Arts and Crafts three drawer dressing table with pierced heart, swivel beveled mirror and stylised copper handles and escutcheons...
Category
Antique Early 1900s English Arts and Crafts Commodes and Chests of Drawers
Materials
Oak
E W Godwin Style Rare Anglo-Japanese Walnut Double Bed with Lattice Work Details
By Edward William Godwin, Collinson & Lock
Located in London, GB
An extremely rare Anglo-Japanese walnut double bed or a four poster bed, in the style of E W Godwin probably made by Collinson and Lock of London.
With...
Category
Antique 1870s English Anglo-Japanese Beds and Bed Frames
Materials
Walnut
Romney Green, Style of, an Arts & Crafts Cotswold School Walnut Bedside Cabinet
By Romney Green
Located in London, GB
Romney Green, in the style of.
An Arts & Crafts Cotswold School walnut bedside cabinet with a single drawer, an open area below and a chip carved door with ebonized handles, on shap...
Category
Vintage 1910s English Arts and Crafts Night Stands
Materials
Oak
French Art Deco Decorative Iron Cot or Cradle with Canopy on Gentle Rockers
Located in London, GB
Good quality French Art Deco Decorative Iron child's cot or cradle with semi circular canopy above, and semi circular ends to the bed area with two handles to the upper edge, the who...
Category
Early 20th Century French Art Deco Children's Furniture
Materials
Iron
Charles Bevan Style of Gothic Revival Bedside Cab with Inlaid Details Throughout
By Charles Bevan
Located in London, GB
Charles Bevan In the style of.
A Gothic Revival oak bedside cupboard with chevron inlaid details throughout and 45 degree planking to the sides.
Category
Antique 1880s English Gothic Revival Night Stands
Materials
Oak
Shapland & Petter an Arts & Crafts Oak Double Bed in the Manner of C.F.A. Voysey
By Shapland & Petter, Charles Voysey
Located in London, GB
Shapland and Petter, in the style of C.F.A. Voysey
A good quality Arts & Crafts solid quarter sawn oak double bed with wonderful figuring to the oak pa...
Category
Antique Early 1900s English Arts and Crafts Beds and Bed Frames
Materials
Oak
E W Godwin Style of, an Anglo-Japanese Walnut Double Armoire Wardrobe Compactum
By Edward William Godwin
Located in London, GB
E W Godwin, style of, a rare Anglo-Japanese walnut double armoire wardrobe compactum with Japonesque brass incised handles and lots of usefu...
Category
Antique Late 19th Century English Anglo-Japanese Wardrobes and Armoires
Materials
Walnut
Gillow's of Lancaster, an Aesthetic Movement Walnut Armoire Wardrobe Compactum
By Gillows of Lancaster & London
Located in London, GB
Gillow's of Lancaster, an Aesthetic Movement walnut armoire wardrobe compactum with lots of useful storage space.
The moulded cornice and b...
Category
Antique Late 19th Century English Aesthetic Movement Wardrobes and Armoires
Materials
Walnut
Three Arts & Crafts Oak Bedside Cabinets with Marble Tops and Extending Shelves.
Located in London, GB
A near set of three Arts & Crafts oak bedside cabinets with extending shelves to each side. With marble tops and lower cabinets. Two cabinets have similar floral brass pull handles a...
Category
Antique Early 1900s French Arts and Crafts Night Stands
Materials
Marble
Heals, Near Pair of Arts & Crafts Single Oak 3 Foot Wide Beds with Carved Hearts
By Heal's
Located in London, GB
Heals and Son. A near pair of Arts & Crafts 3 foot wide single oak beds with carved heart details, one also with a carved tied knot.
Category
Vintage 1910s English Arts and Crafts Beds and Bed Frames
Materials
Oak
Good Quality Pair of Arts & Crafts Single Oak Beds in the Manner of Heals
By Heal's
Located in London, GB
A good quality pair of Arts & Crafts single oak beds in the manner of Heals.
They do come with side irons and will require a slatted base to be made fo...
Category
Antique 1890s English Arts and Crafts Beds and Bed Frames
Materials
Oak
Lambs of Manchester. A Gothic Revival Bedside Cabinet with Carved Floral Details
By Bruce James Talbert
Located in London, GB
Lambs of Manchester. A Gothic Revival Bedside Cabinet in the style of Bruce Talbert with stylized brass hinges and handle and carved details to the side vents which double up for mov...
Category
Antique Late 19th Century English Gothic Revival Night Stands
Materials
Ash
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The original Thomasville furniture company was founded in 1904. At the time, it was called the Thomasville chair company since the company focused on producing chairs exclusively. Over the next few decades, the catalog expanded to include additional furniture pieces. During this time, the original company went through several owners; despite this, the company still experienced financial success even through economic hardship of the 1930s. Vintage pieces from the Thomasville Furniture company run the gamut from chairs to dining room furniture and many different types of furniture in between. The earliest pieces from the company when it was still known as the Thomasville Chair Company are considered the most rare and valuable. If you are looking for authentic Thomasville vintage pieces, you will need to find them on the secondhand market. Thomasville Furniture is one of the most recognized furniture companies in America. You can count on Thomasville furniture for incredible dining room and bedroom furniture. – vintage furniture guide...
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H 10.24 in W 18.9 in D 14.57 in
Antique Stamped Mellier & Co Anglo French Shabby Chic Wardrobe Mirrored Door
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H 92.33 in W 46.86 in D 28.75 in
ANTiQUE 1900 ARTS & CRAFTS SHAPLAND AND PETTER HALL COAT GLOVE UMBRELLA STAND
By Shapland & Petter
Located in West Sussex, Pulborough
Royal House Antiques
Royal House Antiques is delighted to offer for sale this stunning original Arts & Crafts Shapland & Petter Hall stand with hand hammered Copper panels over a Walnut frame with inset sheild mirror
Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price
A very good looking well made and decorative hat glove coat and scarf rack, this one is rare as it has the central mirror and its an earlier than usual example circa 1900
Made by Shapland & Petter, a full blub on their life and works can be found below
In terms of the condition it is straight and solid, the piece sits well in any setting and looks decorative and very English country house, we have cleaned waxed and polished the timber, there is one hook slightly bent, otherwise its in fine order
Dimensions
Height:- 205cm
Width:- 113cm
Depth:- 40cm
Please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask
Shapland and Petter of Barnstaple
Introduction
This Barnstaple based company manufactured some of the finest pieces of furniture in Arts and Crafts style but very little has been written about the company or the pieces they produced. It a great shame that whilst Shapland and Petter pieces have been illustrated in books and auction catalogues they are invariably attributed to other makers such as Liberty and Co in London or Wylie and Lochhead in Glasgow. With this feature, we intend to inspire a more thorough appreciation of the work of the company; readers are invited to help with the task by sending photographs and information.
Collectors and auction houses are now showing significantly more interest in Shapland and Petter pieces. The company, based in Barnstaple, England produced a very wide range of furniture in several different styles including many pieces in period reproduction and municipal style for town halls and commercial premises alongside their superb Arts and Crafts range
Distinctive features of their superb Arts and Crafts style are the use of heart shaped piercing, geometric shapes with angled arches and the application of repousse copper panels. Decoration with marquetry, metal inlay, mounting of ceramic and enamel cabochons were techniques which they mastered with a combination of state of the art technology and traditional craftsmanship. Most distinctively, the pieces were extremely well made, with care and very best quality materials
The growing interest in Shapland and Petter has raised many questions about the origins of the firm, and the sources of influence on their designs, some of which resemble designs by Ashbee, Ballie Scott, Voysey and Talwin Morris. Links have been assumed with Liberty and Co with the supposition Shapland and Petter worked on commissions for Liberty. There appears to be little evidence to support many of the assumptions which have developed around the company and this article is intended to help to start the discussion and to stimulate research
The History of Shapland and Petter
The Museum of North Devon in Barnstaple have an archive of Shapland and Petter which includes some company records and a small display of furniture and related items. The following text gives history of the company and is reproduced from the display boards in the museum with kind permission of North Devon Museums
For over 100 years the Shapland and Petter factory has stood at the end of Barnstaple Long Bridge. Manufacturers of doors, door sets, and custom wood interiors, NT Shapland and Petter Ltd are still one of the towns largest employers. The company was established by Henry Shapland (b. 1823), a cabinet maker by trade. He embarked on a voyage to America in 1848, where he was inspired by an invention for a wave-moulding machine. He was only allowed to see it if he left the country immediately. Returning home with only rough notes, he reproduced the machine and in 1854 began a cabinet making business in one room at the Raleigh woolen mill in Pilton. Later the firm moved to Bear Street in Barnstaple. Henry Petter was an accountant who entered into partnership with Mr Shapland. The business progressed and in 1864 they bought the Raleigh Factory where Shapland first began his work. Success was rapid, but in 1888 the building burnt down. Immediately work began on a bigger and better factory - their present site by the Long Bridge - which included many modern inventions
The two Henrys died within two years of each other - Petter in 1907 and Shapland in 1909. In 1924 Shapland and Petter merged with the Barnstaple Cabinet Company, producing North Devon's biggest industry. During the First World War Shapland and Petter's skilled craftsmen turned their hands to wooden propellers for the aircraft of the Royal Flying Corps. After the war, public tastes changed, and hand carved furniture was too expensive for many. Shapland and Petter's output now included elegant veneered pieces with smooth Art Deco lines. The company fitted out Pullman carriages and ocean liners and made hand-carved church furniture. The famous England Rugby Captain W. W. Wakefield was appointed Company Director in 1927. Throughout the depression of the late 1920's and early 1930's the company still managed to produce high quality work
Furniture manufacturing continued until the outbreak of the Second World War in 1939. Many workers left to fight, while the factory worked on Air Ministry contracts for ammunition boxes. After the war came radio cabinets and laboratory and contract furniture, until eventually large quantities of doors were being produced for hospitals, hotels, schools, offices and other buildings. Examples of Shapland and Petter's work can be seen all over North Devon. In Barnstaple, the shop front at 109 High Street is a good example, and the interior of the old Lloyd's Bank, now Chamber's Brasserie, was also Shapland's work. Examples of carving by Shapland's men can be seen in two chairs and a reading desk in Barnstaple Parish Church
As cabinet makers, Shapland and Petter employed up to 350 people at a time. There were designers, carvers, cabinet makers, machinists, polishers, and labourers. The company was one of the first to install American labour-saving devices and was keen to adopt the most up-to-date machinery
The fire of 1888 at the Raleigh Cabinet Works was a huge loss for the company. However, it resulted in a new factory which was altogether more modern and better equipped. The new building by the river was arranged into blocks. The production line began with the saw mills and ended with the finishing rooms. There was modern machinery in every department - one of their saws was the first of its kind in Britain. Water sprinklers and electric lights were a necessity - this factory would not burn down
As well as the furniture production, Shapland and Petter imported timber by sea and rail. The new factory 's facilities were exceptional
Shapland and Petter were renowned for excellent design and workmanship. The carvers were highly skilled, serving seven year apprenticeships and attending classes at the Barnstaple School of Art. Ornately carved furniture required up to a hundred tools
The factory produced made to order woodwork for banks, hotels, and shops; mantelpieces, paneling and staircases. They fitted out Pullman railway carriages, the London Guildhall, and Edgar Wallace 's dining room as well as houses like Tapeley Park in North Devon
Much of the work involved intricate leaded glass panels, or inlaid fruitwood designs, like the white bedroom suite shown in the exhibition here. This type of work is typical of Art Nouveau 1895 to 1910, inspired by the fluid shapes of plants and flowers
Many pieces were made from standard designs. There were hundreds to choose from, and a selection could be seen in local and London showrooms and in catalogues. Although mass-produced, this furniture was well-made by skilled technicians and modern machinery
Arts and Crafts designs of Shapland and Petter
The development of the Arts and Crafts Movement in the South West of England has not been written up in any detail though we do know of the Art Potters of Barnstaple from the excellent book of this name by Audrey Edgeler. Less is known of the Barnstaple Guild of Metal Workers. We know of the Bath Cabinet Makers and the Newlyn School of Industrial Art in Cornwall but very little has been written about the furniture makers of Barnstaple in Devon
The establishment of a large cabinet making firm in Barnstaple is not remarkable in itself; there were several cabinet makers in the area. What is interesting is that this particular Barnstaple firm should become a leading maker of Arts and Crafts furniture, copying the styles of the leading Architect designers and creating their own unique style
Critics may point out that as their work was commercially driven and reliant upon machines it therefore does not really qualify as Arts and Crafts. Whilst the company was highly innovative in machine technology, they also employed many craftsmen who worked with their hands in woodcarving, marquetry work, design and application of decorative copperwork and other artistic embellishment in the true Arts and Crafts tradition. Anyone who has experience of Shapland and Petter workmanship knows the level of craftsmanship invested in each piece
Sources of inspiration
There appears to be no evidence to link any known architect, artist or designer to the Shapland and Petter company. Their designs appear to have been created solely by their own internal design staff none of whom appear to have published or registered their work in any other context
C. R. Ashbee who established the Guild of Handicrafts visited Barnstaple in 1893 and provided a twelve week course on the design and decoration of furniture. It is presumed that this visit was hosted by Shapland and Petter, and that their own staff and those from other local furniture makers attended the course. Ashbee appears to have been unimpressed by the commercial attitudes he encountered and apparently disappointed at the lack of interest in his (high minded) lectures. What is interesting however is the similarity between some of his designs and those used by Shapland and Petter, particularly in respect to inlaid floral design. Perhaps he left a lasting influence which has not yet been verified
There has been some speculation on the influence of Scottish designers, particularly because of the use of Glasgow rose designs which are typical of the Glasgow School, and particularly of Talwin Morris. There are also several designs which use similar motifs to those used by Baillie Scott, the use of two doves in flight for example. More research is needed to trace possible links here. One thing that is clear is that there was a great deal of copying and selling designs in the furniture industry at the time and a nineteenth century survey on the furniture trade recorded that '' Barnstaple pays the best prices for designs ..''
Collaboration with other companies
There is evidence that Shapland and Petter organised a wide network of companies to retail their products and hence many pieces have the labels of retail furnishers added. Little is known of their marketing in Europe and America but it may be that many Arts and Crafts pieces were sold abroad. Shapland and Petter had excellent access to rail and shipping lines for importing timber and presumably for exporting their finished products
The extent of their collaboration with other companies is yet to be ascertained but there is evidence that their suppliers included the Della Robbia Pottery, Pilkingtons Tile...
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American Aesthetic Movement Birds Eye Maple Faux Bamboo Bed
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H 78.15 in W 72.25 in D 19.89 in