Jeno Gussich

Lapin avec un chapeau en fourrure, peinture à l'huile de Jeno Gussich

circa 1950

Artiste : Sandu Liberman, roumain/américain (1923 - 1977) Titre : Portrait d'un vieil homme Année : vers 1970 Moyen : Huile sur toile, signé à gauche. Taille : 11 in. x 9 in. (27,94 ...

Artiste : Abraham Straski, polonais (1903 - 1987) Titre : Rabbin et Torah Année : vers 1957 Moyen : Huile sur toile, signé à gauche. Taille de l'image : 16 x 12 pouces Taille du cadr...

Artiste : Abraham Straski, polonais (1903 - 1987) Titre : Violoniste Année : 1958 Moyen : Huile sur toile, signé à gauche. Taille de l'image : 12 x 15 pouces Taille du cadre : 20 x ...

Artiste : Abraham Straski, polonais (1903 - 1987) Titre : Sans titre - Rabbin polonais F Année : 1952 Moyen : Huile sur toile, signé à gauche. Taille de l'image : 10 x 7.5 pouces Tai...

Candescent" de Casey Childs (basée aux États-Unis) est une peinture à l'huile originale, encadrée, qui représente un ange féminin. Déclaration de l'artiste : "L'ensemble de mon tra...

Dans le cadre de la représentation d'artistes liés à l'industrie musicale, nous avons le plaisir de représenter les peintures de l'artiste britannique George Underwood. George Unde...

Gilbert Lewis (b.1945). Influence of Red (male portrait), ca. 1990s. Oil on masonite panel, 16 x 20 inches. Signed upper right. Excellent état. Measures 18 x 22 inches in custom gold leaf float frame. Original gallery labels affixed on verso. Provenance: estate of the artist. Artist statement: Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple. My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself. Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”. Biography: Gilbert Braddy Lewis born September 25, 1945 in Hampton, Va. Son of David Blake Lewis (born in Atlanta, Ga.) and Gladys Louise Braddy [Lewis] (of Sanford, Fl.); brother of David Blake Lewis (Jr.) and Linda Lewis [Hunter]. The family resides at 3 South Linden Street, Hampton, Va. 1953 until 1962 “I studied from the age of seven, in Virginia, with two well-known Tidewater artists, Jean Craig and the late Allan Jones. The teaching methods of carefully observed studies from nature in charcoal or tempra paint, derived, of course, from the original French academic model, conveyed its impact on my early development; however, my eye and consciousness were mostly activated by the reproductions on the studio wall of works by Botticelli, Da Vinci, and Michelangelo.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1963-68 Studies at Pennsylvania Academy of the Fine Arts with Franklin Watkins, Hobson Pittman, Morris Blackburn, and Walter Stuempfig...

Recherchez la gratuité des frais d'expédition lors de la vérification. Si ce n'est pas le cas, la galerie paiera les frais de port pour les États-Unis continentaux. Emballé en galeri...