Societa Antiquaria Cabinets

Sideboard by Gianfranco Frattini, Bernini Italy, 1961 Materials & Techniques Notes: rosewood, 2 tambour style roll down fronts, ...

Modular bookcase model LB7 designed by Franco Albini for Poggi. Marked Poggi Pavia. An extremely flexible bookcase, with different modular options, suited to being against a wall or...

This is a vertical wooden storage cabinet made of Japanese cedar in the first half of the 20th century. Although it is unknown where it was used, its appearance oozes a beauty that transcends practical use. The rustic feel of the material and its quiet presence give it a nostalgic warmth not found in modern furniture. This piece is made entirely of solid Japanese cedar, and the simple and disciplined structure of the vertical cleats, especially on the doors, and the cedar planks passed horizontally and overlapping from the reverse side, bring a perfect balance and rhythm to the overall look of the piece. This kind of design reveals a uniquely Japanese sense of design. The deep candy-colored texture created by the aging process is a taste that only antique pieces can have. The subtle changes in color from suntanning and areas touched by the hand tell a quiet story of the passage of time. The doors are simple and close with small wooden stoppers, preserving the practicality and warmth of the past. The shelves are securely fastened and provide ample storage capacity. Books, clothes, daily necessities, and various other items can be beautifully organized. The backs and shelves are stained and worn from use, and there are also some holes repaired on the sides and small chips. In a modern living space, this shelf can be used as a shelf in a study, as an accent in a living room, or as a quiet corner of a room where one spends quiet time alone, bringing a sense of calmness and flavor to the entire space. These long, locker-like proportions of antique shelves...

Amazing and very rare 6-module sideboard designed by Guido Faleschini for Hermès in 1971. The only specimen currently on the market with 6 complete elements. The cabinet has a centr...

Rare particular cabinet, Attibuted Osvaldo Borsani design, in fine wood, interior shaped mirrors, brass parts.

This 20th Century French gilded wood mirror presents a seamless blend of simplicity and splendor, ideal for bringing a touch of understated luxury ...

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...

I am offering for sale a stunning mirror, a manifesto of the great skills of Italian artisans in glassmaking during the mid-20th century. Made in Italy between the 50s and 60s, the p...

Full documented Borsani cabinet, painted by Adriano Spilimbergo in relief pastel floral motif. Subtle yet amazingly beautiful. Cast brass hardware, original green glass interior shelf. Interior is entirely original down to the harlequin vinyl upholstery and wood carved coat rack...

Pair of big wall mirror in the style of Ico Parisi, circa 1950 walnut mirror bronze Measures: 40x 150 x 10 cm.   

Elegant mahogany wood desk with aluminum inserts designed by Gianfranco Frattini for Bernini in 1960. Hardwood and wood veneer, details on feet and the bottom in aluminum. Pull-out t...

Modular bookshelf designed by Franco Albini in 1956 for Poggi Pavia. An exceptionally flexible bookshelf with various modular options, suitable to be placed against a wall or used as...