School House Antiques Landscape Paintings

‘Pink Lavender’ Modern Abstract Landscape Painting on Canvas from leading British Artist. Margaret Francis received her Degree in Fine Art from Winchester Art...

Vintage American modernist abstract Maine landscape painting. Watercolor and gouache on paper, circa 1960. Signed on verso. Image size, 30...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

PROCESS: The underpainting is done with watercolour. This is really tricky for few reasons. It took me a considerable amount of time to work out the canvas maker that is suitable for the effect. For the paint to give me these beautiful semi translucent washes, the cotton has to be the right grain and correctly primed. The underpainting takes very little room for mistake and even now sometimes I scrap the canvas and start all over. There is very special fast drying medium used to cover delicate layers with the right amount of thin oil paint and to make the pigment more fade resistant and prevent from any yellowing. This stage is repeated many times to build the satisfactory depth. I then go with a tiny brush to go over the edges and borders, adding definition with acrylic. Final two - the signature, usually on the front (but some paintings I leave unsigned on the front till they are sold, so the buyer can cast his/her wish to see my surname on the front or back of the artwork). STORY: The Migration collection is intend to capture the subject of departure focusing on positive effects of separation, leaving, breaking ties. The paper airplane is a faceless portrait...

Istanbul Rush Hour Trevor Waugh Watercolour on rag paper half sheet Unframed Landscape painting Orientalism Street scenes

Vibrant marina abstract with bold colors and geometric forms by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Signed "...

Abstract watercolor composition bearing the influence of the earlier color-block compositions of Paul Klee. Pawel August Kontny, (Polish-German-American artist) He was born in Laurahuette, Poland, in 1923, the son of a wealthy pastry shop owner. In 1939 he began studying architecture in Breslau where he was introduced to the European masters and to the work of some of the German Expressionists, soon afterward banned as "degenerate artists" and removed from museums throughout Germany by the Nazi regime. His studies were interrupted by World War II. Drafted into the German army, traveling in many countries as a soldier, he sketched various landscapes but in 1945, he was captured and held as a prisoner of war in Italy. After the war, he studied at the Union of Nuremberg Architects to help design buildings to replace ones destroyed in the war. He recorded his impressions of the local population and the landscapes through his watercolors and drawings. Pawel Kontny thereafter moved to Nuremberg, Germany, becoming a member of the Union of Nuremberg Architects and helping to rebuild the city's historic center. He soon decided to concentrate on his professional art career. He married Irmgard Laurer, a dancer with the Nuremberg Opera. Pavel Kontny 's career as an artist was launched with his participation in an all German exhibition, held at the Dusseldorf Museum in 1952. He held one-man shows in Germany, Switzerland and the United States. During his trip to the United States in 1960, Kontny became instantly enamored with Colorado, and decided to relocate to Cherry Hills with his wife and two children. He quickly established himself in the local art community, being affiliated for a time with Denver Art Galleries and Saks Galleries. His subject matter became the Southwest. During this time he received the Prestigious Gold Medal of the Art Academy of Rome. His extensive travel provided material for the paintings he did using his hallmark marble dust technique. he also worked equally in pastel, watercolor, charcoal and pencil-and-ink. in a style which merged abstraction and realist styles, influenced by Abstract Expressionist painting and South Western American landscapes. In the early 1960s he was one of only a few European-born professional artists in the state, a select group that included Herbert Bayer (1900-1985), a member of the prewar Bauhaus in Weimar and Dessau, Germany, and Roland Detre (1903-2001), a Hungarian modernist painter. As a Denver, Colorado resident, Pavel Kontny exhibited at galleries and museums throughout the United States, Germany and Japan. There, he was inspired by frequent trips to Native American pueblos in the Southwest, as well as by the study of the Plains Indians of Montana and Wyoming. Over the years Kontny had a number of students and generously helped young artist by hosting exhibitions at his Cherry Hills home. For many years he generously donated his paintings to support charitable causes in Denver. Influences during his European years included German pastelist C.O. Muller, German Informel painter Karl Dahmen and Swiss artist, Hans Erni. In the early 1950s his painting style showed the influence of the Die Brücke (The Bridge), a group of German expressionist artists formed in Dresden in 1905 who had a major impact on the evolution of modern art in the twentieth century in Germany. By the middle of the decade his style incorporated more referential abstraction and total abstraction, resulting in part from his study of Hans Hartung, a German artist based in Paris who exhibited his gestural abstract work in Germany. The American moon landing in 1969 inspired Paul Kontny...

“Water Blooms 8” — Oil, Acrylic, and Ink on Canvas, 48 x 72 inches "Water Blooms 8" is a monotone abstract painting with richly layered tones of black, greys and bright whites, inks...

“Harbor 8” — Oil, Acrylic, and Ink on Canvas, 48 x 60 inches "Harbor 8" is a brightly colored abstract painting with richly layered blue tones...

Includes a Certificate of Authenticity

"Shadow Blooms 3" is a brightly colored abstract painting with richly layered tones, inks and paint. It is sized at 48x60 inches, and can be in...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 9.5 x 8 inches condition: very good provenance: fro...