Henri Bendel Ballgown & Wrap

Vicky Tiel, an American in Paris, designed very glamorous evening wear and this dress is a wonderful example. The dress is covered with very tiny silver sequins on the bodice and ski...

A great dress from Comme des Garcons has sheer panels at the bust line and a wider panel at the center front of the dress. The fabric folds over this sheer panel fallowing for a teas...

James Galanos deigned a sleek black dress using two different fabrics for added interest. The front of the dress is a ribbed silk with a metallic diamond pattern. The body of the dr...

Tina Leser used a colorful cotton border print from the South of France for this charming two piece dress and shawl. The boned camisole style top is cut entirely from the border prin...

This unusual mid-century lingerie-style black mini dress with a semi-transparent skirt that conjures a historic pinup-girl like Bettie Page is suitable as a mini dress as part of an evening ensemble. It was probably meant by its New York designer to be paired with slim cropped pants, which became popular in The States after worn by Hollywood-movie actresses Audrey Hepburn and Marilyn Monroe. The A-line short dress was most likely made by the former ready-to-wear fashion company following the revolutionary debut by French Christian Dior of his couture cinched-waist-voluminous-skirt "New Look" collection, whereafter German Sonja de Lennart introduced "Capris" in 1949, and American Hugh Hefner launched Playboy magazine in 1953. The complex hourglass-shaped garment features a double v-neck four-seamed ruched lined bodice in a crepe silky woven fabric. Its defined gathered bust extends from the chest seams at two angles to form short dolman sleeves only in the front, while there are arm seams in back. The gathered see-through black faux-lace organza flared skirt reveals a black velvet-textured scalloped floral pattern with a net underlayer. With beige lining, the self-trim band at the waist enables the folded scalloped-lace pattern to continue to stand out on the opaque black torso. The edges of the peplum and sleeves are further cut in a scallop shape to resemble more delicate eyelash-lace trim. The brand label of the obsolete line is the only interior tag that remains. Camouflaging the midsection, the flattering dress will best suit a U.S.-size 6. It can also be worn by larger sizes with a relatively slim waist and small or large bust as there is no restriction at the hips or wide armholes. At the waistline, a hook and looped cord fasten over the bypass zipper to better conceal it. Notably, the steel-tab-and-teeth zipper is an original U.S-made Murlen model, which was used in new clothes from the 1940s to 1960s and helps to date the mid-century dress.

From one of the last fashion collections for French Maison Martin Margiela by its renowned founder Belgian artist Martin Margiela before he prematurely retired in 2009, this asymmetr...

With the finest fabric and tailoring--the base expectation for all progressive minimalist luxurious fashions designed for powerful women by German Jil Sander before the Prada-buyout ...

Jet-black, silk jersey dress with with silver toned grommets and cut out back designed by Gianni Versace for Gianni Versace Couture dating to the early 1990's. Italian size 40. Appro...