"Invasata" White Ceramic Sculpture by Andrea Salvatori, Italy, Contemporary

Andrea Salvatori, "Maria Clementina", 2021, glazed earthenware, measures: H 59 x 30 x 40 cm Andrea Salvatori (Italy, 1975) is an internationally re...

Andrea Salvatori, "Maria Luigia", 2021, glazed earthenware, measures: H 55 x 33 x 38 cm Andrea Salvatori (Italy, 1975) is an internationally renown...

Andrea Salvatori, "Maria Teresa", 2021, glazed earthenware, measures: H 57 x 35 x 31 cm Andrea Salvatori (Italy, 1975) is an internationally renown...

White vase with stars, unique piece, 2017, glazed earthenware, 36 x 76 cm height. Unique piece signed by the artist. Andrea Salvatori (Italy, 1975) is a visual artist working in ce...

The piece is a unique representation of a Toucan in a modern way. The animal is gently painted with a may different colors. All the pieces from Mosche Bianche are unique since they a...

Artist: Matteo Thun, Italian (1952 - ) Title: Le Damigelle in Craquelet Year: circa 2008 Medium: Porcelain Size: 15 x 7 x 7 inches Produced by Orlando Andrian and Claudio Gambalonga...

'Achromatic Fold in White II' is a unique sculpture by the British artist Steven Edwards, created from parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

Kawa Vase 06 Tactile and organic white vase with textured raw porcelain exterior surface and clear glazed interior. As a result of the production process each item is one-of-a-kind....