Samuel Owen Gallery Black and White Photography

Edition of 20, signed by artist This is a special image for me; in part because it is such a low percentage capture and in part because its dynamism extols the wild nature of mustan...

"The Biggest Catch" Nantucket, USA 2022 Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper This work was sourced directly from the artist. In my deliberations as to how to tell a Nantucket story, there were some key asso-ciations of the island that I knew I needed to incorporate. One was always going to be its storied maritime past, and in particular its leading position in the whaling industry. Then there are certain features on the island that if included in an image would reinforce a sense of place - such as Nantucket Grey buildings and of course the lighthouses. But in our production meetings in the run up to the assignment, there was one feature I kept on requesting that we prioritised - the cobbled streets. When I think of Nantucket, I think of the cobbles - particularly on Main Street - not only because of their aesthetic appeal, but also because they tell a story of the island’s British roots. Nantucket shipped...

"Nantucket's Last Supper" Nantucket, USA 2022 71 x 71 inches (Framed) Smaller Size Available - 52 X 52 inches framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper This work was sourced directly from the artist. I struggle to think of an island in the world where one colour enjoys such a monopoly of the building exteriors as grey does in Nantucket. White enjoys a healthy control of the facades of Greek islands such as Mykonos and Santorini, but there is no such thing as a Greek White in decorators’ colour palettes, whereas there is most certainly a Nantucket Grey described as “a stylish gray-green reminiscent of fog settling over grassy fields.” During our time on Nantucket, I scouted for a building that could proudly showcase not just this colour, but also Nantucket’s distinct architectural design. Happily, this was not a challenging quest as the oldest building on the island - The Old House - built in 1680, ticks both boxes. The island’s English population at the time totalled just several hundred, and the native Wampanoag outnumbered them by at least three to one. In 2022 this historic building had clear potential as a contextual backdrop; I just needed a foreground narrative. We have shot “Last Supper” stories in Montana and Texas and this seemed as good an opportunity as any to continue this series, albeit on this occasion, I felt obliged to introduce a maritime vibe. To me Nantucket is about the storied past not the present and the island has no shortage of Salty Dog characters to pick up on the streets and dress accordingly. The central figure in the piece - a female mastiff called Cash - was more than willing to take a pipe in her mouth, so long as there was a bit of bread on the end of it. It was not an easy ask for her handler but all we needed was one second and then to hope that the human talent was all on point and remembering their pose from Available Sizes (Framed Size) Large: 71" x 71" Standard: 52" x 52" Available Editions Large: Edition of 12 Standard: Edition of 12 About David Yarrow David Yarrow was born in Glasgow, Scotland in 1966. He took up photography at an early age and as a 20-year-old found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, David took the famous picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other sporting events. Many years later David established himself as a fine art photographer by documenting the natural world from new perspectives and the last nine years have been career-defining. David’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following amongst art collectors. His large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. He is now recognised as one of the best-selling fine art...

This work is sourced directly from the artist. Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Hand-signed by artist with Certificate of Authenticity I have never used this old brewery building before in my storytelling because I worried that the facade was too high to fit in an image if there was also to be a cast immediately in front of it. There were two possible solutions - to move the story further away from the building, which would risk disassociation, or to get close to the building with a wide-angle lens, not easy at all and could risk ending with a lousy series of far lit loose shots. The whole building would be in for sure, but to work with a 28mm lens and a wolf is not to play the percentages. We had no real choice but to go for the second option and roll the dice. We got lucky, but as someone once said “Luck is the residue of design”. A sharp shot on a 28 mm lens is pin pin sharp. Available Sizes (Framed Size) Large: 71" x 86" (180 cm x 219 cm) Standard: 52" x 62" (132 cm x 158 cm) Available Editions Large: Edition of 12 Standard: Edition of 12 David Yarrow was born in Glasgow, Scotland in 1966. He took up photography at an early age and as a 20-year-old found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, David took the famous picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other sporting events. Many years later David established himself as a fine art photographer by documenting the natural world from new perspectives and the last nine years have been career-defining. David’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following amongst art collectors. His large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. He is now recognised as one of the best-selling fine art...

"The Brotherhood of Thieves" Nantucket, USA 2022 Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper This work was sourced directly from the artist. Not far inland from the storied harbour of Nantucket lies a wonderfully named bar - The Brotherhood of Thieves. Our desk research had led us to believe it could be a perfect location as the walls and ceiling looked timeless and there appeared to be good window light. When I arrived in town, I went straight to the bar which was being refurbished ahead of the start of the summer season. It was better than I had dared to hope and I told the team that so long as we got permission from the owner to shoot there, our quest for strong indoor locations on the island was over. We had our spot. The owners could not have been more accommodating and we had four days to put together a strong line up. The storyline was always going to have a maritime leaning and my instincts were to go back to the island’s leading position in the whaling industry in the 19th century. Nantucket was, of course, the starting point for the doomed whaler - Essex - and integral to Herman Melville’s classic novel - Moby Dick. I imagined that The Brotherhood of Thieves would have a drinking den for returning whalers, salty sea dogs and gamblers and this assembly may have attracted the more opportunistic girls on the island. A picture of the bar’s clientele evolved daily in my mind as I wandered around this old town thinking of ideas. I knew we could have no bland characters, everyone had to earn their right to be a thief, a gambler or indeed a lady of the night...

"The Brotherhood of Thieves" Nantucket, USA 2022 Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper This work was sourced directly from the artist. Not far inland from the storied harbour of Nantucket lies a wonderfully named bar - The Brotherhood of Thieves. Our desk research had led us to believe it could be a perfect location as the walls and ceiling looked timeless and there appeared to be good window light. When I arrived in town, I went straight to the bar which was being refurbished ahead of the start of the summer season. It was better than I had dared to hope and I told the team that so long as we got permission from the owner to shoot there, our quest for strong indoor locations on the island was over. We had our spot. The owners could not have been more accommodating and we had four days to put together a strong line up. The storyline was always going to have a maritime leaning and my instincts were to go back to the island’s leading position in the whaling industry in the 19th century. Nantucket was, of course, the starting point for the doomed whaler - Essex - and integral to Herman Melville’s classic novel - Moby Dick. I imagined that The Brotherhood of Thieves would have a drinking den for returning whalers, salty sea dogs and gamblers and this assembly may have attracted the more opportunistic girls on the island. A picture of the bar’s clientele evolved daily in my mind as I wandered around this old town thinking of ideas. I knew we could have no bland characters, everyone had to earn their right to be a thief, a gambler or indeed a lady of the night...

"The Dogfather" Nantucket, USA 2022 Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper This work was sourced directly from the artist. The Brotherhood of Thieves, on the tiny old whaling island of Nantucket, is as good a bar as any we know in America from which to tell old stories - and we know quite a few. The ambient light from the window is powerful enough to remove the need for a gaffer and this is such a help when trying to tell tales with a sense of place. The detail in the dog’s face is all lit from the window and this effect lends a sense of timeless drama. This picture could have been taken 50 or 100 years ago rather than April 2022. Mastiff dogs are among some of the oldest breeds known to humans and were among the first canines to accompany humans on their migrations across the globe. More importantly, for the purpose of this role, their faces have a rather majestic human countenance allowing me to build stories around them. We have worked with many breeds over the years, but for this kind of work, Mastiffs are in a league of their own...

Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper DEAD MAN'S CHEST Anguilla, Caribbean 2022 This work was sourced directly from the artist. I hope this image is identified as having some of my trademarks. Every inch of the frame sweats and every person within the frame firmly stakes claim to his or her presence. I was greedy in the amount of information I wanted in the picture and for it to come off, I needed luck as well as strong communication with everyone on set. It has the cinematic feel that I often strive for and I think in time I will look back very fondly on that evening. At the moment it is all a little fresh and the subject matter is sufficiently adrift from my normal work that it is difficult to find context. But my sense is that it is a special photograph. The goal was to attain compositional harmony amidst the chaos of the beach landing, which was not that easy an objective as this landing was for real. This raw and rocky coastline in Anguilla is no studio. In retrospect it is remarkable that not only are the faces of the six male pirates in the landing party all in view but they also show collective endeavour. They had enough to think about dealing with the boat in the tide and maybe the truth is that they weren’t in role at all. Whilst getting soaked, out of my right eye I was checking the barrel in the sea, as I didn’t want to lose it behind the boat. There was quite a bit of multi-tasking going on in that one minute. Keeping a watch on two Rastafarian friends on the rocks was a further dimension. It was quite late in the day and by that time, I couldn't be too sure of their footing given their activities during the day. Josie Canseco...

"Chief" Wyoming, USA 2020 Large: 71" x 96” Edition of 12 Standard: 52" x 69" Edition of 12 This work is sourced directly from the artist. Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Hand-signed by artist with Certificate of Authenticity Over the last few weeks we have quietly been photographing senior Native Americans against the backdrop of quintessential and emblematic American vistas.⁣⁣ ⁣⁣ Whilst we will be releasing some of the series in the run up to the Presidential Election, this is not an overtly political statement from us. We know that Native Americans have long had a leaning toward the Democratic Party, but we took this assignment on because it is relevant, not to be political.⁣⁣ ⁣⁣ There is wide recognition now that Christopher Columbus did not discover America in 1492 and the events in Minneapolis have accelerated the debate on the possibility of institutionalised racism in the teaching of American history. This is not a discussion we want to fully engage in - as we are ill equipped to add value, but I do want to celebrate some of the tribal elders I have had the fortune to encounter in the last month. Their pride, manners, grace and humility have been humbling. We have made new friends in the North.⁣⁣ ⁣⁣ For this project we worked with Chief John Spotted Tail, the great-great-grandson of the fabled Lakota chief Spotted Tail. We spent two days with him in Northern Wyoming and he was so excited to wear the headpiece that only the most senior Native American chiefs like him can wear. His attire was emphatically his decision not ours. Their heritage is integral to their souls.⁣⁣ ⁣⁣ The ground in front of Devils Tower...

"How the West Was Won" Texas, USA 2020 Available Sizes (Framed Size) Large: 71” x 91” Edition of 12 Standard: 52” x 65” Edition of 12 This work is sourced directly from the artist. Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Hand-signed in lower right by artist. This photo comes with a with Certificate of Authenticity About David Yarrow David Yarrow was born in Glasgow, Scotland in 1966. He took up photography at an early age and as a 20-year-old found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, David took the famous picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other sporting events. Many years later David established himself as a fine art photographer by documenting the natural world from new perspectives and the last nine years have been career-defining. David’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following amongst art collectors. His large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. He is now recognised as one of the best-selling fine art...

"And the Party Never Ends" Monument Valley, Utah, USA - 2022 Available Sizes (Framed Size) Large: 71” x 95” / Edition of 12 Standard: 52” x 68” / Edition of 12 This work is sourced...

"66 Degrees North" Namafjall Geothermal Area, Iceland - 2022 Available Sizes (Framed Size) 52 x 58" Framed / Edition of 12 71 x 80" Framed / Edition of 12 This work is sourced directly from the artist. Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Hand-signed by artist with Certificate of Authenticity Developing a concept that ticks the boxes creatively and then executing that concept are emphatically two different jobs, which is why making a picture is a longer process than taking a picture. Many years ago, the exceptional work of British photographer Tim Flach, drew my attention to the hot springs of Myvatn in the north of Iceland. This remote area is geologically angry and in deep winter it is fairly inhospitable, but in the summer, it becomes something of a tourist resort for the local Icelandics and all too crowded for how we operate. We would always choose inhospitable over crowded. I have filmed here in the winter in the past, but struggled to do justice to the uniquely raw ecosystem. As always there is an element of knowing how to get it right by initially getting it hopelessly wrong. In particular, this is not a safe place without engaging locals, because the ground underneath, much like Yellowstone in Wyoming, is not to be taken for granted. To be brave and work close to the geysers needs permits and guides. But in 2022, we finally had our rewards. The weather plays such a big role in the field; no more so than up here at 66 degrees north where the Norse Gods granted my wish for strong winds and good light. It was the wind that amplified the trail of steam and allowed me to work a comfortable distance from the source without losing the effect. It was then up to me to work the strong late afternoon light to the best of my advantage. The end result is a strong image and certainly authentic. It's stripped back and visceral mood lives and breathes the wildest of Icelandic sagas. There are horse...

Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper "Hot Chicks" Montana, USA - 2022 The Victoria Secret model Josie Canseco is a regular muse for me in my wild west...

Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper DEAD MAN'S CHEST Anguilla, Caribbean 2022 The work has been sourced directly from the artist I hope this image is identified as having some of my trademarks. Every inch of the frame sweats and every person within the frame firmly stakes claim to his or her presence. I was greedy in the amount of information I wanted in the picture and for it to come off, I needed luck as well as strong communication with everyone on set. It has the cinematic feel that I often strive for and I think in time I will look back very fondly on that evening. At the moment it is all a little fresh and the subject matter is sufficiently adrift from my normal work that it is difficult to find context. But my sense is that it is a special photograph. The goal was to attain compositional harmony amidst the chaos of the beach landing, which was not that easy an objective as this landing was for real. This raw and rocky coastline in Anguilla is no studio. In retrospect it is remarkable that not only are the faces of the six male pirates in the landing party all in view but they also show collective endeavour. They had enough to think about dealing with the boat in the tide and maybe the truth is that they weren’t in role at all. Whilst getting soaked, out of my right eye I was checking the barrel in the sea, as I didn’t want to lose it behind the boat. There was quite a bit of multi-tasking going on in that one minute. Keeping a watch on two Rastafarian friends on the rocks was a further dimension. It was quite late in the day and by that time, I couldn't be too sure of their footing given their activities during the day. Josie Canseco...

Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper THE BREAK UP Utah USA, 2018 This Work was sourced directly from the artist. ...

Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper The Residents Montana, USA - 2022 The intricate layout for this picture was preconceived before I went to bed the previous night. I knew that as soon as the sun rose above the buildings the light would be too harsh to work and that there could be no time for compositional pondering during the shoot. The camera angle needed flat light not aggressive shadows and the weather forecast suggested that we would need to be finished no later than 8.15 am. So, it was cold conditions when the cast began assembling at 6.15am. Josie...

"Chief" Wyoming, USA 2020 Large: 71" x 96” Edition of 12 Standard: 52" x 69" Edition of 12 This work is sourced directly from the artist. Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Hand-signed by artist with Certificate of Authenticity Over the last few weeks we have quietly been photographing senior Native Americans against the backdrop of quintessential and emblematic American vistas.⁣⁣ ⁣⁣ Whilst we will be releasing some of the series in the run up to the Presidential Election, this is not an overtly political statement from us. We know that Native Americans have long had a leaning toward the Democratic Party, but we took this assignment on because it is relevant, not to be political.⁣⁣ ⁣⁣ There is wide recognition now that Christopher Columbus did not discover America in 1492 and the events in Minneapolis have accelerated the debate on the possibility of institutionalised racism in the teaching of American history. This is not a discussion we want to fully engage in - as we are ill equipped to add value, but I do want to celebrate some of the tribal elders I have had the fortune to encounter in the last month. Their pride, manners, grace and humility have been humbling. We have made new friends in the North.⁣⁣ ⁣⁣ For this project we worked with Chief John Spotted Tail, the great-great-grandson of the fabled Lakota chief Spotted Tail. We spent two days with him in Northern Wyoming and he was so excited to wear the headpiece that only the most senior Native American chiefs like him can wear. His attire was emphatically his decision not ours. Their heritage is integral to their souls.⁣⁣ ⁣⁣ The ground in front of Devils Tower...

"Chief" Wyoming, USA 2020 Large: 71" x 96” Edition of 12 Standard: 52" x 69" Edition of 12 This work is sourced directly from the artist. Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Hand-signed by artist with Certificate of Authenticity Over the last few weeks we have quietly been photographing senior Native Americans against the backdrop of quintessential and emblematic American vistas.⁣⁣ ⁣⁣ Whilst we will be releasing some of the series in the run up to the Presidential Election, this is not an overtly political statement from us. We know that Native Americans have long had a leaning toward the Democratic Party, but we took this assignment on because it is relevant, not to be political.⁣⁣ ⁣⁣ There is wide recognition now that Christopher Columbus did not discover America in 1492 and the events in Minneapolis have accelerated the debate on the possibility of institutionalised racism in the teaching of American history. This is not a discussion we want to fully engage in - as we are ill equipped to add value, but I do want to celebrate some of the tribal elders I have had the fortune to encounter in the last month. Their pride, manners, grace and humility have been humbling. We have made new friends in the North.⁣⁣ ⁣⁣ For this project we worked with Chief John Spotted Tail, the great-great-grandson of the fabled Lakota chief Spotted Tail. We spent two days with him in Northern Wyoming and he was so excited to wear the headpiece that only the most senior Native American chiefs like him can wear. His attire was emphatically his decision not ours. Their heritage is integral to their souls.⁣⁣ ⁣⁣ The ground in front of Devils Tower...

Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper 3:10 TO YUMA Texas, USA 2020 This Work was sourced directly from the artist. Railway tracks can be visu...

Beach Bums Anguilla, Caribbean - 2022 Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Sizes Large – 56” x 97” Unframed, 71” x 112” Framed – Edition of 12 S...

Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper DEAD MAN'S CHEST Anguilla, Caribbean 2022 This work was sourced directly from the artist. I hope this image is identified as having some of my trademarks. Every inch of the frame sweats and every person within the frame firmly stakes claim to his or her presence. I was greedy in the amount of information I wanted in the picture and for it to come off, I needed luck as well as strong communication with everyone on set. It has the cinematic feel that I often strive for and I think in time I will look back very fondly on that evening. At the moment it is all a little fresh and the subject matter is sufficiently adrift from my normal work that it is difficult to find context. But my sense is that it is a special photograph. The goal was to attain compositional harmony amidst the chaos of the beach landing, which was not that easy an objective as this landing was for real. This raw and rocky coastline in Anguilla is no studio. In retrospect it is remarkable that not only are the faces of the six male pirates in the landing party all in view but they also show collective endeavour. They had enough to think about dealing with the boat in the tide and maybe the truth is that they weren’t in role at all. Whilst getting soaked, out of my right eye I was checking the barrel in the sea, as I didn’t want to lose it behind the boat. There was quite a bit of multi-tasking going on in that one minute. Keeping a watch on two Rastafarian friends on the rocks was a further dimension. It was quite late in the day and by that time, I couldn't be too sure of their footing given their activities during the day. Josie Canseco...

Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Mexico / USA, 2020 I took this photograph of the legendary West Texas cowboy - Ty Mitchell - on a sandbank on the Rio Grande. Ty stands 6ft 5” tall and my general assessment is that not much fazes this guy. Meanwhile, the location is about as good as it gets and is rather wonderfully named Contraband Creek. I was standing in Mexico and 20 yards across the river was the US. Every time I walked knee deep across the river to change a lens or camera, I entered America and then on my return I re-entered Mexico. I think I actually entered America four times in a morning - all rather surreal with this talk of a wall. I would like to thank the US Border Patrol...

Enough is Enough Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper This work was sourced directly from the artist. This photograph was a spontaneous behind ...

Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Beach Bums Anguilla, Caribbean - 2022 Sizes Large – 56” x 97” Unframed, 71” x 112” Framed – Edition of 12 ...

Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper The Bribe Available in two sizes Large 71 X 116 inches (Framed) Medium 52 X 82 inches (Framed) About David Yarrow David Yarrow was born in Glasgow, Scotland in 1966. He took up photography at an early age and as a 20-year-old found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, David took the famous picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other sporting events. Many years later David established himself as a fine art photographer by documenting the natural world from new perspectives and the last nine years have been career-defining. David’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following amongst art collectors. His large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. He is now recognised as one of the best-selling fine art...

Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper ENOUGH IS ENOUGH Montana, USA - 2020 This Work was sourced directly from the artist. This photograph was ...