Tobogan Antiques Mantel Clocks
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Ormolu Clock "with a Swing", France, circa 1820
Located in PARIS, FR
Very fine floral and decorated Restauration period ormolu clock, figuring two baluster columns joint together by a floral arch, and topped by a crown of roses. Roman numbers indicate...
Category
Antique 1820s French Restauration Mantel Clocks
Materials
Bronze
"Pagoda" Clock attr. to L'Escalier de Cristal, France, circa 1885
By L'Escalier de Cristal
Located in PARIS, FR
Beautiful Japonisme clock in openwork patinated bronze with gold and silver highlights in the shape of a pagoda, at the corners presenting stylized dragons above uprights imitating b...
Category
Antique 1880s French Japonisme Mantel Clocks
Materials
Bronze
"Chinese" Giltwood Clock After a Design by Thomas Johnson, England, circa 1860
By Thomas Johnson, London 1
Located in PARIS, FR
Important giltwood clock with a mirror background of Rococo inspiration with a rich sinuous and asymmetrical decoration representing a Chinese couple ab...
Category
Antique 1860s English Chinese Chippendale Mantel Clocks
Materials
Giltwood
"Geniuses of the Arts" Gilded Bronze and Marble Clock Set by G. Fabre, c. 1900
By Samuel Marti, G. Fabre
Located in PARIS, FR
Dial signed G. Fabre, 4 rue des Filles du Calvaire, Paris
Clockwork signed Samuel Marti – Médaille d’Or 1900
A Louis XVI style gilt-bronze and statuary Carrare marble clock set, consisting of a clock and a pair candelabra...
Category
Antique Early 1900s French Louis XVI Mantel Clocks
Materials
Marble, Bronze
Leila and the Giaour Gilded Bronze Clock, France, Circa 1830
Located in PARIS, FR
Dial signed Polti Frères
Measures: With base or glass: Height 61 cm (24 in.), width 51,5 cm (20.3 in.), depth 23.5 cm (9,2 in.)
Without base: Height 52 cm (20,5 in.), width 42 cm (16.5 in.), depth 12.5 cm (4.9 in.)
Important philhellenic clock in burnished and amati gilded bronze, finely chiseled, representing on the terrace a couple elegantly dressed in "the turkish style", and richly decorated with foliage, scrolls and flowers. The feet, decorated with water leaves, rest on an oval wooden base covered with a globe.
The theme of the clock comes from The Giaour, a fragment of a Turkish Tale, an English poem by Lord Byron published in may 1813 which tells the thwarted love of a Venetian, the Giaour – term by which the Turks designate infidels and especially Christians – and of Leila, a slave belonging to Hassan’s seraglio, military leader of a Turkish province. The betrayal of Leila discovered, she will be thrown into the sea and her lover will avenge her by killing Hassan, then taking refuge in a monastery.
Symbol of prestige and modernity, the decorative clocks are a reflection of the taste of the era of a wealthy bourgeoisie and may be the subject of diplomatic gifts or between individuals.
Beyond the purely decorative aspect of such objects, watchmaking in the 19th century is part of a subtle mix of political, historical and literary references.
This philhellenic movement converning the West finds a particular echo in France, one of the countries with the United Kingdom and Russia having suported the Greeks during their war of independance (1821-1830) to free oneself from the grip of the Ottoman Empire. Many clocks...
Category
Antique 1830s French Mantel Clocks
Materials
Bronze
« The Musician » Japanese style Clock attr. to L'Escalier de Cristal, FR, c.1890
By L'Escalier de Cristal
Located in PARIS, FR
Amusing bronze with double patina and porcelain clock in the shape of a covered jar.
This clock, with a dial with Arabic numerals decorated in its center with a seated lute player, i...
Category
Antique 1890s French Japonisme Mantel Clocks
Materials
Bronze
Japanese Style Clock attr. to L'Escalier de Cristal, France, Circa 1885
By L'Escalier de Cristal
Located in PARIS, FR
Rare Japanese clock in double patina bronze with suspended dial.
The portico and dial, with calligraphic Kanji numerals complemented by hands featuring an undulating dragon, are deco...
Category
Antique 1880s French Japonisme Mantel Clocks
Materials
Bronze
Important Five Pieces Marble and Gilded Bronze Clock Set, France, Circa 1860
By Henri Picard
Located in PARIS, FR
Marked on the dial Furet & Bon, Hrs du Roy, à Paris
Measures: Clock – Height 98 cm (38 1/2 in.), width 70 cm (27 1/2 in.), depth 25 cm (9 3/4 in.)
Candelabra – Height 116 cm (45 ...
Category
Antique 1860s French Louis XVI Mantel Clocks
Materials
Marble, Bronze
Neo-Egyptian Bronze and Marble Clock Attributed to G.Servant, France, Circa 1870
By Georges Emile Henri Servant
Located in PARIS, FR
A black and red marble clock in the shape of an Egyptian temple attributed to G. Servant, flanked by double columns inscribed with hieroglyphs and ornated with a winged uraeus, all made in two patina bronze. The clock is surmounted by a patinated bronze sphinx. Resting on four bronze faces wearing the nemes and terminating in lion paw feet.
Georges Emile Henri Servant (circa 1828-1890) who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his sphinx clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York (A similar clock is now exposed at the Metropolitan Museum of Art, New York). But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...
Category
Antique 1870s French Egyptian Revival Mantel Clocks
Materials
Marble, Bronze
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