Art Deco Sculpture by Paul Lobel RKO Roxy Theatre Rockefeller Center

Bronze heron by American sculptor Wayne Williams. Signed and dated 1993. Edition 2/2. Mounted on a walnut base. From Finger Lakes Magazine 2001: Art is everywhere in the Finger Lakes. Inspired by the region’s diverse scenery and lifestyles, artists pursue their creativity outdoors, in studios and in workshops. In the many well-established museums and galleries or at the newer fledgling arts organizations, a wide array of artistic styles and talents are represented. Often the artists, like Wayne Williams, share their artistic skill and passion through teaching at local colleges. Williams, who is retired after a 35-year career at Finger Lakes Community College, found his calling there. “I didn’t want to teach in public schools,” explains Williams of his career choice. “I wanted to be at the college level. CCFL (the Community College of the Finger Lakes, as it was then known) was literally creating a college, right from scratch.” The year was 1968 and Williams was charged with coordinating the new college’s art program. Rand Darrow, a CCFL student in that first year, remembers attending Williams’ art classes in a commercial building on Main Street just south of the railroad tracks in Canandaigua. Darrow appreciated his instructor’s relaxed manner. “He was a great teacher,” recalls Darrow, “cracking jokes all the time.” Darrow graduated with a major in Liberal Arts and continued on to SUNY Oswego where he earned a BA in fine arts. He taught art to elementary and middle school students for 30 years. These days Williams and Darrow typically cross paths at the Wayne County Arts Council in Newark where Williams and his wife, Marleen, are heavily involved. Williams offers classes in figure drawing and sculpture and hangs the gallery’s shows, including his former student’s “Slavic Tales of Novgorod” this past August. “I’d like to take a sculpture class from him,” says Darrow. In 2003 when Williams retired, the college honored him and another retiring art professor, Tom Insalaco, by renaming its art gallery the Williams-Insalaco Art Gallery. It was known formerly as Gallery 34 to recognize its origins at 34 North Main Street in Canandaigua. Williams held professor’s rank from 1976 and served as director of the art gallery beginning with its opening in 1983. Williams, who was born and raised in Newark, New York, says he began doing art at about age 8. By the time he was in junior high school his career direction seemed clear. He received local and national awards for his art and a scholarship to Syracuse University, from which he graduated in 1958 with a Bachelor of Fine Arts in sculpture. He continued with graduate work at Syracuse, receiving an MFA in sculpture in 1962. He worked full time as a sculptor until he began teaching. At one point Williams admits he wanted to be a painter, but didn’t want to adopt the abstract expressionist style in vogue in the 1950s, preferring to pursue the realist tradition. He advises any would-be artist to “do what you do because you love it.” After graduation he traveled abroad, spending time in Belgium, the land of his ancestors. “My family’s name was originally Willems,” explains the 73-year old who still relishes the time spent in the Flemish countryside. Williams speaks excitedly about art, referencing the lives of great artists. He acknowledges that American artists do not have the same stature as those in Europe, where Old Masters like Brueghel and Rembrandt are national heroes. These days the energetic Williams, known primarily as a sculptor, is active at the Phelps Arts Center where he is on the board of directors. In mid-September when a group of visitors on a motor coach tour explored artworks displayed in the beautiful church-turned- gallery, they were treated to a large number of Williams’ bronze and metal sculptures, along with his charcoal drawings. “I’ve always loved his work because he deals with things, people, and animals you understand,” says the center’s Director Emeritus Marion Donnelly, who has known him for many years. Outside the Phelps Community Historical Society, Williams’ life-size figure of a farmer raises his pitchfork above a colorful flower garden on the front lawn. Inspired by the peasants working the fields in Europe, the metal figure is shown with wooden shoes. This is Williams’ largest copper piece, loaned to the Phelps museum in connection with Artistry in Sculpture, a community exhibition in 2009. Williams added a new base using a metal wagon...

Bronze statue of young goatherder by Oscar Gladenbeck. Circa 1900. Signed "Oscar Gladenbeck Friedrichshagen".

Bronze statue of young goatherder by Oscar Gladenbeck. circa 1900. Signed "Oscar Gladenbeck Friedrichshagen". # nude male Grand Tour.

Fine French orientalist bronze statue of David after the battle with Goliath by Antonin Mercie. This subject received the Medal of Honour when it was shown at the Paris Salon des Beaux Arts. Late 19th century. 42" high. Please, contact us for shipping options. Presented by Joseph Dasta Antiques Antonin Mercie(1845-1916) Mercié entered the École des Beaux-Arts, Paris, and studied under Alexandre Falguière and François Jouffroy, and in 1868 gained the Grand Prix de Rome at the age of 23. His first great popular successes were the David and Gloria Victis, which was shown and received the Medal of Honour of the Paris Salon. The bronze was subsequently placed in the Square Montholon.[2] The bronze David...

‘Opera’ by celebrated British sculptor Paul Day depicts a theatre scene intricately modelled with terracotta. Signed and dated by the artist, the theatre sculpture reflects Day’s unu...

Silvered bronze around 1925 on a marble base. s Signed on the marble P Philippe. In a perfect state Total height: 64.5 cm 25.39 in Depth: 15cm 5.9in Width: 20cm. 7.87in Bas...

PAUL PHILIPPE Polish/French, 1870-1930 "Mischievous" Polychromed gilt bronze over original marble base signed in cast "P. PHILIPPE" signed in cast "i9.R / France" with foundry seal of A.G. Paris Item # 212MPH15S An exquisite and rare example of Paul Philippe's Mischievous finished in a brilliant polychromed gilt, the young woman grabs her reddish-brown hair in hand while looking off into the corner with a sly look in her eyes that suggests she holds a secret that we will never know. The base signature is captured directly from the mold. Situated over its original faceted base. A very fine work. ARTIST Born in Thorn in Poland in 1870, Paul Philippe studied under Antonin Larroux at the École des Beaux-Arts after moving to Paris, France around 1900. He exhibited extensively at all of the major French salons and developed his own voice in sculpture by focusing his ouevre around the movement of the female body, often depicting exotic models in highly theatrical poses with a loose adherence to realism in his idealized visions. He walked a fine line between Art Nouveau and Art Deco while his figures do tend towards the latter. He executed figures in bronze and chryselephantine and worked with some of the best foundries in France and Germany. Many examples of his work are held in the Art Deco Museum in Moscow, Russia. Artist Listings...

PAUL PHILIPPE Polish/French, "The Flute Player" Polychromed gilt bronze Signed in cast "P. Philippe" incised to base "2 MC / France" Item # 212JP...