Stazia Loren Dangle Earrings

Vintage Trifari Gold Tone With Faux Pearl Earrings Circa 1980s. The earrings feature a slightly built-up 3D tear-drop shape with a brutalist gold tone composition, but with a faux pe...

Vintage Pink, Red, and Faux Pearl Flower Dangling Earrings Circa 1990s. These earrings are set in gold tone and are some of the most gorgeous earrings I have. The colors, of cours...

Vintage Ikuo Ichimori Paris Drop Earrings, Circa 1970s. These gorgeous earrings were acquired in Paris several years ago from one of my favorite contacts. They are so special. I have...

Vintage Yves Saint Laurent YSL Haute Couture Gold Pearl Dangling Earrings. These were created for the Defile, also known as the runway. ...

Collectible KJL Gold With Diamante Drop Red Resin Circa 2000s. These have quite the look—a great look for a great price. They're clip-on. Substantial and well-made. The red looks gre...

Vintage Claire Deve Long Gold Tone Earrings. Baroque Looking Dangling Clip-on Earrings Circa 1980s Unsigned but confirmed to be Claire Deve! When you ...

Vintage Gold Tone Resin Dangling Star Earrings Circa 1980s. These are just fun earrings that will pull you together. So indicative of the 1980s. Just ...

Vintage Pennino Rhinestone Diamante Dangling Earrings Circa 1960s. Baguette, Pear, and Pave. Not Real, but look close! Screw back to close. These ...

Vintage Atalante Gold Tone with Red Crystal Fan Earrings Circa 1980s. These are so special. Truly very different. Clip On. Atalante used to manufacture jewelry for Yves Saint Laur...

Vintage Rondelle Dangle Ball Earrings, Circa 1960s. These earrings bring a smile to my day. They are so well-made and spectacular. There is a larger Rondelle ball at the bottom, foll...

Vintage Wiesner Round and Pear Dangling Earrings circa 1960s. These beautiful blue-green dangling chandelier earrings, with an unusual color that can morph into many shades, have a ...

Vintage Versace Gold Tone Dangling Pieces Hoop Earring Circa 2000s. These fabulous earrings feature a small hoop with a long, dangling V. A vine w...

Vintage Vendome Dangling Coin Earrings, circa 1980s. These have a chandelier look but in gold tones. They look very substantial but are light and easy to wear. Clip on. These look ...

Vintage St John Gold Dangling Heart Earrings, Circa 1990s. St. John made some fabulous jewelry. These dangling gold hearts look so chic and stunning with everything. They are substan...

Vintage Philippe Ferrandis Dangling Gold-Tone Earrings, Circa 1980s. These are so chic. They resemble a plant with a tiny ladybug, although it is not immediately apparent. It's a spe...

Vintage Vendome Gold Tone Dangling Double Lion Earrings Circa 1970s. These have the most divine look on. Clip on. These double lions are regal-looking and make a striking statement....

Vintage Alexis Lahellec Gold Honeycomb Faux Pearl Dangling Earrings Circa 1980s. Each little piece of the honeycomb is at a different level ...

Vintage Gold Tone Dangling Circle Like Earrings Circa 2000s. These earrings remind me of the brand new Celine bracelet cuff that was just released with the circle-like thing on it. V...

Vintage Isaky Paris Art Deco Silver Tone Resin Earrings Circa 1990s. These Art Deco Glass Resin Pink and Yellow On Silver Tone Drop Earrings are just spect...

Vintage St John Diamante Silver Tone Dangling Earrings Circa 1980s. These are so special. They are prong-set and made on both the front and the back. ...

Vintage Poggi Paris Gold Tone With Large Crystals Dangling Earrings Circa 1990s. These spectacular earrings are both chic and classic at the same ...

Vintage Diamante Fringe Dangling Long Waterfall Earrings Circa 1980s. Looks great with a t-shirt or for a night out. Clip On. Throw on a white shirt, jeans, and a black jacket, and you're ready to go. Dazzle them. Easy and comfortable to wear. You don't need an occasion to wear them! I can send you some Velcro dots to wear, and they will stay on comfortably for hours. You can go to the gym...

Vintage Art Deco Diamante with Faux Pearl Dangling Earrings Circa 1980s. The earrings feature round, marquise, and baguette diamonds with a...

Vintage Isaky Paris Gold Tone Dangling Earrings Circa 1980s. Gold Tone with Frosted Resin and Garnet Middle Color and Faux Horn Dangling Pieces. These are ...

Vintage Christian Lacroix Gold Tone Dangling Ball Earring with 2 Bars of Metal that can be Manipulated with Ball attached at the End. So Lacroix!...

Vintage Unsigned Long Dangling Pearl and Rhinestone Bow Earring. 6" L. This could easily be shortened by a jeweler to about 4.5" easily. Pierced and...

Vintage Les Bernard Fringe Rhinestone Earrings. Classic Wide Waterfall Earrings. Clip On. When you need a rhinestone earring that makes a statemen...

Vintage Maison Goossens Yves Saint Laurent YSL Gold Tone Dangling Textured Earrings. Clip on. One of those that becomes magical when you see it on you. These are the types of earring...

Vintage Maison Goossens Yves Saint Laurent YSL Gold Tone Dangling Heart Textured Earrings. These have it all. Weighty, Textured, 3D. If I only had one pair of Heart earrings, I wo...

Vintage Diamante Fringe Waterfall Earrings. These dangle from three round stones and feature a piece of draped fringe with an emerald-shaped stone at ...

Vintage Gold Tone Diamante Long Dangling Earrings with Rondelles. These remind me of something Lacroix would design. A hoop hanging from a round, which then has rondelles. Unusual, a...

Vintage Premiere Etage Paris Dangling Gold Tone Globe Earrings. These fall from a double chain side facing a smooth surface, and then the textured part ...

Vintage Diamante Fringe Dangling Waterfall Earrings. Looks great with a t-shirt or for a night out. Clip On. These look so fun and so chic for the holidays or even for lunch out during the next few months. Throw on a white shirt, jeans, and a black jacket, and you're ready to go. Dazzle them. Easy and comfortable to wear. I can send you some Velcro dots to wear, and they will stay on comfortably for hours. You can go to the gym...

Vintage Isaky Gold Tone Dangling Free Form Earrings Circa 1980s. French costume jewelry has an edge. It just does. These earrings are so stunning....

Vintage French Gold with Green and Dangling Faux Pearl Earrings Circa 1980s. These earrings are entirely in the style of Chanel and are exceptionally well-made. The Green faceted stone is surrounded by a quilted, darker gold tone, reminiscent of the House of Chanel...

Vintage Stanley Hagler Faux Turquoise and Dangling Crystal Piece Earrings Circa 1960s. Such an excellent piece from this era, and lovely when mixed with the real thing. This is set o...

Vintage Dominique Aurientis Byzantine Dangling Matte Gold Earrings Circa 1980s. I have never encountered another pair like these in all the jewelry I...

Vintage Bow with Ball Pave Dangling Earrings Circa 1990s. These are weighty and substantial, and the pictures will do the talking. It is such a beautiful piece. The piece of metal i...

Vintage Unsigned Claire Deve Gold Tone Long Dangling Earrings. They have rose-colored rhinestones and gold-toned beads with a faux pearl dangling at the end. Many dangling gold piece...

Vintage Gold and Blue Enamel with Faux Dangling Pearl Earrings, Circa 1980s. These Earrings are so smashing and reminiscent of a Chanel brooch that is currently on display. They poss...

Vintage Yves Saint Laurent YSL Diamante Dome Like Pearl Earrings Circa 1980s. These are so gorgeous. Where do I even begin? The faux pearl is like a flower waking up under a dome of ...

Collectible Augustine Gripoix Pate De Verre Dangling Earrings Circa 2000s. These gorgeous Red and Diamante Pate de Verre look like creeping red flowers on a vine. They are made in ...

Vintage Panetta Faux Turquoise Dangling Earrings Circa 1980s. These small and delicate earrings have a fine jewelry look. They are shown in gold metal...

Vintage Carolee Gold and Faux Pearl Dangling Birdcage Earrings Circa 1980s. The earrings feature a gold bird with a pink cabochon and diamante face s...

Vintage Mazer Pave and Baguette Dangling Hoop Earrings Circa 1960s. These look like fine jewelry. The stones swirl inward with the baguettes and pavé. S...

Vintage Christian Lacroix Gold Tone with Red, Blue, And Crystal. Very Classic Lacroix. Enamel with the Red Cross design featuring a flower shape at the Top. Iconic Christian Lacroix...

Vintage Cadoro Gold Tone with Faux Turquoise Dangling Earrings Circa 1980s. These are in a front-facing mogul-inspired design of gold, faux turquoise, ...

Vintage Graziano Dangling Gold and Crystal Multicolor Earrings. These are front-facing, dangling gold hoops featuring crystals of pink, blue, green, l...

Vintage KJL Gold Tone Dangling Earrings. Large dangling front-facing earrings with gold swirly patterns that appear to have some script writing. Tear drops that hang from a round sha...

Vintage Yves Saint Laurent YSL Couture Sun Burst Long Dangling Earrings Circa 1980s. These features include faux turquoise, amber, and gold beads, as well as quartz beads. These wer...

Vintage Napier Gold Tone with Faux Turquoise Dangling Beads. Four rows of dangling beads are attached to an Asian motif. Clip on. This was a highly sought-after collection and remai...

Vintage deLillo Faux Turquoise and Gold Tone Dangling Earrings Circa 1970s. These are the perfect length. Clip on. William deLillo was only in business from 1968 to 1977, so when y...

Vintage Ungaro Gold Dangling Butterfly Earrings Circa 1980s. These are double earrings of a smaller and then larger butterfly. They are so chic and will make any outfit look polishe...

Vintage D'Orlan Gold Tone Byzantine Drop Earrings. Large oval, highly detailed drop pieces hang down from a rope-like top piece. Clip on. You can wear the pl...

Vintage Gripoix Translucent Earrings with Pieces Of Gold. Dangling Earrings With Pieces of Gold and Stones. Long Necklace/Sautoir on Site to Match. So Gorgeous! Clip On. Guy de Maupassant wrote a famous story about a necklace. The story revolves around a young, attractive, and intelligent woman who struggles with the limitations of living with a husband who lacks exceptional qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman becomes mired in massive debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs-Élysées, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glassmaker Augustina Gripoix began making replicas of pearls and crystals, casting glass into various shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to make beautiful jewelry and thus Marquises, Duchesses, and Princesses queued up ... so Madame Gripoix would make them replicas of their jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high-fashion house, founded by Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Vintage French Gold Tone Faux Pearl Grey and Ivory Dangling Earrings. Very much in the style of Chanel. Just have a good look at these. The color gold is in the style of Chanel. T...

Maison Gripoix Vintage Blue and Light Blue Flower Dangling Earrings Set in Gold Tone Clip On. Always In Style. Very Classic Chic. These are so spectacular. I have them in red as well. The prices differ because they were purchased at different exchange rates. These are stunning. They will never go out of style!! Guy de Maupassant wrote a famous story about a necklace. The story is about a young, attractive, intelligent, well-educated, but under-endowed bride who must marry a petty official and thus suffers from the limitations of living with a husband who lacks refined qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle, so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success; she is the center of attention. However, when the woman returns home, she discovers she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals the entire story about the necklace to her friend, but her friend replies in amazement that the diamonds are fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. According to other sources, in 1869 (or a year earlier), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals, casting glass into different shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-color piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press molds, skipping the furnace step, allowing her to achieve purity of color, transparency, and shine. She found a simple method to make beautiful jewelry, and thus Marquises, Duchesses, and Princesses qued up ... so Madame Gripoix would make them replicas of their jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for Charles Frederick Worth's first high-fashion house. Later, Paul Poiret, the leading couturier of the 1910s, contacted her, and she created sophisticated, Oriental-style jewelry to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in 1920, when Augustina’s daughter Susan became the head of the House, Gripoix's prospects became even more exciting—girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Maison Gripoix Vintage Faux Turquoise and White Layered Dangling Earrings. There are three layers to this, all wrapped in an offset gold tone and then a long, dangling piece. These are so stunning and look good with many colors. Clip On. These are proper statement earrings in that they are so well-made. These can also be worn in the winter against dark colors. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, attractive, intelligent, well-educated, but under-endowed bride who must marry a petty official and thus suffers from the limitations of living with a husband who lacks refined qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success; she is the center of attention. However, when the woman returns home, she discovers she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals the entire story about the necklace to her friend, but her friend replies in amazement that the diamonds are fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. According to other sources, in 1869 (or a year earlier), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals, casting glass into different shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-color piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press molds, skipping the furnace step, allowing her to achieve purity of color, transparency, and shine. She found a simple method to make beautiful jewelry, and thus Marquises, Duchesses, and Princesses qued up ... so Madame Gripoix would make them replicas of their jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for Charles Frederick Worth's first high-fashion house. Later, Paul Poiret, the leading couturier of the 1910s, contacted her, and she created sophisticated, Oriental-style jewelry to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in 1920, when Augustina’s daughter Susan became the head of the House, Gripoix's prospects became even more exciting—girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Maison Gripoix Vintage Faux Pearl and Red Dangling Earrings. Wrapped in woven gold around the Pearl in the typical 1980s style of Chanel. Clip on. So classic, and you always look good no matter what you are wearing when you have these on. Clip on. Very much the colors of Chanel. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well-educated but poorly endowed bride who has to marry a petty official; thus, suffering from the limitations of living a life with a husband that lacked any exquisite qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts out with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glassmaker Augustina Gripoix began creating replicas of pearls and crystals, casting glass into various shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to create beautiful jewelry, and thus, Marquises, Duchesses, and Princesses queued up. Madame Gripoix would then create replicas of their jewelry in case of robbery or loss or unusual pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high fashion house of Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Vintage Maison Goossens Yves Saint Laurent YSL Gold Dangling Resin Earrings. Misshapen Pieces Form these Very Classy and Chic Earrings That are ...