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Italian Round Table by Gae Aulenti attr. for Elam in Steel and Wood
By Elam, Gae Aulenti
Located in Milano, IT
Italian round table of Elam production by Gae Aulenti attr. from the 1970s. The table has a chromed steel pedestal frame. Its pedestal is formed by 4 steel tubes that both radiate on...
Category
Vintage 1970s Italian Mid-Century Modern Pedestals
Materials
Metal, Steel
Eero Saarinen Round Table in White Marble
By Eero Saarinen
Located in Milano, IT
Timeless elegance, timeless design soft and flowing lines. Marble table and aluminum base design by Eero Saarinen from the late 1970s. The table features a round table top made of wh...
Category
Vintage 1970s Finnish Mid-Century Modern Dining Room Tables
Materials
Marble
Franco Albini for Poggi Model 840 Stadera Desk
By Franco Albini, Poggi
Located in Milano, IT
Rare and important desk model Stadera designed by Franco Albini for the Poggi manufacture, in 1959. Model 840. Made of noble wood for its shelf, the desk is the perfect modernist ele...
Category
Vintage 1950s Italian Mid-Century Modern Desks and Writing Tables
Materials
Metal
Émile-Jacques Ruhlmann Gueridon in Wood and Brass
By Émile-Jacques Ruhlmann
Located in Milano, IT
Rare Art Deco Gueridon with square top. Execution of the Atelier E.J. Ruhlmann, Paris, early 1930s. Jacques-E'mile Ruhlmann - Atelier J. E. Ruhlmann.
Frame veneered in fine solid wood, brass tips.
Slight defects due to age and use. This rare gueridon is the perfect addition to Art Deco style furniture...
Category
Mid-20th Century Italian Art Deco Gueridon
Materials
Brass
Cast Iron English Table Victorian in White and Wood
Located in Milano, IT
Refined cast iron English Victorian table. The table is made of cast iron painted white . Great workmanship of the cast iron that features orna...
Category
Antique 1880s English Victorian Dining Room Tables
Materials
Iron
Cast iron English Outside Table Victorian in black and Wood
Located in Milano, IT
Refined English Victorian cast iron table. The table is made of cast iron painted black. Excellent workmanship of the cast iron that has orna...
Category
Antique Early 1800s English Victorian Dining Room Tables
Materials
Iron
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Gae Aulenti Enamel Steel Lounge Coffee Table for Knoll, 1980
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We got this from the first owner together with pair of matching original chairs from the same series (check our other listings). It's a heavy metal sculptural coffee table in a great size of 34"x34". The steel frame has light scratches and age related wear. The coated table top has light scratches and patina, sturdy and structurally sound, ready to be used immediately.
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Tommaso Barbi Octagonal Table Pedestal in Burl Wood and Brass, Italy, 1970
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Franco Albini TL22 wooden desk by Poggi Pavia, Italy, 1950s
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Eero Saarinen Tulip Dining Table Marble Knoll International
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Eero Saarinen Round Dining Table 135 cm Diameter with Stunning Marble Top with slightly green, blue and yellow lines.
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Franco Albini Rosewood Mid-Century Modern “LB7” Modular Bookcase for Poggi, 1957
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Located in Vicenza, IT
LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957.
Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space.
This set is composed of 3 modules, ten shelves, and three containers.
It is made of Rosewood, iron, and brass.
Excellent vintage condition.
Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan.
He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell.
Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”.
The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939).
During those years, He also worked for his first private villa (Pestarini).
It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”.
Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions.
Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings.
In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency.
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