Trouve Prints

Divine set of four framed engravings depicting neoclassical Greco-Roman sculptures from the Louvre Museum after Jean Duchesne Aine (French 1779-1855). The prints are mounted in weath...

Fantastic set of four French late 19th Century architectural engravings. These unusual and highly decorative engravings are of architectural drawings of shop...

Nicely framed featuring four different dog types.

By Johannes Van den Aveelen and engraved by Holmice. Six views of Swedish royal residences. Hand colored engravings. Framed and matted.

Johann Weinmann Set of Twelve Botanical Engravings, Circa 1740. A fine set of twelve Johann Weinmann copper engraving, printed in colors and finished by hand. The engravings within ...

Print Archival pigment print on Moab Entrada Measures: 20.00 x 20.00 in 50.8 x 50.8 cm Edition of 50 This work comes with a signed Certificate of Authenticity. Frances Goodman...

Opulent set of four framed and matted Etruscan vase engravings after Giovanni Passeri (Italian) by Sir William Hamilton illustrated in the Picturea Etruscor in Vaculis. The set inclu...

Two French matted and framed 18th century black and white engravings inspired by Classical Antiquity. The first frame contains an engraving of a woman patting a unicorn, and a man an...

All featuring the communes of northern France including Rethel, Dunkirk, Mouzon, Gravelines etc. Framed and matted. By C.N. Cochin. Uninspected out of frames. Likely 19th century.

print size is 8x10. Engravings of ancient vessels.

Archival pigment print on Moab Entrada 290gsm Measures: 23.75 x 18.75 in 60.3 x 47.6 cm Edition of 100 This work is signed and numbered by the artist, (2016) Images in Debris depicts time lapse photographs of the sky, taken by the artist, at sunrise and sunset. The images, captured digitally, are then printed via a 4-color screen printing process. Each color separation is screen printed and then smeared while the ink is still wet, foregrounding a handmade process that involves tactility, registration, wetness, and specificity of touch. The images of the sun at dusk and dawn are at once universal and highly specific, recording a period of time on a particular day and in a particular place. By objectively recording the images and then breaking them apart and putting them back together, Sze explores the fragility of time passing and our desire for intimacy and touch in the face of both overwhelming natural forces and the ubiquitous images that surround us daily. Sarah Sze...

Photograph Measures: Digital print 13.00 x 19.00 in 33.0 x 48.3 cm Edition of 30 In 2012, Janaina Tschäpe filmed two large balloons as they buoy...