Seal, 1930 by Rueben Nakian

Meiji Bronze Fisherman Okimono, Sealed Masatsune saku Japan, Meiji period (1868–1912) A fine and rare Meiji period bronze Okimono of a fisherman by Masatsune Saku, originating from Japan and crafted during the Meiji period (1868–1922). This exquisite piece is a notable example of the Tokyo School's artistry, dating to the late 19th century. The Okimono depicts a fisherman seated on a four-rung ladder, holding a bamboo fishing rod...

“Angel"—Bronze by Frederick Hart, 1992, #76/350 "Angel" by Frederick Hart, created in 1992, is one of the most sought-after sculptures by this renowned American artist. This limited...

SALE ONE WEEK ONLY “Leda and the Swan” is by Reuben Nakian (1897 - 1986). He was an American sculptor and teacher of Armenian extraction. His works’ recurring themes are from Greek and Roman mythology. Nakian’s small bronzes achieve majesty and power which are not dependent on size and amplitude. With characteristic freshness, he has reinterpreted the classical subject of Leda and the Swan refining it in the Classical-Renaissance-Baroque tradition in a contemporary way. Dr. Robert P. Metzger gives us his aesthetic interpretation of this work which retells the myth in classical hedonism and freedom of expression showing Leda and the Swann prior to her being ravaged and during their first meeting. “The young virgin is fascinated with her new found friend and accepts him in a spirit of playfulness, contentment and wonder. She is dreamily available and shyly seductive as the deceptively tame swan snuggles up to her with its phallic-like neck.” Leda appears composed, placid yet open and available as compared to her more intense and passionate states in other of Nakian’s depictions on the same theme. This was cast at the "Renaissance Art Foundry" in 1978 and is so marked on the base being #5 of 7. It is believed that “no other sculptor of the twentieth century matched Rueben’s heroic renditions with the grand themes of Western Art. His erotic mythological figures exude a joyous energy of gesture and movement which place them among seminal sculptural achievements of the past one hundred years.” Nakian studied at the Independent School of Art in New York City previously known as the Robert Henri School … with Homer Boss...

Folk Art sculpture of the head of a seal. South America 1930´s. The head is mounted over a brass base, as a way to exhibit it. The head has several crack as you can see on the pictur...