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1830s Garden Ornaments

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Period: 1830s
Antique Sphinx 1833 Felix Austin England Gargen Sculpture
Located in Munich, DE
This very impressive sphinx is fully signed and dated on the plinth 'Felix Austin 1833, England'. This monumental sculpture is made of artificial limestone, an invention of F. Austin. The sculpture is made for outdoors and is weather resistant. The plinth is contemporary and custom made out painted wood. Literature: John P.S. Davis, Antique Garden Ornament...
Category

English William IV Antique 1830s Garden Ornaments

Materials

Limestone

Pair of French Lead Figural Boy and Girl Foliage Garden Statues on Bases, C 1830
Located in Charleston, SC
Pair of French lead figural boy and girl foliage garden statues standing on circular molded bases. Early 19th century.
Category

French Louis Philippe Antique 1830s Garden Ornaments

Materials

Lead

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19th Century Hand Chilseled Marble Torso of a Victorian Maiden
Located in Port Jervis, NY
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Garden sculpture, contemporary. Nordic Sphinx, The Rhubarb Sphinx
Located in New York, NY
Our Sphinx is Persephone, and she started as an old kingdom Egyptian relic. I then turned her musculature into mechanical appendages like she was an icon or idol off the set of the 1927 film, “Metropolis”. She was going to be an AI sphinx but I still wanted to incorporate Rhubarb within her adornment as she is a Nordic or Maritime sphinx. Big leafed rhubarb didn’t resonate with the mechanized look I had just executed beautifully. At the very least she is a North American sphinx with feather and wheat motifs. I included for symbolism and beauty (of course), ancient Egyptian and Greek floral references befitting a worldly creature. I took liberties and referenced eighteenth and nineteinth "Orientalism". The Sphinx is a mythological creature and not anything that moved across terrains anywhere that most of us have been. The AI sphinx was too fascist and severe for most gardens. I liked it deeply and may revisit that avenue once this sphinx’s’ plaster dust has settled. I love the Baroque, so I decided to go Baroque by giving the lions coat some seriously carved fur and curly cues. She looked like any one of the seventeenth century Louis’ characters crossed with a French poodle. That was a bad notion. I then created a sphinx that I like, a sphinx from my soul but seriously influenced by other artists. In the end she is uniquely elegant and powerfully poised, with distinct features. Compared to most sphinx throughout history her breasts are too high on her chest but seductive none the less (she is a contemporary sphinx). Her head is elongated, much like the busts of the Armana period in Egypt, but that’s just her hair and headdress, not her skull. Her rump and back are sensual. The Rhubarb Sphinx, embodies a history of sphinxes created by Europeans after the Napoleonic invasion and the extensive survey of Egypt which ignited a design frenzy of all things ancient Egypt. She is an esoteric garden folly...
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American Egyptian 1830s Garden Ornaments

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Early 20th Century Italian Garden Statue "Diana Goddess of the Hunt"
Located in Casale Monferrato, IT
Beautiful refined garden statue, circa 1920s main material stone mixed with cement and marble dust, stone grit. Beautiful and majestic statue. A beautiful representation of Diana the...
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Life Size Fiberglass Ram
Located in Stamford, CT
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Life Size Fiberglass Ram
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Pair of Cast Plaster Recumbent Entrance Way Garden Lions
Located in New York, NY
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Venus de Milo Female Statue Sculpture Indoors and Garden
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Previously Available Items
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Located in Malibu, CA
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19th Century Pair of Stone Objects Around 1830 Italy Carved Out of Stone
Located in Epfach, DE
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Antique Sandstone Well from the 19th Century
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Antique Sandstone Well from the 19th Century
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Pair of English Cast Stone Floral and Fruit Basket Garden Ornaments, Circa 1830
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Early Victorian Painted Birdcage
Located in Essex, MA
Representing a Georgian manor house.
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Early Victorian Painted Birdcage
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