Mid-Century Modern Ceramic Sculpture by Alessio Tasca, Italy, 1970s

Mid-Century Modern Ceramic Sculpture by Alessio Tasca, Italy, 1970s

Mid-Century Modern Ceramic by Alessio Tasca, Italy, 1970s

Terracotta Sculpture by Yves Rhayé, Belgium, 1985

Mid-Century Modern ceramic by Knud Kyhn - Denmark 1950s.

Beautiful ceramic sculpture designed by Giacomo Onestini made in his own atelier in Italy in 1970. It has a combination of matte and shiny glazed surfaces. The back and sides of the sculpture have a textured surface with shades of gray, green, and sometimes turquoise. On the front, there's a carved-out section that's smooth and glazed with red and gold hues. It's a very appealing and intriguing piece. You can find the artist's signature, "Onestini," on the side of the sculpture. This piece was created in the artist's personal studio. Very nice large sized, heavy piece and in excellent condition. After graduating as a master ceramist, Onestini moved to San Marino where he found employment at the "Marmaca" ceramics factory. Around the end of the 1950s, he moved to Salerno and began working with the "Ernestine...

Mid-Century Brutalist Studio Pottery Art Sculpture, 1960s, in Very Good conditions. Designed 1980 to 1989. Additional information: Materials: Ceramic Style: Postmodern Color: Beige ...

Midcentury Italian ceramic sculpture designed by Alessio Tasca in 1970s. Original label

Ceramic (Grés) centerpiece designed and produced by Carlo Zauli in 1970. Unique piece. Signed. Biography: Carlo Zauli (Faenza, 1926-2002) is one of the great names in post-war Italian sculpture. Like other masters of previous generations, from Martini to Fontana and Leoncillo, his technical training was in the field of ceramic art. Zauli moved away from its formal principles in the sixties, however, when his work moved towards a complex form of sculptural research of great expressive richness. The shift from informal territories towards a reasoning about geometrical forms as rhetorical structures brought him into the heart of the sculptural debate of those years. The solo exhibition at the Montenapoleone Gallery of Milan in 1957 fitted in perfectly with other works that were part of a trend towards an integration of the arts (frieze for the palace in Baghdad, 1958; frieze for the government printing office...