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Cherry - Carved Cherry Wood, Internal Lead Ballast, Oil Pigment on Mahogany
By Benjamin Heller
Located in Hudson, NY
The title of Benjamin Heller’s group of sculptures, “Inner Tidal” refers to an “Intertidal Zone”, which is the edge of an ecosystem that is alternately above and below the waterline ...
Category
2010s Contemporary Abstract Sculptures
Materials
Wood, Mahogany
Yezed Soude - Carbonized Cherry Wood, Bleached Cherry Base
By Benjamin Heller
Located in Hudson, NY
The title of Benjamin Heller’s group of sculptures, “Inner Tidal” refers to an “Intertidal Zone”, which is the edge of an ecosystem that is alternately above and below the waterline ...
Category
2010s Contemporary Abstract Sculptures
Materials
Wood
Siren - Carved Oak, Steel, Felt
By Benjamin Heller
Located in Hudson, NY
The title of Benjamin Heller’s group of sculptures, “Inner Tidal” refers to an “Intertidal Zone”, which is the edge of an ecosystem that is alternately above and below the waterline ...
Category
2010s Contemporary Abstract Sculptures
Materials
Steel
White Drop - Carved Basswood, Internal Lead Ballast
By Benjamin Heller
Located in Hudson, NY
The title of Benjamin Heller’s group of sculptures, “Inner Tidal” refers to an “Intertidal Zone”, which is the edge of an ecosystem that is alternately above and below the waterline ...
Category
2010s Contemporary Abstract Sculptures
Materials
Wood
Feather - Carved Slate, Felt
By Benjamin Heller
Located in Hudson, NY
The title of Benjamin Heller’s group of sculptures, “Inner Tidal” refers to an “Intertidal Zone”, which is the edge of an ecosystem that is alternately above and below the waterline ...
Category
2010s Contemporary Abstract Sculptures
Materials
Slate
They - Carved Walnut, Lead Ballast, Oil Pigment on Basswood Base
By Benjamin Heller
Located in Hudson, NY
The title of Benjamin Heller’s group of sculptures, “Inner Tidal” refers to an “Intertidal Zone”, which is the edge of an ecosystem that is alternately above and below the waterline ...
Category
2010s Contemporary Abstract Sculptures
Materials
Wood, Walnut
Seven - Carved Bloodwood, Walnut, Paduak, Cherry, Lead Ballast, oil on oak base
By Benjamin Heller
Located in Hudson, NY
The title of Benjamin Heller’s group of sculptures, “Inner Tidal” refers to an “Intertidal Zone”, which is the edge of an ecosystem that is alternately above and below the waterline ...
Category
2010s Contemporary Abstract Sculptures
Materials
Wood, Walnut, Oak
Tear - Carved Padauk Wood, Internal Lead Ballast
By Benjamin Heller
Located in Hudson, NY
The title of Benjamin Heller’s group of sculptures, “Inner Tidal” refers to an “Intertidal Zone”, which is the edge of an ecosystem that is alternately above and below the waterline ...
Category
2010s Contemporary Abstract Sculptures
Materials
Wood
Wave Totem, Amagansett, NY, 2021
Located in Hudson, NY
ABOUT
“There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages.
“Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?”
“Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...
Category
2010s Contemporary Still-life Sculptures
Materials
Wood
Mobius, Amagansett, NY, 2021
Located in Hudson, NY
ABOUT
“There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages.
“Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?”
“Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...
Category
2010s Contemporary Abstract Sculptures
Materials
Wood, Driftwood
In Tune, Amagansett, NY, 2021
Located in Hudson, NY
ABOUT
“There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages.
“Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?”
“Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...
Category
2010s Contemporary Abstract Sculptures
Materials
Wood, Driftwood
Concentric, Amagansett, NY, 2020
Located in Hudson, NY
ABOUT
“There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages.
“Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?”
“Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...
Category
2010s Contemporary Still-life Sculptures
Materials
Wood, Driftwood
Stamen #1, Amagansett, NY, 2021
Located in Hudson, NY
ABOUT
“There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages.
“Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?”
“Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...
Category
2010s Contemporary Still-life Sculptures
Materials
Wood
Vibration, Amagansett, NY 2020
Located in Hudson, NY
ABOUT
“There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages.
“Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?”
“Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...
Category
2010s Contemporary Abstract Sculptures
Materials
Wood, Driftwood
Wishbone 1, Amagansett, NY, 2021
Located in Hudson, NY
ABOUT
This wishbone is charred white oak with a tinted aqua resin base.
“There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages.
“Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?”
“Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...
Category
2010s Contemporary Abstract Sculptures
Materials
Wood, Driftwood
Mushroom #3, Amagansett, NY, 2021
Located in Hudson, NY
ABOUT
This Charred white oak mushroom acts as a stool or end table.
“There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages.
“Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?”
“Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood...
Category
2010s Contemporary Abstract Sculptures
Materials
Wood, Driftwood
Hollow Zig Zag, Ebonized Blacknut
Located in Hudson, NY
Forms derived from the Mayan church columns of Chajul, Guatemala are
reinterpreted by the master carvers of the Oku tribes in the African
grasslands of C...
Category
2010s Contemporary Abstract Sculptures
Materials
Wood
Sphere Carved with Abstraction, Tamarind wood
Located in Hudson, NY
This solid accent portrays a primordial form. Tucker Robbins, inspired to
bring his designs back to basics, worked with the Ifugao (Mountains of
the Phi...
Category
2010s Contemporary Abstract Sculptures
Materials
Wood
Suffer your way with wisdom, 2019
By Tina West
Located in Hudson, NY
These two additional interior shots of the installation are currently in our exhibition. Using Tucker Robbins furniture and lighting .
This listing is for the unframed photograph. ...
Category
2010s Contemporary Abstract Sculptures
Materials
Archival Pigment
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