Large Ormolu and Cloisonné Enamel three piece clock set

Large three-piece porcelain, champlevé enamel, and ormolu mounted clock set French, late 19th century Measures: Clock: height 46cm, width 25cm, depth 15cm Vases: height 38cm, width 14cm, depth 11cm This exceptional antique clock set consists of a central clock flanked by a pair of small vases...

This exceptionally detailed clock set consists of a mantel clock and a pair of accompanying vases, which are all crafted in ormolu and extensively decorated in vibrant cloisonné enam...

Very fine and rare green onyx, porcelain, cloisonné enamel and ormolu mantel clock French, Late 19th Century Height 64cm, diameter 23cm This beautiful piece is an exceptionally unusual and equally beautiful mantel clock, crafted from a variety of materials, used to showcase an array of superb decorative arts and techniques. Made in France in the late nineteenth century it is formed of green onyx, porcelain (the vase on top), cloisonné enamel and ormolu. The dials are set upon three columns of ormolu, mounted on green onyx, and framed with enamel in red, white, and blue, floral motifs. The dials are adorned with lettering in both French and Spanish, and measure time, temperature, and pressure. An elegant decorative vase mounts the clock, crafted from porcelain, and similarly decorated with enamel elements. Rare in design and even rare in terms of pure quality, it forms a unique antique timepiece...

The central clock with dial to the center, displaying hours in individual plaques in Roman numerals and five minute intervals engraved into the ormolu case in Arabic numerals, the ca...

Comprising a central clock and a pair of flanking candelabra, the clock with central circular dial signed 'PICARD / A GENEVE', surrounded by three ormolu cherubs and two porcelain pl...

French gilt bronze and enamel three-piece clock set French, late 19th Century Clock: Height 45cm, width 26cm, depth 14.5cm Candelabra: Height 31.5cm, width 21cm, depth 9cm This char...

Magnificent grand bureau/writing desk Louis XV, After Francois Linke The desk has an estimated total weight of approx. 450 kg, bronze weight...

Originally commissioned by King Louis Philippe I of France for his Palace of Saint Cloud, this magnificent mantel clock is a horological marve...

A palatial french ormolu-mounted Sevres Porcelain hand-painted vase and cover, circa 1838. This monumental Sevres porcelain vase stands 56" high, and is beautifully hand-painted with classical scenes of lovers and cupids, in teal / turquoise blue ground porcelain. Made with very fine quality figural bronze handle, the vase turns to a full 360 degree angle and is mounted on a solid bronze base with fine detail. Painted with beautiful flowers throughout the entire vase, leading up to the cover, which is adorned with an acorn bronze...

These bronze-mounted Sèvres porcelain urns are monumental in both size and quality and feature the renowned manufactory’s signature deep cobalt blue g...

An Important and Monumental Art Nouveau Ormolu-Mounted Ceramic "Exhibition" Vase, C. 1895 This important and monumental vase was done by four different artists in the late 19th century: Alphonse Adolphe Lamarre, French, 1837 - 1912 (Artist who designed the vase) Paul Louchet, French (founder of bronze mounts) (Founder) Charles Pillivuyt Porcelain Manufactory, French, Paris, 1853 - 1922 (Manufacturer) Louis Chalon, French, born 1866 (modeler of mounts) (Modeler) "An Art Nouveau Collaboration" The vase in this case is an exceptional example of the collaboration between numerous artists during the late 19th century. The ceramic was made by Alphone Adolphe Lamarre (1837-1922) for the Charles Pillivuyt Porcelain Manufactory; the gilded bronze mounts, modeled by sculptor Louis Chalon and cast by Paul Louchet. Spectacularly mounted naturalist vase; the base dressed and balustered, the neck finished in double openwork bulb, the surface describing sinuous reliefs. Polychrome glazed ceramic in Beige, blue, and green. The shoulder is decorated with a gilded bronze roundel with five ormolu bronze female...

A large pair of ormolu-mounted Se`vres Porcelain Bleu Celeste '1867 Exhibition' vases and covers (‘Vase Paris de Milieu Garnis’), ‘l’Abreuvoir’ and ‘Le Retour’ De Champs’ 1860, one ...

A palatial pair of late 19th century bronze mounted Sèvres style cobalt blue porcelain vases and covers Each of baluster form with domed cover with pine cone finial, above a waist...

An Important and Palatial French Louis XV Style 19th Century Gilt-Bronze and White Marble Cherub Mantel Clock, attributed to Alfred-Emmanuel-Louis Beurdeley, the casting and gilding by Graux-Marly, Paris, the movement by P. Marti et Cie. The large and impressive marble and two-tone finely chased gilt-bronze (Ormolu) and white marble body, with its original superb quality mercury satin-gilt and burnished gilt (ciselé et doré au mat), surmounted by two reclining cherubs amongst clouds, one holding a triumphant floral wreath, the other a floral bouquet strand, flanked to each side by floral swags and attributes of Love, with kissing doves, on a shaped base with a further cloud-borne cherub, above a scrolling foliate frieze and garlands of flowers, with a bow, a quiver, trumpets and arrows protruding through within the clouds, raised on toupie feet. The beautifully decorated circular white enamel dial with gold fleur-de-lis' jewels, with Roman and Arabic numerals, signed "Graux Marly, Paris - Rue du Parc-Royal, 8". The bell striking movement stamped: "S. Marti et Cie. Médaille de Bronze". Circa: Paris, 1870's. The Jules Graux's Foundry was based at 8 rue du Parc-Royal from 1860, they exhibited at the last national exhibition in Paris in 1849 and again Paris in 1855. At the London exhibition of 1862 their entry was described as, "bronzes d'ameublement, cheminée et garniture de cheminée, lustres, vases, statues, groupes, objets de service de table, gueridon de malachite." They are recorded as exporting 35% of their production and as having made bronzes for the Hotel de la Commission. They also contributed to the Paris exhibition of 1867. By 1870 his sons M Graux-Marly took over the business from their father and, from then on, their works were stamped GRAUX-MARLY or GRAUX-MARLY FRÈRES. The foundry in renown for producing high-quality bronze castings, chasing and gilding, including clocks, candelabra, statuettes and other fine decorative works of art. Jules Graux - Graux-Marly Fondeurs also cast bronzes for many of the most renowned sculptors of the day, including but not limited to Jean-Baptiste Carpeaux (French, 1827-1875), James Pradier - born Jean-Jacques Pradier (Swiss/French, 1790-1852), Emmanuel Frémiet (French, 1824-1910), Albert-Ernest Carrier-Belleuse (French, 1824-1887), Alfred Emmanuel Louis Beurdeley (French, 1847-1919) as well as reproducing important and popular antique, from the Renaissance and later models. Related Literature: P. Kjellberg, Les Bronzes du XIX Siecle, Les Editions de l'Amateur, Paris, page 660. Beurdeley, Alfred Emmanuel Louis (French, 1847-1919): Work at first with his father in Paris and eventually succeeded him. He kept the shop at rue Louis-Le-Grand and had worked at Nos. 20 ˆ 24 rue Dautancourt. The business continued in its traditional style with very few variations, until it was closed in 1895 and the remaining contents of the company were sold at the Galerie Geroges Petit. Beurdeley exhibited at the 1878 Exhibition. LITERATURE AND REFERENCES: Tardy, The Most Beautiful French Clocks, Paris, 1994, pp. 162-163 for illustrations of similar eighteenth century dial know as à la dauphine by Cotteau and Dubuisson. Ottomeyer/Proschel, Vergoldete Bronzen I, Munich, 1986. The model of this clock can be found in the Beurdeley sale in 1895, 6-9 May: Catalogue of Furniture and Works of Art made in the workshop and under the direction of M.A. Beurdeley, lot number 46, described as Pendule de style Louis XV, en marbre blanc, avec groupes d'amours dans le goût de Boucher, tenant des guirlandes de fleurs en bronze ciselé et doré au mat. Le socle en marbre blanc est enrichi de rinceaux et de guirlandes en bronze doré Haut. 68 cent. Larg. 68 cent. It was acquired by M. Martin Fuld for 1600 francs or. This model can also be found in the Catalogue des modèles pour bronzes d'art, meubles de style et de grande décoration provenant de la Maison A.Beurdeley, from 19-22 October, 1897 under the lot number 50, described as: Pendule Louis XVI...

A fine pair of Sèvres-style napoleonic gilt bronze mounted cobalt-blue ground porcelain vases. Signed by the artist 'H. Desprez Sevres'. Each vase is of inverted ovoid form finely painted all-over with Napoleonic battle...

An Exhibition Quality Garniture de Cheminée By Jules Graux of Paris Of important size and supreme quality, the mantle clock constructed from white C...

A very fine french ormolu and white marble three-piece clock set garniture. Comprising a mantel clock and a pair of matching urns with a pair of putti ...

A fine chinoiserie gilt bronze and cloisonne three-piece clock set by Japy Freres. The ball encased movement hanging as a gong from a frame with bronze Chinese elements and cloisonn...

A French Japonisme Chinoiserie Ormolu, patinated bronze, and cloisonne enamel mantel clock, Attributed to Escalier De Cristal and Edou...

An exquisite French second Empire ormolu bronze and green marble three-piece clock garniture clock set, circa 1820. Origin: France Measures: Clock Height 32" Width 21" De...

A very fine antique French chinoiserie, doré bronze, and Imari porcelain three-piece clock graniture. The porcelain is marvelously hand-painted with intricately designed flowers, pea...

Three-piece gilt Spelter and "Sevres" porcelain clock set, 19th century, the clock with a floral painted porcelain urn surmount on a stepped arc...