Sherry Hayslip Interiors Ceramics

A beautiful vintage Imari white porcelain and turquoise blue and gold urn ginger jar vase or vessel, circa mid-20th century, 1960s, Japan. Japan is known for its fine porcelain; vase is white porcelain, hand painted in turquoise blue, royal blue, green, gold and touches of black. Beautiful details all around as shown in images. With marker's mark and marked "hand painted" on bottom as show in image #13. Very good condition as shown in images. No chips noted. Dimensions: 3.88" Diameter x 4.88" Height. For wicker table shown in images search...

A good pair of large antique Japanese Meiji period porcelain lidded jars, circa 1880. The jars having ribbed dome shaped lids topped with lion-dog (Komainu) finials, the baluster shaped jars also of corresponding ribbed form. The lids and jars are skillfully hand-decorated in the Imari palette with blue & iron red floral decoration over a white body, on one side are a pair of floral cartouches on another side is a fan shaped cartouche. Condition is very good indeed, no damage or restoration, a very handsome pair of 19th century Japanese Imari lidded jars...

A rare Meissen Marcolini Porcelain Chinoiserie incense burner vase and cover, made for the Chinese market, circa 1800, blue cross swords and star mark, Pressnummer 58 A Museum Quality Piece. Painted in the sought after famille rose palette with sprigs of indianische Blumen and enriched in gilding, the simulated pierced body supported by four feet painted with stylized dragons, the pierced cover with a Buddhist lion finial. 10" high x 6" wide x 6" deep The shape of this piece, which appears to be unrecorded in the literature, is inspired by similar Chinese porcelain censers from the Qing Dynasty, Kangxi Period (1654-1722). An example in the Palace Museum, Beijing, is illustrated by Li Yi-hua in Qing Porcelain of Kangxi, Yongzheng and Qianlong Periods from the Palace Museum Collection, Hong Kong, 1989, pl. 65. Another in the British Museum, London (museum no. PDF, A.812) is catalogued as a perfume-holder. These porcelain examples are in turn inspired by ancient Chinese bronzes from both the Shang (1600-1046 BC) and the Zhou (1046-246 BCE) dynasties, an example of which was sold anonymously by Christie's New York, 22 March 2019, lot 1601. This chain of inspiration tracking backwards from the 19th century to antiquity provides a clear example of how ceramics, and indeed other mediums, are able to influence and motivate the works of later generations. For a Meissen porcelain snuff...

A pair of famille verte porcelain plates, the left made in China during the Kangxi period (r. 1662–1722) and the right a copy by Meissen made circa 1740. Chinese porcelain has alw...

A matched pair of 19th century porcelain urns with lids, made by Samson Edmé et Cie porcelain, of Paris. Samson opened in 1845 and soon became well-known for making reproductions of ...

This olive green urn captivates with its harmonious blend of simplicity and elegance. Featuring a circular silhouette, the urn is topped with a delicate, small lip that gracefully co...

An Japanese porcelain plate circa 1930s-1940s. Decorated with over glaze featuring three ladies in waiting. In the garden, the rock grottoes, a cherry tree in blossom, a half hidden banana tree and a few peeking peonies, suggest a subtropical scenery. The ladies were pictured as holding various item, a fly...

Stunning and very large Chinese Canton famille verte ormolu mounted porcelain vase of museum quality, from the city of Canton, is decorated in the so-called Famille Verte manner, mid...

Barrel form with blue ruyi design border w phoenix bird and dragon vignette in various colors.

Typical form with bright yellow ground and Chinese symbols.

Pair of Chinese Ying Qing (“shadowy blue”) ware porcelain vases with ceremonial urns dating from the 12th century, Song dynasty. These two stunning vases depict the 12 traditional ...

A terracotta pottery funerary urn with lid from Korea Unified Silla Period, circa 9th century. The jar was in a classic globular form with raised shoulder. Although the surface was u...