19th Century Solid Bronze Italian Door Knocker

Originally part of an antique armoire, these oak doors were hand carved in France during the 1600s. The beautiful doors are rectilinear in theme, with ...

Hand-carved in Belgium, circa 1860, this 11 foot tall pair of doors (132.88 inches) were recently salvaged from a Belgian chapel. They can be considered of the Gothic style, which is sometimes referred to as “pointed architecture”, because of the prevalence of pointed arches in buildings. Each door is composed of six vertical planks constructed with mortise and tenon joinery. All planks have been adorned with iron pyramid protuberances, placed in a repeating pattern. The planks and iron retain their white paint, now naturally weathered over the years, perfect for those who appreciate original condition. At over 11 feet tall, these 19th century chapel doors...

Truly a one-of-a-kind set of architecturals, these French doors feature a lovely capriccio oil painting on one side and a lacquered Chinoiserie on the verso. Dating to the 1800s, the wood frames on the front side of the doors (as seen in the main photo) have been painted true white more recently. Raised layers of molding surround a large landscape painting of ochre, brown, and gold. A protruding cornice of rounded molding adorns the frames just below the canvas, above a carved rectangular molding and raised kickplate. The capriccio (a capriccio is an architectural fantasy painting) depicts a massive, bifurcated round staircase surrounding a large outdoor fountain...

Although when most people hear the word “gargoyle”, they probably envision small, winged creatures with grotesque visages. However, the phrase has a deeper meaning, encompassing any carved head (animal or human) that function as waterspouts. From the Early Renaissance (late 1400’s/early 1500’s), our gargoyle fountain spout features a human-like face with pointed ears, possibly representing a centaur or a satyr. The roughly rectangular block of marble was hand-carved in Arezzo, in the Tuscany region of Italy. All sides except the front of the cream-colored stone have a sawed finish, resulting in a rough texture. The back has been excavated, adding to the character of the gargoyle. A 1 ½” diameter hole has been cut all the way through, forming an open mouth of the gargoyle. The gaping mouth was often a symbol used to conjure images of devouring giants and used to remind people that they are susceptible to certain forces. Our 15th/16th century marble...

A polished bronze door knocker, with two men's faces. Projection: 4 cm.

Antique rustic door in poplar, color of the poplar light wood tending to orange, beautiful patinated wood of the 19th century, hand-built for a far...

14th century (that's old) wrought iron door knocker with serpent heads.

2 antique lacquered doors with frame, also painted on the back, hand-built in poplar, 19th century, from home in Italy, sold in sets of 2, from home in Italy, only the hardware of th...