Blue and White Delft Dishes Antique Pair Made circa 1770

We are pleased to offer this pair of Dutch Delft blue and white chargers decorated in the center with an image of a delicate vase filled with chrysanthemums and peonies. The design in the center of the charger is derived from Chinese decoration, where auspicious flowers were put in bamboo baskets as attractive interior decorative elements. The border of the charger is adorned with four floral panels, which alternate with four cobalt blue panels with fish-net patterns. The edge of each charger is painted with orange slip...

This pair of Dutch Delft chargers in the "Theeboom" pattern shows a tea plant with a fan-shaped bouquet of leaves and flowers. The deep cobalt blue is fabulous! This is one of the ...

Chinoiserie blue water in the foreground This Dutch Delft charger features a hand painted garden scene with large bright yellow flowers, green leaves, small iron red plum blossom f...

This antique Dutch Delft charger was hand painted in the 18th century, circa 1770. The center of this large Dutch Delft charger shows a lovely chinoiserie scene painted in vibrant p...

A fine antique Delft figural tureen or box. In the form of a polychrome female duck with rich red, yellow, and purple plumage. The top half of the d...

An early and rare 18th century Dutch Delft sweetmeat dish having eggyolk and soft gray-blue overall decorative design with a depiction of a lady sitting...

Enhance your collection with this exquisite pair of covered Delft vases. Crafted circa 1920 in Maastricht, Netherlands by Petrus Regout & Co. and-painted in the traditional blue and ...

A beautiful set of five blue and white Delft vases, this faience collection was hand-painted in Holland, circa 1900. The three bulbous vases are lidded, each with a finial depicting a rampant lion with a ball in its forepaws. Beneath the lion is a mottled background (on the front side only), with a foliate and floral margent. Each vase has the same scene painted on the front of the main body: a couple walking through a field surrounded by flowers. The opposite side has a floral rinceaux above a foliate branch. Painted in a similar fashion, the two concave vases are without lids. The side opposite from the cartouche of the couple has floral margents. All five vases have canted corners on the base. Inspired by Italian majolica, the faience produced in 16th century Holland...