The Benjaman Gallery Still-life Photography

Black and white photograph of Edward Weston's desk, by Kim Weston (American, b. 1953). This photograph was taken in the former home of Edward Weston, Kim We...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...

Photography done for the publication Mexico/Volk und Welt Berlin 1968/stamped on the back with authors stamp.

High contrast photo by Peter Stackpole (American, 1913-1997). The photo shows a hot bar of metal on a large machine, about to be worked. The metal is g...

"Stanley Korshak" photographed in Dallas, TX, is an exquisite, original work of art by the talented Roman Crescimanno. This captivating photograph measures 10.5 x 10.5 inches and is ...

The picture belongs to a set of photographs which Kallay took in 1965 for a German book publisher in NYC.

The picture is an edition ( Edit. of 50) and part of a book about NYC, which Kallay done in 1965 for a German book publisher.

The photography belongs to a cycle of photographies of NY, published in the book "New York", Verlag und Volk, Berlin 1967. Signed by the author on the back, certificate will be inclu...

The picture is a part of photographs which Kallay done in 1965 for a German book publisher about NYC.

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the color saturated 1980's. "In My Life" featuring flowers, a lit candle, dice, an Oriental rug, music notes. a pocket watch and a small porcelain box...

Peapods after the big chop. Photograph by Deborah Benedic.

Wallace Nutting Antique Hand Colored Photograph Photo dimensions 75" wide x 9.5" high The frame measures 14" wide x 18" high The pho...