Mid Century Iron / Glass Candelabra by Erik Hoglund / Boda Sweden

A pair of large handcrafted decorative handblown glass vases titled "Cat Walk" depicting a fashion model walking down the cat walk during a fashion show . Etched signature of the art...

A set of four cast ice glass candlesticks two larger matching pair 5" H x 3" Dia. , one 3.25" H x 2.25" Dia. and one 4.75" H x 2.75" Dia. which has a small chip to the inside candle area that can't really be seen . Designed by Timo Sarpaneva and crafted by Iittala Glass...

A hard to find satin white iron etagere or bookcase with pebbled glass shelves and X cross bracing a perfect companion to any Woodard furniture and great for finishing off your three...

A black wrought iron framed lounge chair having black leather strap arms and brass hardware with the seat back and bottom upholstered in a soft and supple black leather. The back res...

Three armed candelabra designed by Erik Höglund. Hand made during the 1950s by Boda Smide in Sweden. Wrought iron and mold blown clear glass prisms with patterns of people and fishes...

There are a pair of these metal and glass 5 arm candle holders. They are 1970s kosta boda candelabras by Erik Hoglund , in great vintage condition

Candelabra designed by Erik Höglund. Made by hand in iron at Boda smide and clear glass prisms from Boda glass. Three arms and six glass shards. Very good vintage condition with ligh...

Beautiful candelabra by Erik Höglund, made from wrought iron and glass. The rustic iron stem is adorned with four pear shaped glass medallions that bring rain drops on a bare tree to mind. Fits regular candles. Erik Höglund was one of Sweden’s foremost glass artists, whose innovative designs and glass making techniques revolutionized the scene of both art glass and serve ware in the 1950s. His bold and personal designs gave him and the glassworks Boda worldwide acclaim. Erik Höglund is considered the most influential Swedish glass artist of the 1950s and 1960s, alongside Ingeborg Lundin. Höglund was admitted to the prestigious school Konstfack at the age of 16, first studying to become an art teacher, but later changing to the sculptor’s line. He rebelled against many of what he considered to be conventional ideas at the school, and was almost expelled. His nonconformism would follow him through his career, aiding him in following his own path and repeatedly breaking new ground. Erik Höglund started working at Boda glassworks in 1953. At the time, Boda focused on producing high-quality serve ware in ethereal, cut-glass designs under the direction of Fritz Kallenberg. Höglund brought new perspectives and ideas, experimenting with the glass mass to give it a bubbly look and introducing colored glass and irregular finishes. These ideas were in direct opposition to the traditional ideas of what quality glass is, and Höglund was initially met with skepticism. He created rustic designs that allowed for everyday, multiple uses of glass, allowing it to be both functional and aesthetic. This down-to-earth IDEA appealed to both critics and collectors, although it took some years into the 1950s to win over the general public. In 1955, Erik Höglund’s glass was presented at the H55 Exhibition and one of his vases, whilst considered scandalous due to its suggestive decor, was purchased by the Swedish king. In 1957 he was awarded the Lunning Prize, its until then youngest awardee. Following that, his glass was exhibited in the Georg Jensen store on 5th Avenue in New York, making Erik Höglund and Boda world renowned. Erik Höglund was a master of all artistic trades. His glass murals...