PT. Tiempo Furniture And Decor Chinese and East Asian Rugs
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Antique Tibetan Checkerboard Rug, Naturally Dyed Wool, Early 20th Century
Located in Jimbaran, Bali
This Checkerboard meditation rug originates from Tibet and dates to the early part of the 20th century. It is hand-knotted and crafted from naturally dyed wool from the highlands of Tibet. The rug was composed using a stunning mix of coloured squares. It is these checkerboard rugs that are highly sought after for these distinct patterns that evoke modernity. A great addition to any space, the present Tibetan Checkerboard rug...
Category
Early 20th Century Tibetan Other Chinese and East Asian Rugs
Materials
Wool
Antique Red Wangden Rug from Tibet, Naturally Dyed Wool
Located in Jimbaran, Bali
This rug from the early part of the 20th century is made from naturally dyed wool from the highlands of Tibet. Wangden is the name of the valley in Tibet where these rugs originate f...
Category
Early 20th Century Tibetan Other Chinese and East Asian Rugs
Materials
Wool
Dayak Tribe Mat, Kalimantan, Indonesia, Mid-20th Century
Located in Jimbaran, Bali
This floor mat once occupied a tribal long house of the Dayak Tribe of Borneo. It is made from woven dyed and natural coloured rattan fibres & features tri...
Category
Mid-20th Century Indonesian Tribal Chinese and East Asian Rugs
Materials
Rattan
Dayak Tribe Mat with Checkered Motif, Kalimantan, Indonesia
Located in Jimbaran, Bali
This floor mat once occupied a tribal long house of the Dayak Tribe of Borneo. It is made from woven dyed and natural coloured rattan fibres & features a s...
Category
Late 20th Century Indonesian Tribal Chinese and East Asian Rugs
Materials
Rattan
Dayak Tribe Mat with Buffalo Motif & Grass, Kalimantan, Indonesia
Located in Jimbaran, Bali
This floor mat once occupied a tribal long house of the Dayak Tribe of Borneo. It is made from woven dyed and natural coloured rattan fibres & features tribal motifs depicting buffal...
Category
Late 20th Century Indonesian Tribal Chinese and East Asian Rugs
Materials
Rattan
Dayak Tribe Mat with Buffalo Motif, Kalimantan, Indonesia
Located in Jimbaran, Bali
This floor mat once occupied a tribal long house of the Dayak Tribe of Borneo. It is made from woven dyed and natural coloured rattan fibres & features tri...
Category
Late 20th Century Indonesian Tribal Chinese and East Asian Rugs
Materials
Rattan
Dayak Tribe Mat, Kalimantan, Indonesia, Mid-20th Century
Located in Jimbaran, Bali
This floor mat once occupied a tribal long house of the Dayak Tribe of Borneo. It is made from woven dyed and natural coloured rattan fibres forming tribal motifs. A leather border l...
Category
Mid-20th Century Indonesian Tribal Chinese and East Asian Rugs
Materials
Rattan
Dayak Tribe Mat, Kalimantan, Indonesia, Mid-20th Century
Located in Jimbaran, Bali
This floor mat once occupied a tribal long house of the Dayak Tribe of Borneo. It is made from woven dyed and natural coloured rattan fibres & features diagonal black fibres.
Dim...
Category
Mid-20th Century Indonesian Tribal Chinese and East Asian Rugs
Materials
Rattan
Dayak Tribe Mat with Spiral, Animal and Human Tribal Motifs, Borneo, Indonesia
Located in Jimbaran, Bali
This floor mat once occupied a tribal long house of the Dayak Tribe of Borneo. It is made from woven dyed and natural coloured rattan fibres & features a stunning array of tribal spi...
Category
Late 20th Century Indonesian Tribal Chinese and East Asian Rugs
Materials
Rattan
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Serial ID #
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The craft of the hand-knotted carpet in China, and the surrounding areas including Mongolia and Tibet, extends into the early centuries of the first millennium, C.E., but we really have a firm grasp only beginning in the later 16th century with large, very coarsely woven carpets, often depicting dragons, created for the Imperial Forbidden City palaces. Chinese carpets have always been commercial and there are no tribal groups responsible for any of the carpet weaving strains.
When the Ming Dynasty fell in 1644, with no Imperial patrons, production moved to the city of Ningxia in north central China where several workshops turned out more finely woven pieces for the Mandarins of the administrative Ch’ing bureaucracy and well-to-do merchants. Ningxia was the major Chinese carpet center up through most of the 19th century, with first allover and then medallion designs on cotton foundations in medium weaves. Palettes were initially limited to yellows, dark blue and cream, but later widened to include reds, browns and even green. These antiques were the first Chinese carpets to be exported to the West and they fitted in well with the craze for Chinese blue-and-white porcelain in the second half of the 19th century. Ningxia also wove shaped and rectangular small rugs for saddle underlays, chair (“throne”) seats and shaped backs, pillar carpets with dragons or monks for Buddhist monasteries, and long divided runners for monastery meditation halls. These small rugs are among the most collectible of all Chinese weavings.
Weavers from Ningxia set up workshops in the capital Peking (Beijing) in the 1860’s and began weaving Western room sizes for export, primarily to America. In blue – and – white and polychrome palettes, with round wreath medallions, precious objects, seasonal flowers, paeonies, lotuses, fretwork, clouds, butterflies and bats, all relatively spaciously drawn. The round “Shou” (Good Luck) character is also a prominent decorative motif. There are also a few Peking landscape pictorials with pagodas, houses, bridges, waterscapes and boats. Peking carpets were woven right up until WWII and production began again after the Cultural Revolution around 1970. They are moderately well-woven, on cotton foundations, exactingly executed and indisputably Chinese. Many are in the blue-and-white style. Nothing else looks like a Peking carpet and for a Chinese “look” in a room, they are absolutely indispensable. Sizes range from scatters and a few runners, through the popular 9’12’ size, to large carpets over 20’ which must have been special orders. The earliest Peking Revival carpets are pliable and fairly thin, but they became heavier and more compact in the 20th century, in competition with Art Deco carpets from Tientsin. The modern, post- 1970, pieces are in the traditional Peking style, but are a little too regular and neat. Exactitude has been favored over character, as hard to explain that as it is.
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