Yew Tree House Antiques Pier Mirrors and Console
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George III Pier Mirror with Border Glass
Located in Greenwich, CT
Fine and unusual George III giltwood border glass pier mirror of tabernacle form, the molded crest with gilt ball drops over panel having gothic fretwork and bow tied fronds over gad...
Category
Antique Late 18th Century English George III Pier Mirrors and Console Mi...
Materials
Giltwood
Pair of Substantial Georgian Giltwood Mirrors
By Thomas Chippendale Jr.
Located in Greenwich, CT
Important pair of George III gilt wood pier mirrors of substantial scale, the breakfront crest with inset oval paterae over ribbed Corinthian columns with ribbon banding, the base si...
Category
Antique Early 19th Century English Adam Style Pier Mirrors and Console M...
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Mercury Glass, Giltwood
Superb George I Giltwood and Gesso Carved Mirror
Located in Greenwich, CT
Fine George I giltwood looking glass, the eagle and foliate carved crest with punched ground surrounding an arched and shaped hollow beveled plate wi...
Category
Antique 1720s English George II Wall Mirrors
Materials
Giltwood, Mercury Glass
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Located in London, GB
A George III Giltwood Pier Mirror
In the Manner of Thomas Johnson
An exceptionally detailed design; the superb carved decoration housing a shaped rectangular plate and undulating mirrored borders; the inner frame closely tied to the outer frame and leading the eye around the mirror. The grandiose masterful carving incorporating C-scrolls, flowering branchwork, stylized icicles, acanthus leaves, and distinctive architectural follies and figures which firmly place this mirror within the canon of Johnson's greatest designs. The confident execution is a great testament to the technical prowess and artistic creativity of one of the greatest carvers and designers of the eighteenth century,
circa 1760.
Provenance
Edward Cecil Guinness, 1st Earl of Iveagh, Farmleigh, Co. Dublin, (1880?-1927);
The Earls of Iveagh, Farmleigh, Co. Dublin & Elveden Hall, Suffolk (1927-2018).
Thomas Johnson (1723-1799)
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In addition to its relation to Johnson's designs, this mirror also reflects the influence of Lock, the great master with whom he worked for a period. Lock published many sketches and pattern books, including A New Book of Ornaments for Looking Glasses in 1752, introducing several idiosyncratic features which Johnson would adopt such as the small decorative urns...
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