1904 Hand Carved Tudor Wood Mantel from The Rose Hill Mansion, Mount Kisco, NY

Rich oxblood with white, gray and eggplant veining, this marble mantel was imported from Europe by Danny Alessandro & Edwin Jackson Mantel Company and carved out of rouge royale - a marble characterized by the presence of white calcite veins. In his Dictionary of Trade and Industry, Blanqui described this marble as, "This marble with a red background, mixed with white, and sometimes blue, is extracted in the town of Franchimont, near Philippeville, in the province of Namur. In all the Belgium marbles it is the one that was most frequently used in the decoration of monuments : in the palace of Versailles, the Louvre, Palais Royal, and in many other public and private buildings." This piece epitomizes the emerging design aesthetics of the Louis XV period characterized by curved forms, lightness, and comfort. True to its time period, minimal lines highlight the panels on the vertical supports as well as across the serpentine apron, which features a carved shell with scrolls and leaves at the center. One feature to note: The side panels have round bronze vent covers...

This gray marble mantel features striking Brèche marble inlays on the frieze and jambs. Carved in the Louis XV style, designs of this time period can be broken into three distinct ca...

Louis XV carved limestone mantel with faux Sienna marble finish and Crema Marfil marble hearth. Made in France. This mantel was one of a group of antique mantels imported from Europe...

This petite English Regency style mantle was carved from a green-gray marble with a unique blend of light and dark veining. Four intricately detailed and inlaid cameos of cherubs rep...

New York, Fan-carved mantel in the Federal taste, circa 1812 Pine Measures: 66 1/4 in. high, 90 3/8 in. wide, 13 1/4 in. deep Within the genre of carved rather than plasterwork mantels of the Federal Period, no example that has come to light is more perfectly designed or more carefully wrought than the present one, which is an amazing symphony of fans, urns, beads, and other Neo-Classical devices, all ultimately influenced by the plasterwork designs of the English architects Robert (1728–1792) and James (1732–1794) Adam. Of a type that proliferated in the area bounded by the northern New Jersey counties of Bergen and Passaic, the Hudson Valley, and western Long Island, the mantel is representative of work that flourished in the first couple of decades of the 19th century. While most of the woodwork of this style that has survived is found in interiors, various examples of exterior doors and other trim have been noted, but most examples have disappeared as a result, variously, of natural deterioration and purposeful demolition in anticipation of development. Although considerably larger in scale and more elaborate in ornament than a mantel that has been in the collection of the Brooklyn Museum since 1944 (acc. no. 44.55; photograph in Hirschl & Adler archives), the present mantel is so close in style and conception to that example that it likely originated in the same house. The Brooklyn mantel is documented as having been removed from a house built by Judge Isaac Terhune (1762–1837), an eminent lawyer and judge. The house was situated on King’s Highway, at the corner of Mansfield Place, at the edge of South Greenfield, a village in northern Gravesend, Brooklyn. A photograph of the house, taken by the German e´migre´ photographer, Eugene Armbruster (1865–1933), is in the collection of the New-York Historical Society. Terhune is ultimately descended from the Dutch-Huguenot e´migre´ Albert Albertson Terhunen, who died in Flatlands, Brooklyn, in 1685.The family eventually spread out through New Amsterdam, Long Island, and Bergen County, New Jersey. Terhune’s great-grandson, also Albert (1715–1806), left a sizable estate to his six surviving children, including his second child and second son, Isaac. Judge Terhune lived in the house until his death in 1837, at which time, according to an article in The New York Times for November 27, 1910, he, having died without issue, “left the White Frame Mansion with its exquisitely carved doorway, beautiful mantels, and other interior adornments to his brother John” (Part Six, p. 11). The article continues: After the latter’s death, the house and its estate of about 70 acres passed through several owners, eventually being purchased in 1853 by Benjamin G. Hitchings [1813–1893]. The house next passed to Benjamin’s son, Hector, who had been born in the house, and then lived there for 25 years. He sold it in 1910 in partial payment for a Manhattan apartment house. After thus having been sold to a real estate developer, the Hitchings property was subdivided into Hitchings Homestead. The house survived until about 1928, at which time it was razed and a Deco-style apartment house with the address 2301 Kings Highway was constructed on the site and occupied in 1935. By 1910, the fate of the house, in an area of Brooklyn that was being rapidly developed, was becoming obvious. The Times article reported: The house has been well kept up, but fearing lest the hand of time or vandals might deal harshly with some of its choice bits of carving, Mr. Hitchings removed a few years ago a few beautifully carved wood mantels...

A contemporary mantel crafted from travertine, originating from France. This piece boasts a sleek, minimalist design with clean lines and a flat profile, embodying a modern geometric...

Similar to our Stuart fireplace, the Tudor stone fireplace features the traditional peaked arch opening, and triangular spandrels on either side of the arch, evoking the classic 16th century Tudor...

Monumental antique wood fireplace mantel 10" tall from Northern France. This is an amazing fireplace mantel with two circular carved ...