18th Century Spanish Virgin Mary of Immaculate Conception, Handcrafted Sculpture

The bronze figure is 19th century, made by sculptor Agapito Vallmitjana (1833-1905) who was active in Barcelona, along with his brother Venancio, who was also a sculptor. They were both successful and well-known in their time, and their works are in public places and various collections in Spain, including a beautiful life-size marble Christ...

This expressive 18th century marble portrait bust is of Marie-Madeleine Guimard (1743-1816), a successful dancer and one of the most famous courtesans of pre-Revolutionary France. The bust is unsigned, but identical to one in the collection of London's V&A museum carved...

A beautifully conserved Spanish writing table with mixtilinear “pata de lira” (lyre-shaped legs) displaying zig-zagging curves and undulations, in the Baroque ...

An excellent example of the classic dome top Spanish "arcón" or travel chest / trunk. Constructed of wood, the exterior is completely covered in a dark brown leather and the top and front feature studded brass nails arranged in decorative patterns. The nailheads themselves are decorated with raised star shape. The functioning lock mechanism (key included), hasp and side carry handles are original and made of wrought iron. Included are a pair of matching studded leather "feet" or supports which raise the trunk off of the floor allowing air to circulate, thus protecting the bottom from moisture. A solid and useable trunk...

18th century Immaculate Conception and saints Marble, 60 x 50 x 9 cm In the center of the marble oval we find an Immaculate Conception accompanied by St. Vincent Ferrer (identifiable thanks to the presence of the wings and the Dominican dress), and by two saints of difficult identification, one of them with a monastic habit. The theme of the Immaculate Conception began to appear in artistic works ever since the debate began, which saw the Franciscans and the ramifications of the Benedictine Order lined up on one side, linked to the thought of Anselmo d'Aosta and Bonaventura da Bagnoregio, and on the other the Dominicans, linked to the discussion offered by Thomas Aquinas...

This is an outstanding Italian 18th century carved wood polychromed sculpture of Virgin Mary. The Sculpture is hand painted with some remains of a gold gilt in few places and originated until lately in a private Villa in Tuscany (Italy). The colors are typical red, blue and green are spectacular on this large figure. The Virgin's hands are joined together in a prayer, while standing on a pedestal on the both sides of which are devil's horns (bottom left side horn missing ) symbolising Holly Mary defeating the Evil, protected by the Holly Ghost and an Angel. A story tells the pose of the Virgin Mary sculpture...

18th Century north Spanish polychrome wooden sculpture of the Virgin Mary holding baby Jesus.  

18th century Immaculate Madonna Terracotta, 53 x 22 x 20 cm The work examined depicts the Virgin Mary treated according to the iconography of the Immaculate Virgin The theme of the Immaculate Conception began to appear in artistic works ever since the debate began, which saw the Franciscans and the ramifications of the Benedictine Order lined up on one side, linked to the thought of Anselmo d'Aosta and Bonaventura da Bagnoregio, and on the other the Dominicans, linked to the discussion offered by Thomas Aquinas...