Ashanti Ghana African Art Sculpture

Charles Massé (1855-1913) Gilt bronze sculpture depicting a naked lady, on a brown marble pedestal Art Nouveau period.   

Homage to Camille Claudel Romeo & Juliet Very Impressive Bronze Sculpture 500lbs Extraordinary and significant bronze sculpture, France, 20th century The artist has created a work t...

Original Poster issued during the exhibition consecrated to "The Africa(s)" in Paris in 2000 in the famous department store " La Samaritaine" Titled " AfriqueS Je vous aime, meaning AfricaS I love you. Framed. Beautiful shot combining two representations of the African...

Tribal Art - African Art Fang Male Reliquary Figure (Bieri Style), Fang-Betsi Subgroup, Gabon, Circa 1950s Carved from dense hardwood, this 19-inch-tall figure with dark, very beautiful patina, stands in a composed stance, holding a small box-like object close to the chest—a gesture associated with protection or ritual offering. Height: 19 in. (48.3 cm) x Width: 5 in. (12.8 cm) x Depth: 5 in. (12.8 cm) without base. Height: 21 in 1/4 (54 cm) x Width: 5 in 7/8. (15 cm) x Depth: 5 in 1/2 (14 cm) with base. Provenance: Multiple successive collections, France. According to the previous owner, this sculpture was originally brought from Gabon to France during the colonial period and passed through several private collections thereafter. While we have no documentation to verify the original import date, we conservatively date the piece to the mid-20th century, corresponding to the period it remained in the collection of the prior owner. This powerful male figure exemplifies the classical aesthetic and spiritual principles of the Fang Bieri tradition, specifically aligned with the Betsi subgroup. Standing in a rigid frontal stance, the figure clutches a small object close to its chest, a gesture commonly associated with ritual offering, protection, or ancestral invocation. Carved from an exceptionally hard and heavy wood, the figure is marked by a rich, dark patina acquired through age and possible ritual handling. The anatomical emphasis—particularly the pronounced musculature, exaggerated genitalia, and the expressive weight of the limbs—evokes the Fang ideals of vitality, fertility, and ancestral potency. The oversized head, with its serene, meditative expression and stylized features, conveys a sense of introspective calm and spiritual authority. The schematic coiffure, carved in ridged vertical bands, further confirms its alignment with traditional depictions of respected male elders. The figure belongs to the Bieri tradition, an ancestral cult that functioned as the cornerstone of Fang spiritual and social identity for centuries. As the Fang people migrated southward through Equatorial Africa—from present-day Cameroon into northern Gabon—they carried bark containers (called nsek bieri) holding the skulls of revered ancestors. These containers were typically surmounted by carved guardian figures like this one, which both protected the sacred...

Standing Akan Ghana female figure, early 20th century, Africa. Intense expression with large eyes. Female figure with one hand on her breast, representing p...

Ashanti female head, Ghana style Measures: Height 43 in (109.2 cm.), width 8.25 in. (20.95 cm.), base width 7.75 in. (19.68 cm.), base depth 9.18 in. (23....

c.1970 Carved wood H39 x W54 x D30 cm

An indicator of status and family, stools play an integral role in traditional Ashanti culture. Believed to be the resting place for a person's soul, a stool is given to a child when they first learn to crawl and used in personal milestones throughout the rest of their life. Carved from a solid block of wood, each stool has a rectangular base and a distinctive curved seat supported by a central column and four corner posts. While some ceremonial stools are carved to convey particular proverbs, this stool is simply decorated with scalloped edges, geometric patterns, and a small cross. The combination of shapes and curved lines makes this Ashanti stool...