Sherry Hayslip Interiors Asian Art and Furniture

A beautiful vintage Imari white porcelain and turquoise blue and gold urn ginger jar vase or vessel, circa mid-20th century, 1960s, Japan. Japan is known for its fine porcelain; vase is white porcelain, hand painted in turquoise blue, royal blue, green, gold and touches of black. Beautiful details all around as shown in images. With marker's mark and marked "hand painted" on bottom as show in image #13. Very good condition as shown in images. No chips noted. Dimensions: 3.88" Diameter x 4.88" Height. For wicker table shown in images search...

A good pair of large antique Japanese Meiji period porcelain lidded jars, circa 1880. The jars having ribbed dome shaped lids topped with lion-dog (Komainu) finials, the baluster shaped jars also of corresponding ribbed form. The lids and jars are skillfully hand-decorated in the Imari palette with blue & iron red floral decoration over a white body, on one side are a pair of floral cartouches on another side is a fan shaped cartouche. Condition is very good indeed, no damage or restoration, a very handsome pair of 19th century Japanese Imari lidded jars...

A framed woodcut print of a Japanese Lady originally by Utagawa Kunisada (Toyokuni III). one of the most famous Japanese Ukiyo-e artists, Utagawa Kunisad...

Utagawa Kuniyoshi (Japan, 1798-1861), a set of nine Japanese woodblock prints (ukiyo-e) from the series 'Taiheiki Eiyuden', or 'Heroes of the Great Peace' published between 1846-1847...

Chinese carved wood and bone 2 panel screen Folded size 18x36"

A Classic image by renowned Japanese printmaker Utagawa Toyonobu from his newly selected history of Toyotomi Hideyoshi series. A very good impres...

Japanese 19th Century Woodblock Print of Kabuki Actors Toyokuni III Original Woodcut by Toyokuni III (1786 - 1864) Of the Kabuki actors Bando Hikosab...

This is an old wooden work board called a “Kate-Kiri-Ban,” which was used in the Aizu region of Fukushima Prefecture, Japan, around the early 20th century. The name breaks down as fo...

A rare Meissen Marcolini Porcelain Chinoiserie incense burner vase and cover, made for the Chinese market, circa 1800, blue cross swords and star mark, Pressnummer 58 A Museum Quality Piece. Painted in the sought after famille rose palette with sprigs of indianische Blumen and enriched in gilding, the simulated pierced body supported by four feet painted with stylized dragons, the pierced cover with a Buddhist lion finial. 10" high x 6" wide x 6" deep The shape of this piece, which appears to be unrecorded in the literature, is inspired by similar Chinese porcelain censers from the Qing Dynasty, Kangxi Period (1654-1722). An example in the Palace Museum, Beijing, is illustrated by Li Yi-hua in Qing Porcelain of Kangxi, Yongzheng and Qianlong Periods from the Palace Museum Collection, Hong Kong, 1989, pl. 65. Another in the British Museum, London (museum no. PDF, A.812) is catalogued as a perfume-holder. These porcelain examples are in turn inspired by ancient Chinese bronzes from both the Shang (1600-1046 BC) and the Zhou (1046-246 BCE) dynasties, an example of which was sold anonymously by Christie's New York, 22 March 2019, lot 1601. This chain of inspiration tracking backwards from the 19th century to antiquity provides a clear example of how ceramics, and indeed other mediums, are able to influence and motivate the works of later generations. For a Meissen porcelain snuff...

A pair of famille verte porcelain plates, the left made in China during the Kangxi period (r. 1662–1722) and the right a copy by Meissen made circa 1740. Chinese porcelain has alw...

An antique Japanese Edo period diptych woodblock print from the early to mid 19th century, signed by Utagawa Kuniyoshi. Immerse yourself in the Japanese Edo period artistry with this antique 19th-century diptych woodblock print. Signed by the artist, this captivating piece is a striking depiction of a tranquil interior scene, rendered in a soothing color palette of blue, pink, and black tones. This print comprises two panels, assembled under glass in a custom frame to form a cohesive narrative. The scene captures a specific moment in time, presenting a man surrounded by four women and a child, beautifully adorned in traditional Japanese garments. The intricate details of their clothing are a testament to the artisan's skill, bringing an element of authenticity and depth to the scene. On the left, three women sit in a state of relaxed conversation, while another stands, graciously offering a tray. Adding intrigue, two additional women can be spotted peeking through a slightly open window, one cleverly concealing her face behind a fan. A child, smaller in stature, sits attentively in front of the man, further enhancing the scene's narrative quality. A signature from the artist adds an additional layer of authenticity, making this piece a must-have for collectors of antique Japanese art...

19th Century Window Lattice Screen. Very special Lattice Screen Window Panel from Shanxi China 19th century. Wonderfully assembled sculpted pieces of Cypress wood with each face ro...