Vintage Domus SRL Pedestals

Carrara marble "Jumbo" table by Gae Aulenti for Knoll International. Made in Italy circa 1960s.

Travertine "Jumbo" coffee table, designed by Gae Aulenti for Knoll in the 1960s. Featuring a smooth, square travertine top supported by four robust column legs, this design consists ...

Enamel metal sculptural coffee table designed by Gae Aulenti for Knoll, original label. We got this from the first owner together with pair of matching original chairs from the same series (check our other listings). It's a heavy metal sculptural coffee table in a great size of 34"x34". The steel frame has light scratches and age related wear. The coated table top has light scratches and patina, sturdy and structurally sound, ready to be used immediately. In recent years Gae (pronounced "Guy...

Desk with shaped top from the "TL 22" series, wooden structure, italian manufacture from the 1950s, crafted by Poggi and designed by Franco Albini. This office desk stands out with ...

No59 Scarpa Round Dining Table – Custom Solid Wood by Joel Escalona ——— Introducing the Scarpa Collection, a homage to the legendary Italian architect a...

Pair of French brass and chrome pedestal tables, top glass In the spirit of Paul Evans France, 1980s

Incredible octagonal pedestal table designed and signed by Tomasso Barbi, this fantastic piece was produced in Italy in the 1970s. This gorgeous column is fully made in briarwood...

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...

Danish 18th Century figure head Gueridon pedestal table.  

Incredible octagonal pedestal table in brass and birch burl. This incredibly stylish and versatile piece was designed by Tomasso Barb and produced in Italy during the 1970s. Signed o...

Dining table in carved Veneciano white marble. Handmade in Mexico. Production time: 6-8 weeks for items without marble / 13-14 weeks for marble pieces. Shipping +10 additional busine...

A wooden serving table, model TN6 "Cicognino", manufactured in Italy by Poggi, design by Franco Albini, 1950s. Some objects embody the quintessence of great design. They possess per...