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Rembrandt Bugatti "Panthère assise" Bronze Sculpture

About the Item

In "Panthère assise" also known as "Seated Panther," Bugatti seems to have been concerned primarily with musculature. The uneven surface exaggerates the contours of muscles which in turn causes a curious effect: weightiness from the amplified muscles and lightness created by the myriad reflecting planes. Bugatti’s sculpture relies on asymmetry, with nearly half of the composition occupied by the panther’s horizontally extended tail. The curve of the tail rises, flowing into the S-shaped arc of the panther’s movement, accentuating the dynamic form of the great cat. Product Details: Item #: B-21648 Artist: Rembrandt Bugatti Country: France Circa: 1912 Dimensions: 8.625" height, 4.625" width, 14.25" depth. Materials: Bronze Signed: R. Bugatti and incised 1 with foundry mark Cire Perdue AA Hébrard Documentation: According to the Répertoire monographique, ten numbered casts of this model are known to exist. Provenance: M. Maire Collection, Épinal (acquired directly from Galerie A.-A. Hébrard, Paris in 1912) Literature: P. Dejean, "Bugatti, Carlo-Rembrandt-Ettore-Jean", Paris, 1981, p. 155 (another cast illustrated). J.-C. des Cordes & V. Fromanger des Cordes, "Rembrandt Bugatti, Catalogue raisonné", Paris, 1987, p. 47 (another version illustrated). E. Horswell, "Rembrandt Bugatti, Life in Sculpture", London, 2004, p. 143 (another cast illustrated). V. Fromanger, "Rembrandt Bugatti Sculpteur, Répertoire monographique, une trajectoire foudroyante", Paris, 2009, no. 294 (another cast illustrated p. 328). A. Daemgen & P. Demandt (eds.), "Rembrandt Bugatti, The Sculptor 1884-1916", Berlin, 2014, p. 118 (another cast illustrated). V. Fromanger, "Rembrandt Bugatti Sculpteur, Répertoire monographique, a meteoric rise", Paris, 2016, no. 298, (another cast illustrated p. 363). Macklowe Gallery Curator's Notes: Bugatti’s panther was inspired by a poem written by Rainer Maria Rilke for Auguste Rodin in the summer of 1902. While in Paris, Rilke visited the Ménagerie at the Jardin des Plantes, where he saw a panther confined behind bars. This powerful image of the captive animal became the inspiration for Rilke’s famous poem Le Panther, which poignantly captures the creature’s sorrow and restraint. The poem reads as follows: Son regard est si las de traverser les barreaux qu'il ne fixe plus rien. Pour lui, c'est comme s'il y avait un millier de barreaux, et derrière le néant. Un pas dur de la démarche molle, parcourant des cercles décroissants, tel une danse de la force autour d'un centre, où se tient étourdie une volonté plus grande. Sauf que parfois les paupières balaient silencieusement les pupilles. Alors une image entre, traverse l'immobilité des membres, et s’éteint dans le cœur. That same summer, while working as the resident artist at the Jardin des Plantes, Bugatti met Rainer Maria Rilke. In 1902, Bugatti chose to live nearby in order to study and paint the animals. Panthers, in particular, became 'his companions in life and work.' After engaging with the zookeepers at the Jardin des Plantes in Paris, Bugatti felt a deeper connection with these creatures, believing them to be less aggressive and more natural in their behavior than humans. He spent hours observing them daily, working on-site and capturing their movements with passion. He familiarized himself with their behavior, studied their natural grace, and envisioned them beyond the confines of their cages. At just 21 years old, he sculpted these panthers spontaneously, without the need for preliminary sketches.
  • Creator:
  • Dimensions:
    Height: 8.625 in (21.91 cm)Width: 4.625 in (11.75 cm)Depth: 13 in (33.02 cm)
  • Materials and Techniques:
  • Period:
  • Date of Manufacture:
    1912
  • Condition:
  • Seller Location:
    New York, NY
  • Reference Number:
    Seller: B-216481stDibs: LU885444690092

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