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Tibetan Ceremonial Silver Studded Conch with Semi-Precious Stones
Located in Miami, FL
Tibetan ceremonial silver studded conch with semi-precious stones, used in Tibetan Buddhism prayer rituals. Invokes water and rain, and is also used t...
Category
Early 20th Century Tibetan Tibetan Figurative Sculptures
Materials
Multi-gemstone, Silver
Ceramic Boot Sculptures by Czech Artist
Located in Miami, FL
A fun take on military boots, this Czech artist gives us his interpretation of the boot; shiny, clean, and totally different than what we identify with ...
Category
21st Century and Contemporary Czech Modern Figurative Sculptures
Materials
Ceramic
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Exhibited large scale installations during Milan Design Week 2013.
Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century.
After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently.
Carlo Zauli was born in 1926 in Faenza, where he died in 2002.
Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan.
Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums.
At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...
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