A Bronze Sculpture of a Seated Female Scholar, France Late 19th Century

Bronze statue with dark colored patination featuring a seated classical lady after James Pradier (1790-1852). She is set on an oval polished slate marble base. This bronze is inspire...

A late 19th century signed bronze of putti with dove. The original patination on finely cast bronze sculpture with rought marble base. Signed Heiagle near the bottom.

ETIENNE-HENRI DUMAIGE French, 1830-1888 Classical Seated Woman with Treasure Spilling at Her Feet Burnished and patinated bronze over original polished black marble base signed in cast "H. Dumaige Sculpt" and cold-stamped 3750 circa 1875 Item # 309OXB09P This exquisite cast depicts a full-length seated female modeled with echoes of classical antiquity. Dumaige seeks to depict the young woman as a noble likely of the Roman Empire, her wealth an obscene display with pearls falling from her fingers almost as an afterthought over a chest of jewels with treasure spilling from the lid before her overstuffed throne with a richly decorated pillow...

Gaston Leroux (French, 1854-1942). A very fine French 19th century polychromed and patinated bronze sculpture of "Aida" resting on a sphinx, her legs crossed and holding a gilt-bronze tambourine, after the model by Gaston Veuvenot Leroux "Aida, A Femme Au Tambourin Assise Sur Une Tete De Sphinx". Signed: Gaston Leroux, Paris, circa 1890. Measures: Height 29 inches (74 cm). Width 15 inches (38.1 cm). Depth 15 inches (38.1 cm). The opulent and extensively detailed version of Aida was inspired by ethnographic findings of the mid-19th century in ancient Egypt as well as the influences of theatre and costume design. Travelers to the East had often recorded their journeys, either in writing or in pictures, but the movement of Egyptomania was wider-reaching than Egyptology. The immensely popular vogue of Egyptomania is without doubt due to the success of performing arts in recreating this era, in particular, Giuseppe Verdi's Aida. Both the Cairo and Paris premieres created sensations so large that they influenced generations of artists from Alexander Cabanel to Cecil de Mille. In Aida, the ruins of Egypt were brought back to life in full color and scale before the eyes of a generation that would make history as romantics, adventurers and explorers. The Cairo premier of Aida was entirely conceived by one of the foremost Egyptologists of the day, Auguste Mariette, who was assigned to the project by Khedive Ismail Pasha...