valentine fine art Prints and Multiples

Peter Halley New Works, The Butler Institute of American Art (Hand Signed), 1999 Offset lithograph poster (signed by Peter Halley) 38 × 21 1/2 inches Boldly signed in black marker by...

Shipping on request This impressive offset lithograph by Serge Poliakoff, a significant figure in abstract art, captures the powerful dynamism of his work. The skillful interplay of red and blue in this harmonious artwork from 1972, part of the Munich Olympic Games Art Series, creates a fascinating visual tension and bestows upon the space an aura of refinement and elegance. Poliakoff's mastery in abstraction is evident in a composition that is both energetic and balanced. Signed in stone by the artist, this vintage piece encapsulates the essence of its time and is a valuable addition to any art collection. Serge Poliakoff, born on January 8, 1900, in Moscow, Russia, was a prominent figure in 20th-century abstract art. After relocating to Paris in 1923 and briefly pursuing a career as a cabaret guitarist, he found his calling in painting. By 1935, he increasingly embraced abstraction, utilizing color without representational references. Poliakoff developed a unique form of abstract painting, juxtaposing colored fields. In the 1940s, he predominantly worked with shades of gray and brown before expanding his palette to include vibrant, contrasting colors from 1950 onwards. His later works were characterized by a reduction in color intensity to earthy tones and a tendency towards monochromatic compositions. This evolution reflected his artistic maturity and pursuit of expressive depth. Serge Poliakoff's works are renowned for their powerful abstraction and subtle mastery of color. He passed away on October 12...

70x70cm, print on canvas Edition 20 pcs.

Helen Frankenthaler Frankenthaler, Works on Paper 1949-1984 (Hand signed and inscribed to Dick Polich, Founder of Tallix Foundry), 1986 Softcover monograph (book), hand signed and da...

SAM FRANCIS: Limited Signed Deluxe Edition (Hand signed and numbered by Sam Francis), 1982 Deluxe limited edition hardback monograph with cloth boards, held in special slipcase of ts...

Edition of 160 copies, including 5 copies numbered from A to E with the hand-writing of poet, 5 copies from F to L with the hand-drawing by artist, 30 copies from 1 to 30 with the 2 ...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

Pat Steir (Hand signed and inscribed by Pat Steir), 2014 Limited Edition clothbound hardback monograph with no dust jacket as issued (hand signed and inscribed to Nadine) Hand signed...

Emily Mason The Fifth Element (Hand signed and inscribed by Emily Mason), 2009 Hardback monograph with dust jacket (Hand signed, dated and inscribed by Emily Mason) Hand signed in marker directly underneath the title; inscribed to Kevin and dated 2013 top right by Emily Mason 10 1/2 × 9 × 1 inches Provenance Signed for the present owner at the artist's opening at the David Findlay...

70x70cm, print on canvas Edition 20 pcs.

Ed Ruscha Nine Swimming Pools and a Broken Glass (HAND SIGNED), 1976 Limited Edition Artist's Book Boldly signed by Ed Ruscha on the first front end page 7 × 5 1/2 inches This is the...

Own a piece of history with this rare and limited edition poster from the MCA! Commemorating Christo's iconic exhibition "Wrap In Wrap Out," this poster is a true collector's item. T...