1830s Garden Ornaments
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Period: 1830s
Antique Sphinx 1833 Felix Austin England Gargen Sculpture
Located in Munich, DE
This very impressive sphinx is fully signed and dated on the plinth 'Felix Austin 1833, England'.
This monumental sculpture is made of artificial limestone, an invention of F. Austin.
The sculpture is made for outdoors and is weather resistant.
The plinth is contemporary and custom made out painted wood.
Literature: John P.S. Davis, Antique Garden Ornament...
Category
English William IV Antique 1830s Garden Ornaments
Materials
Limestone
Pair of French Lead Figural Boy and Girl Foliage Garden Statues on Bases, C 1830
Located in Charleston, SC
Pair of French lead figural boy and girl foliage garden statues standing on circular molded bases. Early 19th century.
Category
French Louis Philippe Antique 1830s Garden Ornaments
Materials
Lead
French Figural Robed Marble Statue of Pan Playing Flute on Square Plinth C 1830
Located in Charleston, SC
French figural robed marble statue of Pan playing flute with garden seat and standing on square plinth. Early 19th Century
Category
French Louis Philippe Antique 1830s Garden Ornaments
Materials
Marble
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1950's Concrete XL Shell
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English Cast Iron Horse Head Garden Statue
Located in Mt Kisco, NY
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Cast Iron Garden Figural Statue of Lady Liberty
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Classical Tall French Garden Sculpture of Male Figure from Early 20th Century
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H 18.9 in W 21.26 in D 8.27 in
Garden sculpture, contemporary. Nordic Sphinx, The Rhubarb Sphinx
Located in New York, NY
Our Sphinx is Persephone, and she started as an old kingdom Egyptian relic.
I then turned her musculature into mechanical appendages like she was an icon or idol off
the set of the 1927 film, “Metropolis”. She was going to be an AI sphinx but I still wanted
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Big leafed rhubarb didn’t resonate with the mechanized look I had just executed beautifully.
At the very least she is a North American sphinx with feather and wheat motifs. I
included for symbolism and beauty (of course), ancient Egyptian and Greek floral references
befitting a worldly creature. I took liberties and referenced eighteenth and nineteinth "Orientalism". The Sphinx is a mythological creature and not anything that moved across terrains anywhere that most of us have been.
The AI sphinx was too fascist and severe for most gardens. I liked it deeply and may revisit
that avenue once this sphinx’s’ plaster dust has settled. I love the Baroque, so I decided to go Baroque by giving the lions coat some seriously carved fur and curly cues. She looked like any one of the seventeenth century Louis’ characters crossed with a French poodle. That was a bad notion. I then created a sphinx that I like, a sphinx from my soul but seriously influenced by other artists.
In the end she is uniquely elegant and powerfully poised, with distinct features. Compared to
most sphinx throughout history her breasts are too high on her chest but seductive none the less (she is a contemporary sphinx).
Her head is elongated, much like the busts of the Armana period in Egypt, but that’s just her hair and
headdress, not her skull. Her rump and back are sensual. The Rhubarb Sphinx, embodies
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19th Century Pair of Stone Objects Around 1830 Italy Carved Out of Stone
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Located in Udenhout, NL
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Pair of English Cast Stone Floral and Fruit Basket Garden Ornaments, Circa 1830
Located in Charleston, SC
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Representing a Georgian manor house.
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Pair of Italian Hand Carved Sandstone Fruit Baskets on Plinths. Circa 1830
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