Vintage Moroccan Yellow Ceramic Jars with Silver Filigree Overlay set of 3

Great decorative Moroccan Berber Tuareg metal brass powder flask. African decorative brass with front richly decorated with Moorish embossed brass ocverlay. Moroccan tribal powder fl...

Beautiful cobalt blue Moroccan footed ceramic bowl with silvered metal overlay. Great large decorative ceramic bowl. Measures: Diameter 11 inches x 4 ...

Fabulous handcrafted antique Moroccan blue and white ceramic candle holder in Moorish style. Adorned with fine filigree silver nickel wo...

Handcrafted Moroccan Moorish red painted glass perfume bottle or rose water sprinkler with raised embossed silvered metal floral design over red g...

A gorgeous antique Tibetan bronze filigree and inlaid agate trinket jar China, Early 20th Century Measures: 3.5"W x 3.5"D x 4.25"H. Good original vintage condition, with beautiful...

Vintage French jewellery containers with decorative ceramic lids by Mithé Espelt (circa 1970s). Flower and Bird motifs decorate these five delightful, diminutive wooden boxes. Two of the ceramic lids have golden craqueleur boundaries encircling the inner decoration. The containers would be an attractive grouping on the surface of a vanity or dressing table. Alternatively, they might simply be suitable as a splendid decorative display in the home. The pieces are in good overall condition with some minor natural differences in the colour of the woods. The overall charm is undeniable and they are real collector's items. Please enjoy the many photos accompanying the listing. Upon request, a video will be provided. About the artist: Born in 1923 in Lunel, in the South of France, Mithé Espelt grew up in a family of affluent winegrowers and was very close to her grandfather who passed on his love for the arts and brought her into contact with major intellectuals and artists of the time. She rubbed shoulders with Jean Hugo, Jean Cocteau, Pablo Picasso, Christian Bérard and many others. She graduated from the Beaux-Arts school in Montpellier in 1942, and then studied at the Fontcarrade school where she took a special interest in ceramics. She began by designing buttons for fashion houses in Paris, before managing the entire production of buttons and jewellery at the Lydia Chartier workshop and collaborating with Line Vautrin, amongst others. At the end of the war, she returned to her native south, opened her studio and took advantage of the growing excitement around ceramics, particularly those from the town of Vallauris. To stand out and sustain the workshop business, she started designing gilded jewellery...

Ceramic round box / lidded jar with concentric circle and petal motif by Raymor (ca. 1960s, Italy). Attractive palette and design in excellent, vinta...

Fantastic hand painted ceramic stash jar by Raymor. Underside reads "Raymor Italy". Incredible detail and coloring technique with an eye catching multicolore...