Sponder Gallery Sculptures

Jonathan Adler acrylic pill sculpture. 750 mg size. red-orange.

Jonathan Adler acrylic pill sculpture. 750 mg size. blue

A remarkable example of Boaz Vaadia's distinctive approach to contemporary figurative sculpture, using bronze and bluestone to create a layered, stratified effect reminiscent of natu...

This small, pedestal sized or table top sculpture by Israeli artist, Boaz Vaaida is a rare find. Very few small works, such as this are available. Cast in bronze from an original s...

Markus Linnenbrink is a German painter best known for his room-sized painted installations and works on canvas. Working within the genre of American Color Field painters, such as Gen...

Carole A. Feuerman is an American sculptor and author known for co-founding the Superrealist movement in the 1970s. After having developed works linked to the poetics of the fragment...

Abstracted figure in bronze with dark brown patina on marble base

"My search in the visual arts is for the hidden Human spirit. That small part that makes us each unique, yet finds us a common home. I have been a paid professional as well as an active volunteer in state run mental institutions, private and county run nursing homes and been a drug rehabilitation counselor. Overriding this vein is the love of movement and dance and the shear...

overall dimension 96 x 28 x 28 inches sculpture measures 80 x 28 x 28 inches and base is 16 x 16 x 16 inches

Jonathan Adler acrylic pill sculpture. 750 mg size. blue

Jonathan Adler acrylic pill sculpture. 750 mg size. red-orange.

Inspired by Pop Art, Stanick’s work covers a wide range of world images taken from the Internet. His visual language is originally digital; he then uses animation software to create ...

A mythical piece of Daum's legacy, "Horse Carrying Fire" is inspired by legend. This magnificent horse with its fine silver embellishment appears to have stepped straight out of a th...

Bronze sculpture 102 x 85 x 85 inches on 16 x 48 x 48 inch base

46 x 32 x 32 inch bronze sculpture on 32 x 16 x 16 inch black granite base

Suitable for Outdoor placement

Vaadia says of his work, “By using the natural forces of rocks, my work awakens ancient ‘earth senses’ that were slowly abandoned by man during his evolution to civilization. By carv...

Kx2 is a collaboration combining the strengths of artists and sisters Ruth Avra and Dana Kleinman who create mathematically inspired sculpture merging metal and painting. From a dist...

Bronze knot sculpture

Donald Baechler works from a great inventory of worldly images. Recorded on slides and collected in the archives of his enormous Lower Manhattan studio, they are the sources for many...

This sculpture is edition 2/7, cast posthumously by the Boaz Vaadia Estate.

This whimsical sculpture is constructed of silicone and pigment over a fiberglass structure.

Polished aluminum, Ed. of 50 Walking the line between respectful homage and brazen appropriation, Deborah Kass mimics and reworks the signature styles of some of the 20th century’s most iconic male artists—including Frank Stella, Andy Warhol, Jackson Pollock, and Ed Ruscha—in her bold, meticulous paintings. “They’re my daddies...

Characterizing herself as a Constructivist-turned-Minimalist, who “can’t do anything else” but make art, Jane Manus produces abstract sculptures that punctuate the spaces into which ...

Characterizing herself as a Constructivist-turned-Minimalist, who “can’t do anything else” but make art, Jane Manus produces abstract sculptures that punctuate the spaces into which ...

Vinyl and Aluminum Sculptor William King is widely renowned for his signature flattened and stilt-legged figures, gesturing dramatically. Humorous and rife with social commentary, h...

Vinyl and Aluminum Sculptor William King is widely renowned for his signature flattened and stilt-legged figures, gesturing dramatically. Humorous and rife with social commentary, h...

Characterizing herself as a Constructivist-turned-Minimalist, who “can’t do anything else” but make art, Jane Manus produces abstract sculptures that punctuate the spaces into which ...

Characterizing herself as a Constructivist-turned-Minimalist, who “can’t do anything else” but make art, Jane Manus produces abstract sculptures that punctuate the spaces into which ...

Peter Reginato combines biomorphic shapes and painterly precision in his bright welded-steel sculptures. With their organic, lyrical forms, his pieces resemble the three-dimensional ...

Jeff Koons (born 1955) Balloon Dog (Yellow), 2015 Metallic porcelain plate multiple, with the artist's brand stamped signature, titled and numbered 802/2300 verso, manufactured by Be...

This ceramic vessel is part of the artist's Journal Entry series, which incorporates a story telling element on the surface much like ancient artists and their use of images.

Edition 20/99 Arman (born Armand Pierre Fernandez) was an early proponent of accumulation and scatter art. In 1959, he began displaying collections of objects in Plexiglas cases and creating installations of strewn garbage, which he called “Poubelles,” or “trash bins.” He also welded identical objects together to create larger sculptural pieces. In 1961, along with Yves Klein, Jean Tinguely, Jacques Villeglé, art critic Pierre Restany, and others, Arman founded Nouveau Réalisme, a group interested in new approaches to the concept of “reality.” Spending time in New York in the 1960s, Arman adopted destruction as a strategy for creating something new—slicing, burning, and smashing objects such as bronze statues and musical instruments to mount on canvas. Andy Warhol owned two of Arman’s Poubelles, and Arman appears in the Warhol’s 1964...

Peter Reginato combines biomorphic shapes and painterly precision in his bright welded-steel sculptures. With their organic, lyrical forms, his pieces resemble the three-dimensional ...

Harald Schmitz-Schmelzer’s cast acrylic works bridge the gap between painting, sculpture and science. The artist’s studio, like an experimental lab, is ...

AP 2 Ernest Trova was an artist whose signature creation, a gleaming humanoid known as “Falling Man,” appeared in a series of sculptures and paintings and became a symbol of an imperfect humanity hurtling into the future. Mr. Trova was largely known as a sculptor, but his “Falling Man,” a standard of Pop Art, began life as a painted figure, taking shape on his easel in the early 1960s. Faceless, armless, with a hint of a belly and, its name notwithstanding, of indeterminate sex, the figure struck a variety of poses, sometimes juxtaposed with other like figures, sometimes with mechanical appendages. In October 1963 his one-man show, “Falling Man Paintings,” was the inaugural exhibition of the Pace Gallery on West 57th Street in Manhattan; it sold out, with the works purchased by the Museum of Modern Art, the Whitney Museum, the architect Philip Johnson and others. In three dimensions, the “Falling Man” figure was made from different materials over the years — nickel and chrome-plated bronze, enamel on aluminum, stainless steel — and often, like the Oscar statuette, was polished to an industrial sheen. It was clearly a space age creation, a forerunner of C3PO, the golden robot in “Star Wars.” “He found the space age both inspiring and dehumanizing,” Arne Glimcher, who founded the Pace Gallery, now PaceWildenstein, said in an interview on Friday. By the end of the 1960s, “Falling Man” had become Mr. Trova’s trademark, provoking Hilton Kramer, the art critic of The New York Times, to write that Mr. Trova had subjected his favorite figure “to almost as many variations as the Kama Sutra describes for the act of love.” Ernest Tino Trova Jr. was born in St. Louis on Feb. 19, 1927. Shortly after his high school graduation his father, an industrial tool designer and inventor, died, and young Ernie, as he was known, went to work, most significantly as a window dresser for a department store. His early paintings were in the Abstract Expressionist mode, but his attentiveness to the mannequins had an influence on his art. Through the 1970s and 1980s he continued with “Falling Man,” though he also became interested in formalized, almost mechanical-seeming landscapes, and the figures began to appear, reduced in size, within the context of abstractly rendered gardens. A self-taught artist with an impish wit and an eccentric turn of mind, Mr. Trova craved the recognition that was available to artists only in New York City, but he never visited for more than a week at a time and made almost no friends among New York artists. He did befriend Ezra Pound. As a fevered fan of Julio Iglesias...

The imagery that pervades my work reflects a lifelong fascination with animals. As a child this led to hours of watching, drawing, and imagining. When I began making sculpture as an ...

Edition 4/10

Ed. 2/9 Sculptor Babette Bloch is a pioneer in the use of laser-cut and water jet-cut stainless steel in creating figurative works of art. Her sculptures explore form and the interp...

Jane Manus has been continuously developing her oeuvre of forceful geometric sculptures since the 1970s, when as a young, female artist at the Art Institute of Boston she learned to ...

Edition 37/99

Peter Reginato’s signature compositions in welded steel are a lively vocabulary of Matisse’s biomorphic shapes and Miro’s quirky symbols, spirals, zigs and zags; all surprising and d...

Take It Or leave It is a life size sculpture constructed of mylar over an aluminum frame. Sculptor William King is widely renowned for his signature flattened and stilt-legged figu...

Edition 7/9 Award-winning sculptor Babette Bloch has a national reputation as a pioneer in laser-cut stainless steel sculpture. Her chosen medium and process allow her to embrace a ...

Harald Schmitz-Schmelzer’s cast acrylic works bridge the gap between painting, sculpture and science. The artist’s studio, like an experimental lab, is ...

Harald Schmitz-Schmelzer’s cast acrylic works bridge the gap between painting, sculpture and science. The artist’s studio, like an experimental lab, is ...

rnest Trova was an artist whose signature creation, a gleaming humanoid known as “Falling Man,” appeared in a series of sculptures and paintings and became a symbol of an imperfect humanity hurtling into the future. Mr. Trova was largely known as a sculptor, but his “Falling Man,” a standard of Pop Art, began life as a painted figure, taking shape on his easel in the early 1960s. Faceless, armless, with a hint of a belly and, its name notwithstanding, of indeterminate sex, the figure struck a variety of poses, sometimes juxtaposed with other like figures, sometimes with mechanical appendages. In October 1963 his one-man show, “Falling Man Paintings,” was the inaugural exhibition of the Pace Gallery on West 57th Street in Manhattan; it sold out, with the works purchased by the Museum of Modern Art, the Whitney Museum, the architect Philip Johnson and others. In three dimensions, the “Falling Man” figure was made from different materials over the years — nickel and chrome-plated bronze, enamel on aluminum, stainless steel — and often, like the Oscar statuette, was polished to an industrial sheen. It was clearly a space age creation, a forerunner of C3PO, the golden robot in “Star Wars.” “He found the space age both inspiring and dehumanizing,” Arne Glimcher, who founded the Pace Gallery, now PaceWildenstein, said in an interview on Friday. By the end of the 1960s, “Falling Man” had become Mr. Trova’s trademark, provoking Hilton Kramer, the art critic of The New York Times, to write that Mr. Trova had subjected his favorite figure “to almost as many variations as the Kama Sutra describes for the act of love.” Ernest Tino Trova Jr. was born in St. Louis on Feb. 19, 1927. Shortly after his high school graduation his father, an industrial tool designer and inventor, died, and young Ernie, as he was known, went to work, most significantly as a window dresser for a department store. His early paintings were in the Abstract Expressionist mode, but his attentiveness to the mannequins had an influence on his art. Through the 1970s and 1980s he continued with “Falling Man,” though he also became interested in formalized, almost mechanical-seeming landscapes, and the figures began to appear, reduced in size, within the context of abstractly rendered gardens. A self-taught artist with an impish wit and an eccentric turn of mind, Mr. Trova craved the recognition that was available to artists only in New York City, but he never visited for more than a week at a time and made almost no friends among New York artists. He did befriend Ezra Pound. As a fevered fan of Julio Iglesias, he went to the singer’s concerts all over the United States. “Ernie had a fabulous fantasy life,” Richard Solomon, the president of Pace Prints, the publishing arm of PaceWildenstein, said in an interview. “He had a persona he used to hide behind that he called ‘Junior Person.’ He was a wonderful man, but an oddball to beat the band.” Mr. Trova left the Pace Gallery in the mid-1980s and signed with an inexperienced dealer in St. Louis. His profile went into decline, except in his hometown, where his donation of many of his works helped create the Laumeier Sculpture Park. He continued to work until shortly before his death. Most recently he was making collages using magazine...

Jonathan Prince shapes stone and steel into elegant, expressive, abstract sculptures, drawing inspiration from the Modernist emphasis on materiality, form, and precision, and influen...

Media = carbon and oil on wood.

Vinyl and Aluminum Sculptor William King is widely renowned for his signature flattened and stilt-legged figures, gesturing dramatically. Humorous and rife with social commentary, h...