Monumental 19th Century Ormolu Mounted Onyx & Marble Longcase Grandfather Clock

A very fine French 19th Century Louis XVI style ormolu-mounted amaranth, tulipwood, sycamore and parquetry pedestal Régulateur de Parquet Tall Case Clock, Attributed to Alfred Emmanuel Louis Beurdeley (French, 1847-1919) After the model attributed to Jean-Henri Riesener, surmounted by a cloud-form case cast with three putti cherubs suspending garlands, centred by a white enamel dial with Roman numerals, on a spreading socle with ribbon-hung garlands, above the square tapering pedestal headed...

A very fine and palatial French 19th century Regence style figural ormolu-mounted kingwood and tulipwood floral marquetry long-case regulator, after a Model by Charles Cressent (Fren...

A fine French 19th-20th century Régence style gilt bronze mounted tulipwood parquetry regulator longcase clock, after the 18th century model by Julien Le Roy (French, 1686-1759) and ...

A Very Fine French 19th Century Louis XVI Style Plum-Mahogany and Ormolu Mounted Tall-Case Regulator attributed to Revollon. The Roman numeral dial signed: Revollon - M. Lion, with h...

A very fine and palatial French 19th century Louis XIV style figural ormolu three-piece clock and candelabra garniture suite, comprising of a gilt-bronze clock and a pair of ten-ligh...

An Important and Palatial French Louis XV Style 19th Century Gilt-Bronze and White Marble Cherub Mantel Clock, attributed to Alfred-Emmanuel-Louis Beurdeley, the casting and gilding by Graux-Marly, Paris, the movement by P. Marti et Cie. The large and impressive marble and two-tone finely chased gilt-bronze (Ormolu) and white marble body, with its original superb quality mercury satin-gilt and burnished gilt (ciselé et doré au mat), surmounted by two reclining cherubs amongst clouds, one holding a triumphant floral wreath, the other a floral bouquet strand, flanked to each side by floral swags and attributes of Love, with kissing doves, on a shaped base with a further cloud-borne cherub, above a scrolling foliate frieze and garlands of flowers, with a bow, a quiver, trumpets and arrows protruding through within the clouds, raised on toupie feet. The beautifully decorated circular white enamel dial with gold fleur-de-lis' jewels, with Roman and Arabic numerals, signed "Graux Marly, Paris - Rue du Parc-Royal, 8". The bell striking movement stamped: "S. Marti et Cie. Médaille de Bronze". Circa: Paris, 1870's. The Jules Graux's Foundry was based at 8 rue du Parc-Royal from 1860, they exhibited at the last national exhibition in Paris in 1849 and again Paris in 1855. At the London exhibition of 1862 their entry was described as, "bronzes d'ameublement, cheminée et garniture de cheminée, lustres, vases, statues, groupes, objets de service de table, gueridon de malachite." They are recorded as exporting 35% of their production and as having made bronzes for the Hotel de la Commission. They also contributed to the Paris exhibition of 1867. By 1870 his sons M Graux-Marly took over the business from their father and, from then on, their works were stamped GRAUX-MARLY or GRAUX-MARLY FRÈRES. The foundry in renown for producing high-quality bronze castings, chasing and gilding, including clocks, candelabra, statuettes and other fine decorative works of art. Jules Graux - Graux-Marly Fondeurs also cast bronzes for many of the most renowned sculptors of the day, including but not limited to Jean-Baptiste Carpeaux (French, 1827-1875), James Pradier - born Jean-Jacques Pradier (Swiss/French, 1790-1852), Emmanuel Frémiet (French, 1824-1910), Albert-Ernest Carrier-Belleuse (French, 1824-1887), Alfred Emmanuel Louis Beurdeley (French, 1847-1919) as well as reproducing important and popular antique, from the Renaissance and later models. Related Literature: P. Kjellberg, Les Bronzes du XIX Siecle, Les Editions de l'Amateur, Paris, page 660. Beurdeley, Alfred Emmanuel Louis (French, 1847-1919): Work at first with his father in Paris and eventually succeeded him. He kept the shop at rue Louis-Le-Grand and had worked at Nos. 20 ˆ 24 rue Dautancourt. The business continued in its traditional style with very few variations, until it was closed in 1895 and the remaining contents of the company were sold at the Galerie Geroges Petit. Beurdeley exhibited at the 1878 Exhibition. LITERATURE AND REFERENCES: Tardy, The Most Beautiful French Clocks, Paris, 1994, pp. 162-163 for illustrations of similar eighteenth century dial know as à la dauphine by Cotteau and Dubuisson. Ottomeyer/Proschel, Vergoldete Bronzen I, Munich, 1986. The model of this clock can be found in the Beurdeley sale in 1895, 6-9 May: Catalogue of Furniture and Works of Art made in the workshop and under the direction of M.A. Beurdeley, lot number 46, described as Pendule de style Louis XV, en marbre blanc, avec groupes d'amours dans le goût de Boucher, tenant des guirlandes de fleurs en bronze ciselé et doré au mat. Le socle en marbre blanc est enrichi de rinceaux et de guirlandes en bronze doré Haut. 68 cent. Larg. 68 cent. It was acquired by M. Martin Fuld for 1600 francs or. This model can also be found in the Catalogue des modèles pour bronzes d'art, meubles de style et de grande décoration provenant de la Maison A.Beurdeley, from 19-22 October, 1897 under the lot number 50, described as: Pendule Louis XVI...

Antique precision regulator, grandfather clock with seconds pendulum Scotland Mahogany, brass First half 19th century Dimensions: H x W x D: 202 x 50 x 25 cm Description: ...

Grandfather’s clock or longcase clock George III Good condition the mecanism has been revised by a watchmaker.  

19th century French pine grandfather clock with carved flowers, wheat and basket of fruit. Clock face signed: Auffay, Mesaize.

19th Century French Ormolu mounted marble clock by Houdebine. France, Circa 1855 Henri Houdebine founded his company in 1845. He gained a great reputation in the making of cloc...

This beautiful Swedish 19th century longcase clock features very clean, straight and simple lines. The decorations are exquisite yet subtle...

An unusual late 19th Century French minature gilded ormolu and carved Onyx mantle clock, in the style of a Louis XVI longcase clock. Having an enamel clock face and classical mounts....