VW Home Vicente Wolf Figurative Sculptures

A beautiful Thai or Khmer bronze verdigris and golden parcel-gilt Imperial guardian temple Singha lion/dragon/foo dog. This piece has a wonderful patina and heft to it. Likely mi...

Sculpture amethyst flower I on marble base with metal gold finish leaves, with minerals stones sticks and with amethyst stone in the heart of the flower.

Bronze with a brown patina, depicting Napoleon Bonaparte (1769-1821), wearing his famous bicorne hat, standing, his right hand in his waistcoat and the other behind his back, holding...

Mid-Century Iron Piggy Bank Sculpture - Hand Painted carst Iron Decoration - Mid Century - Piggy This one-piece cast cast iron piggy bank stood in a butcher shop since the late 1950s...

Madonna with child wall sculpture beautiful woodwork, 20th century. Linden wood with attention to detail.

Set of 3 embossed brass camels with great patina. These circa 1960's engraved brass camels are wonderful accents for your office, mantel or entryway console tables. Solid brass figures.

A very nice hand carved stone alligator / crocodile sculpture, circa 1980s. Great detail and color in this piece that measures 18" W x 5.5" D x 3.5" H.

A decorative hand carved Thai giltwood standing Buddha on a lotus flower with black square base. The costume is layered and flowing and peaceful grin facial expression . Serenity and...

This large, hand-carved wooden sculpture depicts a hand holding a stone and boasts spectacular detail and varying textures and shapes. The work is artist signed by inlay and dated "H...

A wonderfully sculpted Thai/ Siam Southeast Asian bronze Buddha head on a custom wood and lucite stand. The Buddha's eyes are closed in serene medi...

Erotic bronze sculpture. Austria, early 20th century.

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...