Skippings Fine Arts Abstract Drawings and Watercolors

Interior design paintings. The work was done with ink and watercolor on watercolor paper 300g. The work is 11 by 15 inches in size. This is the "Many thoughts, one head" series. The...

Interior design paintings. The work was done with ink and watercolor on watercolor paper 300g. The work is 11 by 15 inches in size framed (black) with a styrene face on a double mat ...

Carl Hofer (German, 1875 – 1955) Abstract figures Pencil on paper 8.1/4 x 9 in. (21 x 23 cm.) With studio stamp (on the reverse) and signature of the artist’s wife Elizabeth Hofer Provenance: These works come from the artist’s second wife Elizabeth and from then by descent. Carl Hofer was a German expressionist painter and the director of the Berlin Academy of Fine Arts. One of the most important painters of the Expressionist movement, his work was among those that was considered degenerate art by the Nazis. He studied in Karlsruhe under Hans Thoma. He first visited Paris in 1899 making acquaintance with Julius Meier-Graefe. In 1902 he studied in Stuttgardt and became friends with the sculptor Hermann Haller...

Takashi Murakami Untitled signed original drawing of Two Flowers with heart doodle, 2021 Original marker drawing done on title page and bound in hardback monograph with purple boards...

Mid-century lyrical surrealist abstract watercolour on paper by French artist Jean Clerté, signed and dated bottom right. Presented in mid-century frame. Jean Clerté , born in 1930 in Saint-Savin-sur-Gartempe in Vienne, is a French painter, engraver, draftsman, watercolourist and sculptor . This work is a great example of his more humorous and expressive work influenced by Alechinsky from the late 1960s onwards. There is a light playfulness and yet the watercolours are more vivid than his previous palette. Jean Clerté works in series. His sequential narrations testify both to a youthful spontaneity and to a perfect mastery in the distribution of forms and images on the painted surface. The narration is not only an accumulation of juxtaposed fragments and symbols, it forms a whole, it takes on and gives meaning. In general, we can say of Clerté that he practices an “eco-art” that feeds on primary hungers: the feeling of being united with nature, the vegetable, the mineral, the aquatic. In his colourful canvases, his inks, his boxes, his objects, like a shaman on the path of his dreams, the painter Clerté mounts an assault on beasts and demons, elves and gnomes. From the Poitevin marshes to the tropical forests emerges a fauna caught in the meanders of a design that marvels at the appearance of these grotesque idols. Jean Clerté began to draw and paint at a very young age, and at the age of 15 he enrolled at the École des Beaux-Arts in Poitiers. Then in 1949, curious about the capital, he moved to Paris. Having very few financial resources, he could not continue his studies at first, worked as a model to survive, and met other artists; he was then admitted to the studio of Ossip Zadkine and, from 1952, he was also able to study engraving at Atelier 17 of Stanley William Hayter, an English engraver and printer living in Paris associated in the 1930s with surrealism. At the end of the 1960s, he worked alongside Pierre Alechinsky, founding member of the Cobra movement, engraving Alechinsky's originals, benefiting from his advice, and discovering acrylic as a medium. From 1976, Jean Clerté became associate professor at Hayter. Clerté had taught previously, in 1971 at the Salzburg Summer University and in 1972 he gave courses at the Paris-Sorbonne University . In 1981, he was appointed professor at the School of Decorative Arts , where he had Maïlys Seydoux-Dumas as a student and, from 1983 to 1988, he was Alechinsky's assistant professor at the Paris School of Fine Arts. His first works are part of the current of lyrical abstraction, and are nourished by impressions of nature (landscape motifs, e.g. forest fires, waterscapes), then around 1968, encouraged by Alechinsky, he rejects abstraction, and his work becomes more figurative with expressive and humorous elements. From this period his colours are more subdued, often with pastel tones, he works on series. Jean Clerté has created a world in a space where drawing, painting, objects participate in a playful figuration. From his drawings were born sculptures and sometimes mobiles (Le Moulin à dessin). If it is the artist who makes astonishing, polychrome, whimsical “toys”, it is the painter who appeals to adults through his caustic and satirical humour. His first exhibitions in France took place at the Galerie Massol , then at the Galerie Pascal...

Wonderful abstract expressionist drawing in shades and tones of grays and black by John Haley (American, 1905-1991), c.1956-7. Signed lower left corner. Presented in 3" mat. Condition: Very good: some edge wear consistent with age. Image size: 25"H x 19"W. A feature of the artwork of John Charles...

Sister Mary Corita Kent Love You, ca. 1975 Original signed watercolor painting on paper Signed in graphite pencil on the recto Floated and framed in white wood frame This is a unique work Measurements: Framed: 5.5" x 5.5" x 1.5" Artwork alone: 4" x 4" Extremely difficult to find unique watercolor works on paper on the market by Sister Corita...

Interior design paintings. The work was done with ink and watercolor on watercolor paper 300g. The work is 11 by 15 inches in size framed (gold) with a styrene face on a double mat b...

Jeff Koons Original flower drawing on Rockefeller Center Puppy poster (Hand Signed), 2000 Drawing done in silver marker on offset lithograph Hand signed by Jeff Koons in marker on t...

Waterlilies V: Modern, Abstracted Pencil Drawing of Flowers (Waterlilies) graphite drawing on paper Paper size: 16 x 35 inches This grap...

Carl Hofer (German, 1875 – 1955) Einflusterung (Whispering) Charcoal and pencil on paper Signed and inscribed ‘Einflusterung’ (lower middle) 17.1/4 x 13.3/8 in. (43.8 x 34 cm.) Provenance: These works come from the artist’s second wife Elizabeth and from then by descent. Carl Hofer was a German expressionist painter and the director of the Berlin Academy of Fine Arts. One of the most important painters of the Expressionist movement, his work was among those that was considered degenerate art by the Nazis. He studied in Karlsruhe under Hans Thoma. He first visited Paris in 1899 making acquaintance with Julius Meier-Graefe. In 1902 he studied in Stuttgardt and became friends with the sculptor Hermann Haller...

Figurative abstract cubist style drawing in an antique wood frame, inspired by artwork by Graham Sutherland “Sutherland Project VII” by Hudson Valley artist, David Dew Bruner, made ...