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Carstens Tönnieshof Square Bowl, West Germany Ceramics, 1960s
$240
$30020% Off
£185.44
£231.8020% Off
€214.39
€267.9920% Off
CA$339.14
CA$423.9220% Off
A$380.37
A$475.4620% Off
CHF 199.19
CHF 248.9920% Off
MX$4,621.81
MX$5,777.2620% Off
NOK 2,529.40
NOK 3,161.7520% Off
SEK 2,398.05
SEK 2,997.5620% Off
DKK 1,600.29
DKK 2,000.3720% Off
About the Item
Vintage bowl was made by Carstens Tönnieshof with complex graphic pattern in gold on teal or celadon glaze background. The bowl has monochromatic black glaze on the bottom surfaces and the rim; it features an unusual square shape with scalloped rim and textured relief elements.
The combination of Modernist shape and minimal color palette allows the bowl to be a perfect addition to a wide variety of the interiors, and makes it a perfect gift to a Mid-Century Modern pottery collectors or design enthusiasts.
The piece is signed with company's logo, "W. Germany", and model numbers on the bottom. We are offering a smaller version of this bowl in different glaze in set of large bowl and a vase, made by Carstens Tönnieshof, in separate listing.
Carstens operated from 1945 to 1987; it was founded by brothers Christian and Ernst Carstens after they lost most of their factories to the DDR. The Carstens Uffrecht factory in East Germany became the manufacturer VEB Haldensleben. The Carstens Tonnieshof factory was located in Freden an der Leine (West Germany), and designers included Trude Carstens (wife of Ernst Carstens), Heinz Siery, Gerda Heuckeroth and Dieter Peter.
- Creator:Carstens Tönnieshof (Manufacturer)
- Dimensions:Height: 2.2 in (5.59 cm)Width: 10 in (25.4 cm)Depth: 9.75 in (24.77 cm)
- Style:Organic Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1960s
- Condition:Wear consistent with age and use.
- Seller Location:Clifton Springs, NY
- Reference Number:1stDibs: LU4421142785852
Roman Erlikh
Roman Erlikh is a professional woodworker with over 20 years’ experience. Roman Erlikh Studio creates bespoke and limited edition contemporary furniture and art objects. His first furniture collections were inspired by traditional Art Deco and Biedermeier styles interpreted through a modern lifestyle demands. Stepping away from merely utilitarian view of everyday objects, his recent collections are filled with meaningful textual context while incorporating traditional and modern woodworking techniques. Roman is using practical function as a common denominator to create emotionally charged art objects, blurring the boundary between art and function. While appreciating possibilities of ordinary materials, Roman is developing new mixed media multilayered composite varnishes and utilizes decorative gilding and mica veneer to actively engage ambient light, giving an additional aspect to relation of his objects to their environment. The decision to work in custom format was based on environmental concerns and opposition to culture of mass production and pure consumerism. The choice of materials was heavily influenced by sustainability and environmental concerns. All objects are made locally in the Brooklyn Navy Yard workshop. Elimination of storage and transportation needs for mass-produced furniture in lieu of creating a custom made objects on demand allows us to reduce waste of materials and energy.
About the Seller
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