American Bowls and Baskets

A petite spun brass bowl.

A graceful hand turned wood covered vessel by the noted Northern California artist Paul Maurer. This exquisite lidded vessel is, like all of Maurer's work from fallen wood.

Add a vibrant touch to your home with this Alexandra Von Furstenberg high-quality acrylic decorative bowl, designed to bring modern elegance to any space. Whether placed on a kitchen...

Vintage Adirondack style handmade if chunky wood brunches basket of wood planter.

A very fine studio ceramic vessel with exceptional sculptural form by American potter Warren Mackenzie (1924-2018). In a barrel shape with slightly concaved wall, the centerpiece sta...

A glass bowl on stand produced by Steuben, circa 2000. Designed in 1994 by Richard Meier.

Add a vibrant touch to your home with this Alexandra Von Furstenberg high-quality acrylic decorative bowl, designed to bring modern elegance to any space. Whether placed on a kitchen...

Add a vibrant touch to your home with this Alexandra Von Furstenberg high-quality acrylic decorative bowl, designed to bring modern elegance to any space. Whether placed on a kitchen...

19th century New York Made silver fruit bowl stamped "Kidney, Cann & Johnson" Coin silver with beaded borders and loop handles 18.70 troy ozs.   

The Extra Large Infinity Bowl in Green by Alexandra Von Furstenberg is a bold statement in modern design. Whether used as a striking centerpiece, or refined serving piece, this high-...

Infuse your home with an authentic touch of bohemian charm with this exquisite vintage carved wood dough bowl. Each curve and contour of this piece speaks to its handcrafted origins,...

A lathe turned teak bowl

Created by one of the great masters of enamel artistry in America, this wide, shallow dish/bowl bathed in brilliant yellow and cerulean blue enamels over copper depicts a dove in fli...

Heavy metal bowl, 5.5 lbs. Structurally sound. Measures: 10.25 x 3.25 inches.

Rare footed petite poolside Barbecue Salesmans Sample/Model or promotional Ashtray, Candy Dish or Incense Bowl made by Albert Manufacturing of Los Angeles California. We have source vintage 1950s rubber glides for the bowl see last pics, these will be included. This is almost identical to a design by Stan Hawk...

Beautiful aluminium forged plate with a lake and trees design. Manufactures in the 1940s by Wendell August Forge for Brockway glass. This pieces was han...

A collection of 236 unique bowls, the Concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes co...

Arts & Crafts style basket with a removable glass liner. A lattice pattern around the entire body as well as handle. In the center a hand engraved monogram...

Elevate your décor with this eye-catching Vintage Boho Monumental Glazed Ceramic Lattice Bowl, a masterful blend of sculptural form and glossy elegance. Handcrafted with a dramatic b...

With a nod to the spontaneity and privileged imperfection that is the human condition, all of my pieces imbue an energy of function and whimsy. This decorative speckled stoneware co...

A lathe-turned thin-walled walnut bowl having a flaring form and a gently rounded interior.

Art Nouveau sterling silver basket. Made by Tiffany & Co. in New York, ca 1910. Deep and ovoid with reeded and lobed rim. Cast and open fruiting and leafing vine swing handle with ce...

Edwardian Modern Regency sterling silver basket. Made by the Sweetser Co. in New York, ca 1910. Faceted octagonal bowl with straight and tapering sides on spool support mounted to ra...

Charming decorative plate in a heavy matte white glaze depicting a farm girl with a lamb. What looks like a small edge chip is merely a spot that wasn't gla...

A stunning contemporary vibrant pink rose quartz bowl with angular faceted shape. Invite the healing energy of rose quartz into your interior with a beautiful and functional bowl. Th...

A stunning contemporary vibrant pink rose quartz bowl with angular faceted shape. Invite the healing energy of rose quartz into your interior with a beautiful and functional bowl. Th...

American Mid-Century Modern sterling silver basket. Rectangular with straight sides and curved ends. Plain rim and fixed and high c-scroll handle. Woven strips. Marked “Sterling”. We...

Gerry Williams is known using stoneware or porcelain to create vessels that are thrown and also for coil built sculptures. Gerry was born in India in 1926 and lived and worked in New...

Gerry Williams is known using stoneware or porcelain to create vessels that are thrown and also for coil built sculptures. Gerry was born in India in 1926 and lived and worked in New...

A turned wood vessel with a hand-carved, Mayanesque glyph motif, its craft pedigree evidenced by a rim that is ever so slightly out-of-round, and floating over a shallow, recessed fo...

A delicate ceramic bowl with rough edges. No cracks, chips. Signed "MG". Appears to be two ceramic/porcelain sections sealed together to form the bowl.

Add a statement to your tabletop or island with this striking vintage mid-century glass bowl. Use as an artful centerpiece with clean lines and stunning with gold trim...

Wonderful rare handmade piece from Herb Cohen's ceramic studio. Cohen worked for Hyalyn most of his career. Signature style dates this piece before 1959.

American turn of the century brilliant period cut glass bowl. It is heavily cut and carved and very faceted in a draped pattern.

Vintage miniature, Santa Clara black pottery pot by Maxine Naranjo marked on the bottom. Kiva step design. Circa 1970s, New Mexico, USA.

Hand-crafted by Spencer Peterman of Massachusetts, his live edge bowls are made from cherry trees that have grown wild throughout New England since th...

Add a touch of timeless elegance to your space with this Vintage Neoclassical Wrapped Waste Paper Basket. This charming piece features a classic tapered form adorned with beautifully rendered neoclassical motifs, including graceful figures, cherubs, and delicate floral elements, all set against a warm, aged background. The "wrapped" construction gives it a unique texture and vintage character, making it far more than just a functional item. Perfect for an office, library, bedroom, or living area, this waste paper basket serves as a decorative accent that infuses your decor with historical style and sophistication. This lovely vintage waste paper basket...

Natural Teak Bowl Solid teak is hand cut and shaped to create an informal, organic bowl highlighting natural wood grain. Each bowl is completely unique expressing its own characteri...

Classic Mid-Century Modern ceramic pottery by Marc Bellaire, 3 piece set includes stylized covered bowl, two stylized plates.

Wonderful perforated metal machine-made basket. Late 1800s-early 20th century. Showing some bends to rim and spokes.

The ceramic bowl is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

Midcentury Dorothy Thorpe signed and hand-painted. There are two of her signatures on this bowl. Lovely multicolored floral design in mauve pink, green, yellow, burnt orange and her ...

A lathe turned wooden bowl marked 'Black Walnut from California Bob Stocksdale'.

This very large antique bowl was made by the American China Company of the United States and dates to approximately 1880 and done in a period Victor...

Celebrate the beauty of handcrafted artistry with this signed vintage studio pottery bowl, an expressive and sculptural piece rooted in boho and wabi-sabi aesthetics. With its hand-f...

A wonderful Mid-Century Modern Lorin Marsh round centerpiece inset with a precious stone and a brass band in a metal silver flake finish.

A collection of 236 unique bowls, the Concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pou...

Polychrome Mission pictorial basket with eagles and highly geometric bottom. Finely woven. Shows little if any use. Period: Last quarter of the 19th...

A collection of 236 unique bowls, the Concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes co...

Blue and white map glass vide poche plate. Contemporary glass plate with print of antique map of the Gulf of Mexico United States, 20th century. Dimens...

Introducing the 'Vintage Boho Studio Pottery Bowl': a fusion of artistic expression and bohemian charm. Crafted with textured details and earthy tones, this bowl embodies the essence...

We sculpt each catch-all with aluminum foil before sand-casting it in aluminum at our local foundry. It’s a physical ‘game of telephone’, a translation, or a conversation, or maybe a...

Originally Babbit & Crossman, Reed & Barton was founded in 1824 in Taunton, Massachusetts by Isaac Babbitt and William W. Crossman. The company initially produced works in Britannia ...

A collection of 236 unique bowls, the Concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pou...

The Waypoint Centerpiece is a decorative vide-poche in Force/Collide's signature design style. The dramatic lines and symmetry of this catch-all make a powerful statement for your fa...

This rare and collectible piece from Arthur Court's 2005 collection showcases the brand's signature nature-inspired design. Crafted from high-quality aluminum, the bowl features an i...

A collection of 236 unique bowls, the Concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes co...

An edition of 150 unique bowls, the Concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

A turned bowl in stained mahogany with a flaring conical form. Signed by the artist.

The ceramic charger with scalloped edge is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed on verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...