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Large Early Unique Glazed and Sculpted Ceramic Vessel Mary and Edwin Scheier
By Edwin and Mary Scheier
Located in Atlanta, GA
A large and striking stoneware ceramic vessel in the form of an African fang figure on basket by American potters Mary and Edwin Scheier (1908-2007;1910-2008) dated to 1959. Made ear...
Category
Vintage 1950s American Modern Vases
Materials
Stoneware
Early Ceramic Vase with Honan Glaze by Brother Thomas Bezanson
By Brother Thomas Bezanson
Located in Atlanta, GA
An early ceramic vase of cylinder form by potter Brother Thomas Bezanson (1929-2007). The minimalistic silouette that tapers toward the top and with a s...
Category
20th Century American Modern Vases
Materials
Ceramic
Early Porcelain Underglaze Dragon Ewer by Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
A porcelain ewer with fine underglaze iron red, brown and blue decoration made by the legendary Japanese imperial potter Makuzu Kozan (1842-1916), this relatively rare piece is dated to circa Meiji 23rd to 26th year (1890-1893) based on the mark used on the base. This is the starting period when the artists departed from his high-relief and gold gilt period and started focusing on making porcelain pieces with underglaze paint and experimented new colors. The ewer form is also relatively rare in the artist's survived repertoire compared to other forms.
The piece takes its shape from the prototype Chinese...
Category
Antique 1890s Japanese Meiji Ceramics
Materials
Ceramic
Fine Japanese Enameled Satsuma Vase by Kinkozan Meiji Period
By Kinkozan
Located in Atlanta, GA
A ceramic satsuma ware vase with very fine surface decoration made by Kinkozan circa 1880-1900s of late Meiji Period. The vase is of an elegant and relatively rare form with a trumpet shape body and the so-called garlic neck and opening. The surface is exquisitely decorated in a floral scheme with gilt and a light jewel-tone enamel. The top part showcases large bundles of wisteria blossom in white and purple, cascading down from a gilt wood trellis...
Category
Antique 1880s Japanese Meiji Ceramics
Materials
Ceramic
Ceramic Moon Jar with Robin Egg Blue Glaze by Otto Heino
By Otto Heino
Located in Atlanta, GA
A striking ceramic moon jar made by American studio potter Otto Heino (1915-2009) in the late year of his life in his studio in Ojai, California, 2003. Nearly perfectly sphere in shape with small base and mouth, the form was celebrated in Korean Joseon pottery...
Category
Early 2000s American Organic Modern Vases
Materials
Ceramic
Tall Ceramic Vase with Robin Egg Blue Glaze by Otto Heino
By Otto Heino
Located in Atlanta, GA
A tall ceramic vase made by American studio potter Otto Heino (1915-2009) in the late year of his life in his studio in Ojai, California, 1999. Wheel thrown with intentional concentr...
Category
1990s American Organic Modern Vases
Materials
Ceramic
Ceramic Vase with Robin Egg Blue Glaze by Otto Heino
By Otto Heino
Located in Atlanta, GA
A ceramic vase in the spindle form made by American studio potter Otto Heino (1915-2009) in the late year of his life in his studio in Ojai, California, 2002. Wheel thrown with inten...
Category
Early 2000s American Organic Modern Vases
Materials
Ceramic
Striking Ceramic Jar Vase with Flowing Glaze by Vivika and Otto Heino
By Otto and Vivika Heino
Located in Atlanta, GA
A ceramic vessel in the form of a "moon jar" with a near sphere shape on a small base with a small mouth opening. The form was celebrated in Korean Joseon pottery...
Category
Vintage 1980s American Organic Modern Vases
Materials
Ceramic
Large Ceramic Jar Vase with Striking Glaze by Vivika and Otto Heino
By Otto and Vivika Heino
Located in Atlanta, GA
A large ceramic vessel in the form of a "moon jar" with a near sphere shape on a small base with a short neck and diminished mouth opening. The form was celebrated in Korean Joseon pottery...
Category
Late 20th Century American Organic Modern Vases
Materials
Ceramic
Large Contemporary Japanese Shigaraki Vessel Kohyama Yasuhisa
By Kohyama Yasuhisa
Located in Atlanta, GA
A striking stoneware vase made in the tradition of Shigaraki ware by celebrated Japanese potter Kohyama Yasuhisa (1936-) in the year of 2005. Born in the town of Shigaraki, Yasuhisa ...
Category
Early 2000s Japanese Modern Ceramics
Materials
Ceramic
Korean Contemporary Buncheong Square Form Vase by Sung Jae Choi
By Sung Jae Choi
Located in Atlanta, GA
A ceramic rectangular form vase, part of the artist's "Meditation-Staying" series by South Korean artist Sung-Jae Choi (b. 1962) circa 2000s. The modern vase was heavily potted with ...
Category
21st Century and Contemporary Korean Modern Ceramics
Materials
Ceramic
Japanese Woven Ikebana Bamboo Basket Maeda Chikubosai I
By Maeda Chikubosai
Located in Atlanta, GA
A woven bamboo ikebana hanakago (flower basket) with handle circa first half of the 20th century (Taisho or Showa era) by Japanese bamboo master Maeda Chikubosai I (1872-1950). In th...
Category
Early 20th Century Japanese Modern Vases
Materials
Bamboo
Japanese Woven Ikebana Bamboo Basket Maeda Chikubosai I
By Maeda Chikubosai
Located in Atlanta, GA
A tall woven bamboo ikebana hanakago (flower basket) circa first half of the 20th century (Taisho or Showa era) by Japanese bamboo master Maeda Chikubosai I (1872-1950). Hand-woven w...
Category
Early 20th Century Japanese Modern Vases
Materials
Bamboo
Japanese Woven Ikebana Bamboo Basket Ueda Shounsai Original Box
Located in Atlanta, GA
A bespoken Japanese hanakago (flower basket) for ikebana by Bamboo artist Ueda Shounsai (1897-1990). Hand-woven with bamboo and rattan, and equipped with a copper lined inner vase, the basket features a modern bucket form with bended bamboo frames. The body was woven with Thousand-line construction, also known as comb plaiting. It was designed in an oblique pattern that gives this piece a distinctive flavor. The arched handle was bended gracefully with branches attached to the rim of the basket. The base is inscribed Shounsai zo (尚雲齋造) to base. The basket comes with its original Japanese wood box...
Category
20th Century Japanese Modern Vases
Materials
Bamboo
Rare Japanese Woven Bamboo Basket Tanabe Chikuhosai Original Box
Located in Atlanta, GA
A rare woven bamboo basket by Tanabe Chikuhosai (1868-1945), the eldest brother of one of the most celebrated Japanese bamboo artist Tanabe Chikuunsai I (1876-1931), who developed a long lineage of the celebrated bamboo artists.
This beautifully woven hanakago ikebana basket has a classic Chinese vase form. It features a robust body with the double handles extended into a beautiful oval arch. Vigorously constructed with tight pine needle plaiting, the body was partitioned by tri-branched extensions from the handle. The middle branch extended further down along the body into a distinctive triangular shape. The same design was used for reinforcement front and back. The functional element blended seamlessly with the decorative motifs. the basket is a rare example of the work by the artist.
It was signed on the base Chikuhosai Made this (竹保齋造之) and it comes with the original signed Japanese wood box...
Category
Early 20th Century Japanese Modern Vases
Materials
Bamboo
Early Ceramic Vase with Unique Glaze Pattern by Brother Thomas Bezanson
By Brother Thomas Bezanson
Located in Atlanta, GA
An early ceramic vase in a pear shape form by celebrated potter Brother Thomas Bezanson (1929-2007). The shape of this porcelain glazed vase is one of the Chinese prototypes known as...
Category
Mid-20th Century American Modern Vases
Materials
Ceramic
Sculptural Ceramic Handled Vase by Robert Turner
By Robert Turner
Located in Atlanta, GA
A black glazed stoneware free form vase with handle by American Ceramist Robert Chapman Turner (1913 - 2005) titled "Akan" and made in 1990. The vessel is one of the classic forms wi...
Category
1990s American Modern Vases
Materials
Ceramic
Fine Trumpet Satsuma Vase by Taizan Yohei
Located in Atlanta, GA
A tall ceramic satsuma ware vase in a rare slender trumpet form with very fine surface decoration by Japanese potter Taizan Yohei IX (1864-1922). The vase was dated to late Meiji period circa 1890-1900s.
The main motif and the focal point of the vase is the continuous panel that circumvents the entire mid-body, apparently a rendition of the Boy's Festival, known as "Tango no Sekku" in Japanese. The traditional festival is celebrated on May 5th of each year. Originated in Nara Period...
Category
Antique 1880s Japanese Meiji Ceramics
Materials
Ceramic
Large Japanese Porcelain Dragon Vase by Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
Made by the studio of the legendary Japanese imperial potter Makuzu Kozan (1842-1916), this is a large porcelain vase glazed in a soft yellow color with a subtle gradient, on top of ...
Category
Early 20th Century Japanese Meiji Ceramics
Materials
Ceramic
Antique Korean Buncheong Flat Bottle Vase with Incised Designs
Located in Atlanta, GA
A Korean Buncheong stoneware vase circa 15th century of Joseon Dynasty. The robust vase with thick walls was made in a bottle form with rounded square contour and flattened surfaces....
Category
Antique 15th Century and Earlier Korean Archaistic Ceramics
Materials
Ceramic
Early Tall Ceramic Vase with Unique Glaze by Brother Thomas Bezanson
By Brother Thomas Bezanson
Located in Atlanta, GA
An early ceramic vase in a cylinder form by potter Brother Thomas Bezanson (1929-2007). Unusually tall at 21.75 inches, the vase strikes the viewer with its slender silouette with a tapering neck and mouth opening. What is extraordinary about this piece is the complex glaze Bezanson applied on the surface. Three vertical black glaze stripes are featured around the surface. On one side, stacks of horizontal finger-like marks were placed on a brown and silvery iridescent background, characterized as "Honan tenmoku" glaze. The other side, the glaze took on a brilliant silver oxidation in a mottled effect. The top conical portion is largely covered with a thick and oily "black olive" glaze, which is dripping down in high saturation. Circles surrounding the rim was less iron-saturated, forming a more orderly visual border. In close range, the different glazes across the vase displays subtle changes of shimmering, iridescent and textured effects and are visually mesmerizing.
Bezanson's ceramic and glaze techniques was rooted in Asian ceramic tradition but utterly modern looking.
The vase was marked on the base "Benedictine Monks Weston Vermont", "^60 BRENER" and Bezanson's decipher as shown. The decipher indicated that this vase was made in Weston VT circa 1965-1970, same period of another vase with similar glaze effect in our gallery (shown in the last photo), showcasing the highly sophisticated techniques Bezanson mastered and used fluidly in his ceramic work.
Brother Thomas Bezanson (1929-2007) was a Canadian born artist and Benedictine monk primarily known for his porcelain pottery and mastery of complex glazes. Strongly influenced by Asian pottery, often adapting traditional Chinese and Japanese pottery methods and materials to his work. He is renowned for his original glaze recipes and perfect forms and always sought to create something new and beautiful. His exacting standards made for the shattering of over 80% of each firing. One "rescued" piece however is now in the collection of the Museum of Fine Arts, Boston. His estate is represented by Pucker Gallery...
Category
Mid-20th Century American Modern Vases
Materials
Ceramic
Collection of Two Ceramic Glazed Vases by Warren Mackinzie
By Warren MacKenzie
Located in Atlanta, GA
An assemble of two stemmed cylinder-shape stoneware vases by American studio potter Warren MacKenzie (1924-2018). The two vases have a complementary form and silouette and display ni...
Category
1990s American Modern Vases
Materials
Ceramic
Pair of Small Korean Celadon Inlay Vases Goryeo Dynasty
Located in Atlanta, GA
On offer is a near pair antique Korean ceramic vase from the end of Goryeo to the beginning of Joseon period (circa 14-15th). The vases feature cel...
Category
Antique 15th Century and Earlier Korean Archaistic Ceramics
Materials
Ceramic
American Raku Pottery Vessel by Paul Soldner
By Paul Soldner
Located in Atlanta, GA
A modern pottery vessel by American potter Paul Soldner (1921-2011) circa 1960s. Paul Soldner is renowned for his dedication to develop and further Raku firing in American pottery fi...
Category
Late 20th Century American Organic Modern Vases
Materials
Pottery
Fine Japanese Satsuma Vase with Superb Decoration by Seikozan
Located in Atlanta, GA
A ceramic vase in tapered square form made by Japanese studio Seikozan circa 1890-1910s (late Meiji Period). One of the many artist studios that specialized in satsuma ware, Seikozan...
Category
Antique 1880s Japanese Meiji Ceramics
Materials
Ceramic
Fine Japanese Satsuma Ceramic Jar with Gilt Decoration by Kinkozan
By Kinkozan
Located in Atlanta, GA
A large Japanese ceramic vase from end of Meiji period circa 1880s- 1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is of a moon jar shape and finely decorated with kinran-de (gold paint) on a cream white background with even fine crackles. What sets this particular vase apart from many lower quality and mass-produced pieces is the meticulously renditioned surface decoration. Lavishly gilded with a continuous design, the carefully composed imagery depicts an elaborately decorated float cart in a festival parade. A group of people are seated within the float with a woman and a child standing in the front. Surrounding the float are streams of marchers dressed...
Category
Early 20th Century Japanese Meiji Ceramics
Materials
Ceramic
Large Ceramic Vase with Banded Glaze by John Ward
By John Ward
Located in Atlanta, GA
A large stoneware vessel with distinct form by British studio potter John Ward (1938-2023) circa last quarter of 20th century. The form of the vase as in the artist's repertoire may be known as a "Disc Pot" due to its unique shape. It features a round flattened body that organically morphs into a tapering neck with a slightly dipped neckline. It calls to mind the Chinese "moon flask", whose origin was likely attributed to the nomads of the Islamic Central Asia. The pot is covered with a mottled cream glaze specked with brown marks, mimicking the earth deposits on an archeological object...
Category
Late 20th Century English Modern Vases
Materials
Ceramic
Ceramic Vessel with Geometrical Glaze by John Ward
By John Ward
Located in Atlanta, GA
A stoneware vessel with a distinct form and glaze by British studio potter John Ward (1938-2023) circa 1990s. This specific form in the artist's repertoire may be known as a "Spheric...
Category
Late 20th Century English Modern Vases
Materials
Ceramic
Large Japanese Ceramic Vase by Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
A large Japanese ceramic vase by the celebrated Meiji imperial potter Makuzu Kozan (1842-1916) circa 1880-1890s. Dated to his underglaze phase post 1887 after he successfully mastered the new colors available from the west and used them to the best advantage in his work deeply rooted in Japanese aesthetics. The vase has an impressive size and was potted in the classic baluster form with an elegant proportion. The surface is decorated using a combination of techniques of low relief sculpturing...
Category
Antique Late 19th Century Japanese Meiji Ceramics
Materials
Ceramic
Early Large Ceramic Vase with Sang-de-boeuf Glaze by Brother Thomas Bezanson
By Brother Thomas Bezanson
Located in Atlanta, GA
An early ceramic long-neck vase with a brilliant copper red glaze by Benedictine monk potter Brother Thomas Bezanson (1929-2007). The minimalistic an...
Category
Vintage 1960s American Modern Vases
Materials
Ceramic
Sculptural Ceramic Funnel Vase by Robert Turner
By Robert Turner
Located in Atlanta, GA
A white stoneware vase by American Ceramist Robert Chapman Turner (1913 - 2005). Made between 1970-80s, the group of white-colored vessels with such a funnel form were called either Beach or Shore, obviously inspired by the ocean. Hand sculptured in a simple form with a neck opens to mouth that also can serve as a handle, the surface was always marked with artistic imperfection intended by the artist, such as incision and kiln bubble and burst. On this vase, the artist made several incision lines randomly, and also sparsely applied some tiny sand-like granules, adding a very subtle texture and allude to the scheme of the ocean. Incised signature "Turner" on the base.
The vessel is one of the classic forms with variations in Turner's repertoire since 1970s when he started to make non-functional abstract sculptural pieces. Incised signature "Turner" on the base.
"In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum
Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City.
Several examples of this series are illustrated in the book "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn...
Category
Late 20th Century American Modern Vases
Materials
Ceramic
Korean Ceramic Buncheong Ware Tea Bowl Early Joseon Dynasty
Located in Atlanta, GA
An antique Korean Buncheong stoneware tea bowl (chawan) from early Joseon Dynasty circa late 15th to early 16th century. The bowl with a short ring base is nearly entirely covered in a white slip except the base (known as sougusuri in Japanese, total glaze). Iron-colored scrolling vines were painted on with quick and deft brush strokes, rendering the bowl a vital and spontaneous appeal. It appears that the bowl was dipped in the white slip instead of being brushed on, observing from the slip pattern left on the rim of the bowl. The bowl shows significant age and evident of use for tea drinking. There are losses of glaze flakes throughout, along the rim and inside the bowl. The flake off the glaze left a dark spot on the rim, exposing the deep colored clay underneath. Inside the bowl, many of the glaze flakes appear more superficial and retains a yellowing color from the tea stains (known as amamori, rain leak). There is a historical crack line on the exterior (surface only) that result in associated small losses of glaze. It appears that the crack line was the result from the kiln firing and gradually the glaze around it started to reduce. The bowl comes with a later wrapping cloth and a wood tomobako box, but they are not original to the piece.
This particular type of Buncheong ware was associated with the Hakbong-ri kilns in the sacred Mount Gyeryong Mountains, west of Daejeon city in the Chungcheong province. During early Joseon Dynasty, the emperor decided to reject Buddhism to embrace the Confucianism. As a result, many monks were forced to abandon their religious life and returned to the secular society. The monks in Gyeryong mountains set up the kilns and started to produce this so called "Hakbong-ri" type of Buncheong ware. The production was shorted-lived for only a few decades from late 15th to early 16th century before it turned to porcelain, but the ware made during that period was noted for their fresh and enigmatic appeal with deft iron-paint decoration. Collectors cherish these rare pieces for their vitality and spontaneity often used them on important occasions of chado in Japan and passed down to generation.
For a similar bowl, see Catalog 52 illustrated on page 87 of the book "Korean Buncheong Ceramics...
Category
Antique 15th Century and Earlier Korean Archaistic Ceramics
Materials
Ceramic
Korean Glazed Ceramic Vase Buncheong Ware Early Joseon Dynasty
Located in Atlanta, GA
An antique Korean Buncheong stoneware vase from early Joseon Dynasty circa late 15th to early 16th century. The vase is of a classic pear form with a ...
Category
Antique 15th Century and Earlier Korean Archaistic Ceramics
Materials
Ceramic
Ceramic Oval Vessel by British Studio Potter John Ward
By John Ward
Located in Atlanta, GA
A stoneware vessel in an oval form with dipped rim with glazed by British studio ceramist John Ward (1938-2023) circa 1997. The form of this vessel is m...
Category
Late 20th Century English Organic Modern Vases
Materials
Ceramic
Japanese Satsuma Vase Yabu Meizan Meiji
By Yabu Meizan
Located in Atlanta, GA
A Satsuma baluster form vase from the studio of Yabu Meizan (birth name Yabu Masashichi; 1853-1934), who is one of the most celebrated and collectible Satsuma artists from Meiji Peri...
Category
Early 20th Century Japanese Meiji Ceramics
Materials
Ceramic
Japanese Miniature Satsuma Vase Yabu Meizan Meiji
By Yabu Meizan
Located in Atlanta, GA
A small Satsuma vase from the studio of Yabu Meizan (birth name Yabu Masashichi; 1853-1934), who is one of the most celebrated and collectible Satsu...
Category
Antique Early 1900s Japanese Meiji Ceramics
Materials
Ceramic
Fine and Rare Miniature Satsuma Vase by Taizan Yohei
Located in Atlanta, GA
A very fine miniature ceramic vase in satsuma ware by Taizan Yohei IX (1864-1922) circa 1880-1890s of late Meiji period. The vase with a broad flat should...
Category
Antique 1880s Japanese Japonisme Ceramics
Materials
Ceramic
Japanese Ceramic Vase with Delicate Carvings by Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
A delicate and rare Japanese ceramic vase by the important Meiji imperial potter Makuzu Kozan (1842-1916) circa 1887-1910. Dated to his underglaze phase post 1887 after he successful...
Category
Antique 1890s Japanese Japonisme Ceramics
Materials
Ceramic
Early Ceramic Vase with Unique Glaze by Brother Thomas Bezanson
By Brother Thomas Bezanson
Located in Atlanta, GA
An early ceramic vase in a slightly tapered cylinder form by potter Brother Thomas Bezanson (1929-2007). The minimalistic silouette is striking...
Category
Mid-20th Century American Modern Vases
Materials
Ceramic
Rare Pair of Early Period Makuzu Kozan Takauki High-Relief Vases
By Makuzu Kozan
Located in Atlanta, GA
A stunning pair of ceramic vases with gilt, paint and high-relief decoration by imperial artist Makuzu Kozan (1842-1916, also known as Miyagawa Kozan) circa 1876-81 (late Meiji period). These vases belong to early period (1876-1881) of Kozan's repertoire, during which time the high relief sculpturing (known as Takauki ware) was used as a distinguished technique on top of the traditional gilt and paint ornaments of satsuma ware. Due to the relatively limited production and the fragile nature of these wares, not a large quantity of the examples remained in the first place, not mentioning a fine matching signed pair in such impressive sizes.
Not only a rarity, this pair of vases is also superb in workmanship, thus the fine example of the work from that short and unique period of the artist's career before he switched to the underglaze period. In a conceptually mirrored fashion, the surface is richly decorated with flying cranes among large lotus leaves and flower, like an idyllic aqua scenery of pure poetry on a circular scroll. The high-relief appliques were rendered and composed in realistic fashion but with a dramatic touch. They are literally about to break the surface free, alive and in motion. The dark colors of the glaze were used to set a moody tone. The approach to create this type of ornamentations is more akin to sculpturing an ink painting in three-dimension than ceramic making. It is not hard to imagine the demand of both the artistry and the technique.
Both vases were signed as "Makuzu Kozan Kiln" and each further with another name and seal, which are most likely the individual artist involved in the making process. Similar signatures can be seen in the reference book below.
For similarly Takauki vases, see Miyagawa Kozan Makuzu...
Category
Antique 1870s Japanese Japonisme Ceramics
Materials
Ceramic
Ceramic Vase Vessel by British Studio Potter John Ward
By John Ward
Located in Atlanta, GA
A stoneware vessel with glazed and banded stripes design by British studio ceramist John Ward (1938-2023) circa 1980s. The vessel takes its simple but d...
Category
Late 20th Century English Organic Modern Vases
Materials
Ceramic
Ceramic Bowl-Shape Vessel by British Studio Potter John Ward
By John Ward
Located in Atlanta, GA
A stoneware vessel with glazed and banded stripes design by British studio ceramist John Ward (1938-2023) circa 1986. The vessel takes its simple but distinct form between a deep bow...
Category
Vintage 1980s English Modern Vases
Materials
Ceramic
Ceramic Vessel Vase by British Studio Potter John Ward
By John Ward
Located in Atlanta, GA
A stoneware vessel with glazed and banded stripes design by British studio ceramist John Ward (1938-2023) circa 1980s. The vessel takes its simple but d...
Category
Late 20th Century English Modern Vases
Materials
Ceramic
Japanese Studio Ceramic Vase by Ken Matsuzaki with Original Tomobako
By Ken Matsuzaki
Located in Atlanta, GA
An impressive stoneware bottle form vase by contemporary Japanese studio potter Ken Matsuzaki (1950-) circa 2010s. The solid form takes its cue from Chinese traditional plum vase (Meiping) with raised and swelled shoulder and a small opening, yet it rises from a non-conventional pentagonal faceted base. The extraordinary surface was covered with Yohen Shino glaze in a deep iron hue. Thick white slips were applied in bold strokes to the lower portion of the vase. The abstract pattern calls to mind of the imagery of the iconic ocean waves found in traditional Japanese art. The presence of the vase is strong and none-compromising, reaching back to the past yet appearing utterly modern. It is marked by the artist underneath and comes with the original tomobako with title and author inscriptions and a wrapping cloth with the artist's seal.
"Ken Matsuzaki’s haptic ceramics bring a contemporary approach to traditional Japanese ceramicware, most notably 16th-century Oribe pottery...
Category
21st Century and Contemporary Japanese Modern Ceramics
Materials
Ceramic
Studio Ceramic Vase Brother Thomas Bezanson
By Brother Thomas Bezanson
Located in Atlanta, GA
A ceramic vase crafted by Brother Thomas Bezanson (1929-2007) circa 1970s. The vase takes a classic Chinese "Mei Ping" form but with a modern s...
Category
Late 20th Century American American Craftsman Vases
Materials
Ceramic
Pair of Rare Porcelain Commemorative Vases by Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
A pair of porcelain vases in classic form, decorated with underglaze blue and copper red painting by Imperial potter Makuzu Kozan. Also known as Miyagawa Kozan (1842–1916), Makuzu was one of the most established and collected ceramist known to the west from Meiji Period.
The vases are in a classic Chinese form called "Bang Chu Ping" (grain-mallet vase...
Category
Vintage 1910s Japanese Japonisme Ceramics
Materials
Ceramic
Contemporary Japanese White Glaze Ceramic Vase by Manji Inoue
By Inoue Manji
Located in Atlanta, GA
A large glazed white porcelain vase in the jar-form by Japanese ceramic artist Inoue Manji (Japanese, b. 1929). Minimalistic in form, the vase is pure white with a very subtle blue h...
Category
Late 20th Century Japanese Modern Ceramics
Materials
Ceramic
Large Japanese Satsuma Ceramic Vase Kinkozan
By Kinkozan
Located in Atlanta, GA
A large Japanese ceramic vase from the end of Meiji period circa 1890-1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is elaborately decorated with a rather unusual kinran-de (gold paint) and green enamel highlight on a mottled brown background. The painterly decoration depicts a large seasonal floral arrangement in a circular fashion. Besides the obviously superb craftsmanship, what sets this particular vase apart from many lower quality and mass-produced pieces is its tone-on-tone color pallet that is visually somber and the small and sensitive details that heralds the change of the seasons. When the viewer goes beyond the first casual glimpse of the blossom and foliage, one would notice that on the edges of certain leaves as well as along the stalks, there accumulates a very thin layer of the white dust that represents the frost. The flower in bloom are chrysanthemums. Despite of being splendid, they are the messengers of the autumn. The large lotus leaf was subtly rendered in a bended and slightly withered manner, just past its prime. Although the lotus is still in bloom, the prominent seed pod indicates it may be the last for the season. The sentimental capture of the change of the seasons is not unusual in Japanese art. This vase poetically represents such a subtle transition from summer to fall, perhaps depicting the very first frost.
The neck of the vase is also slightly unusual with two rolled rings...
Category
Early 20th Century Japanese Meiji Ceramics
Materials
Ceramic
Large and Stunning Sculptural Silver Vessel Graziella Laffi
By Graziella Laffi
Located in Atlanta, GA
A large sterling silver vessel in an asymmetrical hour-glass vase form with a larger upper conical body balanced on a much smaller base. Crafted by Graziella Laffi, Lima, Peru, Circa 1965. Marked on the rim: G. Laffi, PERU. The vessel was designed as a modern rendition of ancient pre-Columbina drinking vessel used in ceremony. The piece projects a regal and substantial aura due to its thick double wall construction with seamless craftmanship. The exterior surface was decorated with high relief roundels with concentric rings, arranged in geometrical pattern in two difference sizes. It is an impressive presence with its unique form and ornamentation that is modern and ancient at the same time.
The vessel weights about 2012 grams.
Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...
Category
Vintage 1960s Peruvian Modern Sterling Silver
Materials
Sterling Silver
Large Sculptural Ceramic Vessel by Mihara Ken
Located in Atlanta, GA
A large ceramic vessel in an impressive geometrical form by Japanese potter Mihara Ken (1958-) made in 2007. This multi-fired stoneware in shape of a mounta...
Category
Early 2000s Japanese Modern Ceramics
Materials
Ceramic
Modern Japanese Ceramic Shigaraki Ikebana Vase Takahashi Shunsai
Located in Atlanta, GA
A tall ceramic vase made in the tradition of Shigaraki ware by Japanese potter Takahashi Shunsai (1927-2011), the fourth heir of the famed Rakusai lineage of potters. The vase is heavily potted in the reddish sandy Shigaraki clay. It has a Classic vase form made for Ikebana display. The surface is thickly draped with natural ash glaze that deposited onto the body during the firing process in the kiln. It also features decoration of carved lines. Nuggets of feldspar were incorporated in the clay and exposed onto the surface as crystal like jewels. Substantial and archaic looking, the vase also has a strong modern appeal due to its Mingei styling. It was signed on the base with a pressed seal Shunsai as shown. The vase comes with its original wood storage box (tomobako) with bears the title and signature in Kanji and a seal. It also retains a paperwork noting the artist's biography and practice philosophy in Japanese.
Born in Shigaraki, Shunsai was the second son of renowned potter Takahashi Rakusai...
Category
1990s Japanese Modern Ceramics
Materials
Ceramic
Modern Japanese Studio Pottery Oribe Moon Flask Vase by Ken Matsuzaki
By Ken Matsuzaki
Located in Atlanta, GA
A contemporary studio ceramic vase made by Japanese potter Ken Matsuzaki (1950-). The vase showcases distinguished "moon flask" form with shoulder loops. The moon flask form was widely recorded first in Tang Dynasty China, most likely arrived from the Mideast countries via the silk road. It was originally used as drink vessel for the nomads and the loops were used to tie it to the horse-centered owner. The exotic form persisted in Chinese ceramic production through Ming to Qing dynasty. The form is unusual in Ken Matsuzaki's work. The artist covered the vase with a thick dripping Oribe green glaze partially revealing the unglazed part of the body, which is decorated with scrolling pattern in left by ash glaze. The work is rooted in both Yohen Shino glaze technique and Oribe tradition, but interestingly it also paid homage to Sancai pottery in Tang Dynasty when green glaze was prominently used to drip and splash onto the pottery. Viewing the vase, one can see in this harmonious piece, the innovative reinterpretation of ancient aesthetics that cross the cultures, geology and time. The base is marked with the artist's signature. The vase comes with an inscribed tomobako storage box with the artist's bio and wrapping cloth with seal. The vase measures 8.6"h x 7"w x 2"d.
Ken Matsuzaki’s haptic ceramics bring a contemporary approach to traditional Japanese ceramicware, most notably 16th-century Oribe pottery...
Category
Early 2000s Japanese Modern Ceramics
Materials
Ceramic
Modern Japanese Studio Pottery Oribe Vase by Ken Matsuzaki
By Ken Matsuzaki
Located in Atlanta, GA
A contemporary studio ceramic vase made by Japanese potter Ken Matsuzaki (1950-). The vase showcases a geometrical spindle form, rather distinguishingly modern. It is covered with a thick dripping Oribe green glaze partially revealing the unglazed part of the body, which is decorated with scrolling pattern in left by ash glaze. The work is rooted in both Yohen Shino glaze technique and Oribe tradition, but it is an innovative reinterpretation of the ancient aesthetic. The base is marked with the artist's signature. The vase comes with an inscribed tomobako storage box with the artist's bio and wrapping cloth with seal. The vase measures 9"h x 5.5"w x 4"d.
Ken Matsuzaki’s haptic ceramics bring a contemporary approach to traditional Japanese ceramicware, most notably 16th-century Oribe pottery...
Category
Early 2000s Japanese Modern Ceramics
Materials
Ceramic
Japanese Modern Studio Ceramic Oribe Jar by Ryoji Koie
By Ryoji Koie
Located in Atlanta, GA
A glazed ceramic vessel by Japanese potter Ryoji Koie (1938-2020). Hand-built with intention to be seen as such, the tsubo has a primordial irregular form with a small opening and a swelled body resembling a beehive. The upper body was covered in a glassy green oribe glaze with fine crackles, highlighted with three incised geometrical symbols. The lower body is unglazed and exposed the white clay with marks of the hand-making pinches and kneading along the base. The base also shows highly irregular surface due to the seashell spur marks and clay pitting in the kiln during the firing process. All these occurrences honestly preserved and presented as part of the character of this wonderful modern piece. The jar comes with a plain wooden tomobako box.
"One of Japan’s most versatile and forward-thinking contemporary artists, KOIE RYOJI...
Category
21st Century and Contemporary Japanese Modern Ceramics
Materials
Ceramic
Porcelain Celadon Vase with Copper Glaze by Brother Thomas Bezanson
By Brother Thomas Bezanson
Located in Atlanta, GA
A spindle form porcelain vase by Brother Thomas Bezanson (1929-2007). As a modern interpretation of "Mei-Ping", a classic form of Chinese vase,...
Category
Vintage 1980s American Modern Vases
Materials
Ceramic
Large Ceramic Vase by Brother Thomas Bezanson
By Brother Thomas Bezanson
Located in Atlanta, GA
An impressively large ceramic vase with a bulbous body and a long coiled neck by potter Brother Thomas Bezanson (1929-2007). The minimalist modern form might be distilled from the classic Chinese garlic bottle. The high glossy surface displays a splendid shades of dark purple, copper red, auberge and blue, in a copper flambé pattern called "peacock" glaze that was clearly inspired by ancient Jun Kiln...
Category
Late 20th Century American Modern Vases
Materials
Ceramic
One of The Two Japanese Ceramic Vases Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
Two small nearly identical ceramic vases by Japanese Meiji imperial potter Makuzu Kozan (1842-1916), circa 1890-1900s. The vases were made in the form of jarlet with swelled shoulder...
Category
Antique Late 19th Century Japanese Japonisme Ceramics
Materials
Ceramic
Sculptural Ceramic Handled Vase by Robert Turner
By Robert Turner
Located in Atlanta, GA
A glazed stoneware free form vase by American Ceramist Robert Chapman Turner (1913 - 2005) titled "Oshogbo Form III" circa 1970s. The piece was purchased in 1981 and held in the same collection since. The vessel is one of the classic forms with variations in Turner's repertoire since 1970s when he started to make non-functional abstract sculptural pieces. The vessel features an irregular hand-built form with surface markings and overall red glaze, inspired by his trips to Africa. Incised signature "Turner" on the base.
"In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum
Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City.
For another example of the form similar to this piece, see page 40 in "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn.
Category
Vintage 1970s American Modern Vases
Materials
Ceramic
French Japonesque Art Nouveau Lusterware Vase Clement Massier
By Clement Massier
Located in Atlanta, GA
A ceramic vase with iridescent glaze in the shape of an elephant foot cache pot by the legendary French ceramist Pierre Clement Massier (1845-1917). Massier is widely considered as t...
Category
Antique Early 1900s French Japonisme Vases
Materials
Silver
Japanese Porcelain Glazed Vase with Dragon Design Mazuku Kozan
By Makuzu Kozan
Located in Atlanta, GA
A porcelain vase with dragon design by Japanese imperial potter Makuzu Kozan (1842-1916), circa 1900s. The vase is made in what is considered early phase of his underglaze period during late Meiji era. In a classic baluster form, the surface of the vase was decorated with a slithering dragon in underglaze iron red circulating the exterior among pink clouds. The animated rendering of the dragon is fine and detailed, with five claws, scales, long tails and highlighted eyes. The pink cloud is misty and called Morotai or the hazy style, created with a unique technique developed in Kozan's studio called fuki-e by blowing the pigment powders onto the surface. Kozan Studio experimented with newly available colors from the west starting in the 1880s, which resulted in the expansion of the palette and style that bridged the east and west aesthetic tradition. Marked in underglaze blue on the base.
Known also as Miyagawa Kozan...
Category
Antique Early 1900s Japanese Japonisme Ceramics
Materials
Porcelain
