19th Century Chinese Qing Dynasty Turquoise Glazed Parrots

Fleurdetroit presents for your consideration, this pair of antique, carved lions. Fresh to the market from an East Coast Estate, these lions are in search of their next home for the next century. Beautifully carved with an excellent patina only achieved by ages in an estate garden...

fleurdetroit offers for your consideration, a pair of 19th century, English Regency period, lead urns with removable lids. Vase forms are heavily decorated with fluting and classical...

We presents for your consideration, this trumpeting cob. This male swan from the Italian designers of the mid-century will add majesty to any dining room table. Filled with a floral ...

For your consideration, fleurdetroit presents this fanciful sculpture depicting a playful cockatoo. These late 18th century sculptures are perfectly suited for any interior aesthetic...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

A fantastic Chinese cast bronze censer in the form of two Buddhistic lions play fighting, late Qing Dynasty, late 19th century, China. The censer formed as a pair of Buddhistic li...

A charming and elegant Chinese brush washer in the form of a recumbent spotted deer, Qing dynasty, circa 1850. The graceful animal modeled with ...

A 19th century Chinese standing priestess sculpture made from terracotta during the later stages of the Qing dynasty with traces of original paint. This small hollow statue displays ...