19th Century, German Porcelain Horse Drawn Sedan Chair & Riders by Samson & Cie

This exquisite porcelain figure, titled "Winter," is produced after with the influence of the artistry of Friedrich Elias Meyer (circa 1723–1785), a distinguished sculptor for the Me...

19th Century, French Faience Enameled Chinoiserie Table Top Cabinet. A very fine french enameled cabinet with chinoiserie decoration to the exterior and a white enamel to interior. G...

Dresden Porcelain (German, 1872-2020), circa post 1902. A grouping of 3 antique porcelain figures including: 1) Young Boy Picking Flowers 2) Young Girl Collecting Flowers 3) Lady With Basket...

A rare and exceptionally elaborate pair of Meissen porcelain ewers, dating to the mid-19th century, executed in a richly sculptural Rococo Revival idiom, each marked beneath with the...

Rare Vintage Monumental Porcelain Horse Drawn Victorian Carriage centerpiece group Capodimonte Porcelain, after a model by Giorgio Galletti Naples, Italy; second half of the 20th century Porcelain Approximate size: 37 (w) x 15 (h) x 10 (d) in. This beautiful and elaborately detailed porcelain group features an ornately modeled carriage drawn by four horses. The coach features a driver seated on his perch wearing a tricorn hat and a lovely lady is seated in the coach box wearing a light blue dress with intricate gesticulating openwork porcelain lace...

French Paris porcelain figural group depicting Marie Antoinette borne in her carriage with small dog following. Carriage has removable top cover. Beautifully-painted detailing, and v...

A silver-gilt and enamel Austro-Hungarian horse drawn carriage model Austro-Hungarian, Early 20th Century Case: 28cm high x 89cm wide x 44...

A Rare 18th-Century Meissen Porcelain Horse-Drawn Sleigh Group Featuring the Court Jesters Joseph Fröhlich and Gottfried Schmiedel, After a Model by Johann Joachim Kändler. This finely modeled and painted Meissen porcelain group, created circa 1750, captures a dynamic and theatrical sleigh ride featuring the court jesters Fröhlich and Schmiedel. The composition is anchored by a galloping white horse adorned with a blue cloth draped over its back, trimmed with gilt tassels. The harness, with delicate chains, connects the horse to an elaborately detailed sleigh with scrolling gilt accents and openwork elements. The sleigh glides over a textured, snow-covered base, sculpted to mimic the uneven terrain. At the center of this lively scene, Fröhlich, dressed in vibrant carnival attire with a green hat and yellow cape, stands on the runners of the sleigh, leaning forward to embrace and steal a kiss from Countess Friesen. However, the "Countess" is, in fact, Schmiedel in disguise, adding to the humor of the piece. Schmiedel wears a floral-patterned gown with intricate hand-painted blooms in shades of purple, yellow, and red, complemented by a white apron and a red bonnet. The finely painted facial features capture the moment's theatricality, as Schmiedel grips the reins while seemingly playing along with the jest. In front of them, a small monkey with wings sits perched at the sleigh’s edge, holding a dish with two burning hearts, reinforcing the amorous and playful nature of the composition. The back of the base bears the Meissen underglaze blue crossed swords mark, confirming its origin at the renowned German porcelain manufacturer. The model was first created by Johann Joachim Kändler in 1741, during his tenure as Meissen’s chief modeler. Kändler’s ability to animate porcelain figures with expressive gestures and dynamic movement is evident in this work, reflecting the theatrical influences of the period. Meissen, established in the early 1700s under the patronage of Augustus the Strong, Elector of Saxony, was the first European porcelain manufacturer to successfully produce hard-paste porcelain. The factory became synonymous with innovation, refinement, and technical excellence, with Kändler playing a key role in developing its sculptural traditions. Meissen’s 18th...