The School for Scandal Sculptures

A bit of an oddball thing, possibly something that has been produced for a film, tv production, a piece created by a artist etc. An oversized faux blonde river Turtle shell, formed ...

A 1 to 1 scale plaster reproduction of the three reliefs from the famous Ludovisi Throne, located in the Archaeological Museum of Palazzo Altemps, Rome. 460-450 BC circa. The throne...

A fine and early to mid 19th century plaster depiction of Flora the Goddess of Spring, possibly by Humphrey Hooper Flora, the Roman goddess of spring, through the chaplet of flowers...

A 20th century plater sculpture by Mary Boyd signed and dated to the base 1931, very much in the manner of Jean Antoine Houdon and his L'Ecorché. Age related discolouration, staining...

Curios collection of hand made knitted three dimensional flowers, displayed on a mossy base. Housed in its original glass dome and ebonised base on bun feet, early 20th century in a...

A fabulous 19th century oversized classical plaster bust of Apollo by Louis Brugiotti of 4 Leather Lane London 1845-1885, in original untouched condition. 89cm in height 60cm in w...

A fine plaster bust of the English architect Matthew Habershon (1789-1852). The bust sits on a faux painted porphyry marble column (plaster). The bust taken from the original marbl...

A fine and early Dominico Brucciani plaster studies of a bull. Very much in untouched original condition, with areas of loss mainly around the extre...

A elegant D Brucciani plaster cast classical mask of a Putto Domenico Brucciani was born in Lucca, Italy in 1815. He moved to London where he estab...

A very fine marble sculpture of Arpocrate also know as Harpocrates, the Greek god of silence. Often depicted with lotus flowers and a horn, the sculpture in question was carved by the Italian Francesco Pozzi (Italian, 1779 – 1844) around the first quarter of the 19th century. Francesco was born in Rome a sculptor and engraver, and In conjunction with Coppa and Perini, he engraved some of the plates from the statues in the Clementine Gallery at the Vatican. He also engraved a portrait of Pope Pius VI, As a sculptor he made a Latona with the infants Apollo and Artemis...

A marble bust on typical waisted circular socle of Philanthropist Annie, Lady Jerningham The bust was carved by R.W.Ingram around the last quarter of the 19th century and we beli...

A very finely carved marble bust of William Ewart Gladstone dated 1868 and signed W.Theed SC William Theed was born in Staffordshire, his father, William Theed the elder being a sculptor and a craftsman at Wedgwood, known for his major work, Hercules and the Thracian Horses for one frontage of the Buckingham Palace complex. The younger Theed studied at the Royal Academy Schools, then worked for the sculptor E. H. Baily. Five years on, in 1826, he went to Rome, where he was to stay a total of 22 years, during that time working in the studios of Thorwaldson and John Gibson. Returning to London in 1848, Theed enjoyed a good reputation, being a favoured sculptor of Queen Victoria, and was commissioned to produce many portrait statues, busts, and large monuments. He showed work in the 1851 Great Exhibition, and among other high points were a group for the Albert Memorial, and five standing figures on the Inland Revenue side of Somerset House, representing Manchester, Edinburgh, Glasgow, Belfast and Dublin. Theed's statues may be seen in St Paul's (Henry Hallam), Manchester (Monument to Chetham in the Cathedral, Gladstone and Thomas Bright for the Town Hall, and James Watt in Piccadilly Gardens), Huddersfield (Robert Peel), Winchester (David Williams monument in the Cathedral), and Prince Albert statues for Grimsby, and in Australia in Macquairie Street, Sydney. He was also responsible for three of the portrait statues (Bacon, Locke, Adam Smith...

A unusual travelling tradesman's soap display case, early 20th century in age likely Edwardian. A segmented internal draw hidden via the sliding cover,...